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Ella había vuelto a su vida, pero no sola... Tate Chandler jamás había deseado a una mujer tanto como a Gemma Watkins... hasta que ella lo traicionó. Sin embargo, cuando se enteró de que tenían un hijo, le exigió a Gemma que se casara con él o lucharía por la custodia del niño. Tate era un hombre de honor y crearía una familia para su heredero, aunque eso significara casarse con una mujer en la que no confiaba. Su matrimonio era sólo una obligación. No obstante, la belleza de Gemma lo tentaba para convertirla en su esposa en todos los sentidos...
The information overload produced by the printing press and the new forms of the structuring of knowledge are echoed in fictional works. The essays assembled in this book study the textualization of problematic forms of knowledge in medieval and early modern Spanish literature. Literary Works like the Libro buen amor, La Lozana Andaluza, or the Guzmán de Alfarache are read against the backdrop of scientific developments of their times.
The wedding revenge Everything had been perfect. India Marchant had planned her fairy-tale wedding and all that had remained was for the groom, Aidan Wolfe, to say "I do." But he hadn't! Instead, he accused India of being a gold digger and had walked away from the altar and out of her life. A year later Aidan was back and India was determined not to be such easy game this time around. But it seemed Aidan was still out for revenge. He'd only help her family with their difficulties for a price—India as his mistress….
Venganza De Pasion by Sara Wood released on Apr 26, 2005 is available now for purchase.
Reading, Writing, and Errant Subjects in Inquisitorial Spain explores the conception and production of early modern Spanish literary texts in the context of the inquisitorial socio-cultural environment of the sixteenth and seventeenth centuries. Author Ryan Prendergast analyzes instances of how the elaborate censorial system and the threat of punishment that both the Inquisition and the Crown deployed did not deter all writers from incorporating, confronting, and critiquing legally sanctioned practices and the exercise of institutional power designed to induce conformity and maintain orthodoxy. The book maps out how texts from different literary genres scrutinize varying facets of inquisitorial discourse and represent the influence of the Inquisition on early modern Spanish subjects, including authors and readers. Because of its incorporation of inquisitorial scenes and practices as well as its integration of numerous literary genres, Don Quixote serves as the book's principal literary resource. The author also examines the Moorish novel/ la novela morisca with special attention to the question of the religious and cultural Others, in particular the Muslim subject; the Picaresque novel/la novela picaresca, focusing on the issues of confession and punishment; and theatrical representations and dramatic texts, which deal with the public performance of ideology. The texts, which had differing levels of contact with censorial processes ranging from complete prohibition to no censorship, incorporate the issues of control, intolerance, and resistance. Through his close readings of Golden Age texts, Prendergast investigates the strategies that literary characters, many of them represented as legally or socially errant subjects, utilize to negotiate the limits that authorities and society attempt to impose on them, and demonstrates the pervasive nature of the inquisitorial specter in sixteenth- and seventeenth-century Spanish cultural production.
F u s i ó n D e Pa s i o n e s El 09 de Diciembre de 1824, a la una de la tarde, la Batalla de Ayacucho estaba por concluir con el triunfo rotundo de los patriotas; y, once sobrevivientes españoles, presintiendo las consecuencias del desastre y los pasos de la muerte en sus cercanías, decidieron escabullirse, para no caer en manos del enemigo, ansioso de saldar las cuentas de trescientos años de horrorosa opresión. Así comienza el autor a relatar los acontecimientos históricos y las aventuras poco conocidas, rescatadas de los manuscritos hallados en los archivos conventuales por un investigador desvelado que anudó los cabos sueltos y recompuso la urdimbre, hasta restituir la trama en la que aparecerá plasmada, la verdadera historia de un pueblo. El conocimiento pleno de los lugares y de los acontecimientos históricos, le sirvieron de sólido soporte al autor, para ensamblar magistralmente los hechos verídicos, con aquellos sucesos que no habían sido recogidos por la historia, para explicar y reivindicar en forma coherente, el proceso cultural, político, religioso, administrativo y militar, que fue establecido y respetado con profundo fundamento humanista por la casta gobernante en el Imperio del Tahuantinsuyo.
A pioneering critical work that establishes the existence and elaborates the history of a female literary tradition in Spain early in the nineteenth century, this book will greatly interest specialists in Spanish literature. It also addresses those concerned with Romanticism in general, with feminist criticism, and with the cultural history of women. Who were las románticas? The first generation of Spanish women to conceive of themselves as "writing women," they made their appearance in the press around 1841. It was the apogee of Spain's Romantic movement and of a first wave of liberal reforms, and these women gave voice to their experience as women within the terms of liberal Romantic ideology. Susan Kirkpatrick examines the textual representations that link liberal ideology, Romantic configurations of subjectivity, and women's writing, in an exciting revelation of early nineteenth-century gender consciousness. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1989.
1a. ed.