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'A riveting story of deception and corruption' Daily Mail 'A must for all Italy lovers' David Hewson Even the most beautiful city on earth has a dark side . . . It is November 2nd, 2017. All Souls Day. On the Day of the Dead, the citizens of Venice make their way to the cemetery island of San Michele to pay their respects to the departed. When an empty coffin is unearthed in the English section of the graveyard, a day of quiet reflection for Nathan Sutherland becomes a journey into the dark past of a noble Venetian family. A British journalist, investigating the events of forty years previously, disappears. A young tourist - with an unhealthy interest in Venice's abandoned islands - is found drowned in the icy lagoon. A terrible secret is about to be brought to light, and a deadly reckoning awaits on Venice's Isle of the Dead. Praise for Philip Gwynne Jones 'I devoured all Philip's novels and felt transported to Venice with a new intimacy' Val McDermid 'An unputdownable thriller' Gregory Dowling 'Pure pleasure' Literary Review 'Clever and great fun' The Times 'An irresistible concoction of crime and culture' Daily Mail 'Superb - always gripping, beautifully constructed and vivid' Stephen Glover 'Sinister and shimmering . . . as haunting and darkly elegant as Venice itself' L. S. Hilton, bestselling author of Maestra 'Gwynne Jones' entertaining take on his beloved Venice is as delightful as a Spritz by the Rialto - a must for all Italy lovers' David Hewson 'It is no surprise to find that Philip Gwynne Jones lives in Venice... art and architecture interweave into a story that builds to an almost surreal climax' Daily Mail 'The Venetian setting is vividly described' Literary Review 'Un-put-downable . . . If you love Venice, you'll love this because you'll be transported there in an instant. If you've not been to Venice, read this book and then go' Reader reviewer, 5 stars
John Ruskin, one of the most influential art critics of the 19th century, wrote more than half a million words on Venice. This is an abridged version of his opus, which still contains the essence of his original work, for those who would appreciate Venice, architecture and Ruskin's fine writing.
This book is an introduction to the vernacular (or "minor") architecture of the villages of the Venetian lagoon, excluding the historic centre of the city itself. It is intended as a companion volume to Dr Goy's "Chioggia and the Villages of the Venetian Lagoon".
From the myth of Arcadia through to the twenty-first century, ideas about sustainability – how we imagine better urban environments – remain persistently relevant, and raise recurring questions. How do cities evolve as complex spaces nurturing both urban creativity and the fortuitous art of discovery, and by which mechanisms do they foster imagination and innovation? While past utopias were conceived in terms of an ideal geometry, contemporary exemplary models of urban design seek technological solutions of optimal organisation. The Venice Variations explores Venice as a prototypical city that may hold unique answers to the ancient narrative of utopia. Venice was not the result of a preconceived ideal but the pragmatic outcome of social and economic networks of communication. Its urban creativity, though, came to represent the quintessential combination of place and institutions of its time. Through a discussion of Venice and two other works owing their inspiration to this city – Italo Calvino’s Invisible Cities and Le Corbusier’s Venice Hospital – Sophia Psarra describes Venice as a system that starts to resemble a highly probabilistic ‘algorithm’, that is, a structure with a small number of rules capable of producing a large number of variations. The rapidly escalating processes of urban development around our big cities share many of the motivations for survival, shelter and trade that brought Venice into existence. Rather than seeing these places as problems to be solved, we need to understand how urban complexity can evolve, as happened from its unprepossessing origins in the marshes of the Venetian lagoon to the ‘model city’ that endured a thousand years. This book frees Venice from stereotypical representations, revealing its generative capacity to inform potential other ‘Venices’ for the future.
The field of Venetian studies has experienced a significant expansion in recent years, and the Companion to Venetian History, 1400-1797 provides a single volume overview of the most recent developments. It is organized thematically and covers a range of topics including political culture, economy, religion, gender, art, literature, music, and the environment. Each chapter provides a broad but comprehensive historical and historiographical overview of the current state and future directions of research. The Companion to Venetian History, 1400-1797 represents a new point of reference for the next generation of students of early modern Venetian studies, as well as more broadly for scholars working on all aspects of the early modern world. Contributors are Alfredo Viggiano, Benjamin Arbel, Michael Knapton, Claudio Povolo, Luciano Pezzolo, Anna Bellavitis, Anne Schutte, Guido Ruggiero, Benjamin Ravid, Silvana Seidel Menchi, Cecilia Cristellon, David D’Andrea, Elisabeth Crouzet-Pavan, Wolfgang Wolters, Dulcia Meijers, Massimo Favilla, Ruggero Rugolo, Deborah Howard, Linda Carroll, Jonathan Glixon, Paul Grendler, Edward Muir, William Eamon, Edoardo Demo, Margaret King, Mario Infelise, Margaret Rosenthal and Ronnie Ferguson.
William Dean Howells spent few years in Venice as a consul and he wove the life of the town and country into fiction in a charming manner. Images of this can be found especially in "A Foregone Conclusion", one of his "Venice novels". The history and the background of Venice represent the major part of the incredible story. In "Ragged Lady" he tells an amazing story of a girl who goes to Venice where she meets a men destined to be her husband. As in most of his novels, characters are quite realistic and narrative is tinted with soft humor. "The Lady of the Aroostook" is a novel about the passage of innocence to experience for a young girl and also about the breaking of old customs and traditions. Lydia is gifted with beauty and an astonishing singing voice. She is traveling to Venice aboard the Aroostook in order to live with her Aunt and Uncle and to cultivate her voice. Throughout her journey on the Aroostook and her interactions with her shipmate James Staniford in particular, she begins to fall in love and pass from an innocent young girl to an experience mature woman. William Dean Howells (1837-1920) was an American realist author, literary critic, and playwright. Howells is known to be the father of American realism, and a denouncer of the sentimental novel. He was the first American author to bring a realist aesthetic to the literature of the United States.