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Who hasn't longed to escape to the enchanting canals and mysterious alleyways of Venice? Globetrotting writer Paula Weideger not only dreamed the dream, she took the leap. In Venetian Dreaming, she charts the course of her love affair with one of the world's most treasured cities. Weideger's search for a place to live eventually takes her to the Palazzo Donà dalle Rose, one of the rare Venetian palaces continuously inhabited by the family that built it. She weaves the past lives of the family Donà with her own adventures as she threads her way through the labyrinthine city. Art and architecture are a constant presence. Yet even more strongly felt is the passage of time, the panorama of the seasons as reflected in special events -- Carnival, the Film Festival, September's historic regatta, midnight mass at San Marco. We follow Weideger as she explores the Ghetto, the expatriate community, and the lives of locals from noblemen to boatmen. Along the way she encounters everyone from the ghost of Peggy Guggenheim to the Merchant Ivory crowd, and experiences some high drama with the Contessa, her landlady. The resulting memoir is a wry and illuminating, intelligent and tender account of the once grand heritage and now imperiled future of Venice.
Life isn't a sort of practice run, something you can afford to play around with. They don't offer second and third chances to get it right. Use it better. Live it fuller. A week in Venice ignites Margaret Cameron's interest in the private city behind the tourist facade and the obscure tales from its history. Tantalised by stories of this lesser-known Venice she returns the following August for a month-long stay, determined to uncover the Venice of the Venetians. Stepping out from her comfort zone, Margaret finds that friendships - unexpected and spontaneous - blossom within palazzi walls and she makes a discovery: life can lead you along rewarding paths, if you let it. As each day passes, her time in Venice becomes more than just an interlude; soon, the city feels like home. Could she leave her satisfying life in Perth and start anew in Venice? The question becomes urgent when romance waits where she least expected to find it . . .
"Add No Vulgar Hotel to the list of books you must read before you come to Venice." —Donna Leon This is the definitive book for managing an incurable passion for a decaying, waterlogged village. Whether you already have a raging case of Venetophilia or are among the fifteen million people who yearly put themselves in danger of contracting it, here is where you get your fix of Venetian wit, history, practicality, and enchantment.
The transformations of the Strip—from the fake Wild West to neon signs twenty stories high to “starchitecture”—and how they mirror America itself. The Las Vegas Strip has impersonated the Wild West, with saloon doors and wagon wheels; it has decked itself out in midcentury modern sleekness. It has illuminated itself with twenty-story-high neon signs, then junked them. After that came Disney-like theme parks featuring castles and pirates, followed by replicas of Venetian canals, New York skyscrapers, and the Eiffel Tower. (It might be noted that forty-two million people visited Las Vegas in 2015—ten million more than visited the real Paris.) More recently, the Strip decided to get classy, with casinos designed by famous architects and zillion-dollar collections of art. Las Vegas became the “implosion capital of the world” as developers, driven by competition, got rid of the old to make way for the new—offering a non-metaphorical definition of “creative destruction.” In The Strip, Stefan Al examines the many transformations of the Las Vegas Strip, arguing that they mirror transformations in America itself. The Strip is not, as popularly supposed, a display of architectural freaks but representative of architectural trends and a record of social, cultural, and economic change. Al tells two parallel stories. He describes the feverish competition of Las Vegas developers to build the snazziest, most tourist-grabbing casinos and resorts—with a cast of characters including the mobster Bugsy Siegel, the eccentric billionaire Howard Hughes, and the would-be political kingmaker Sheldon Adelson. And he views the Strip in a larger social context, showing that it has not only reflected trends but also magnified them and sometimes even initiated them. Generously illustrated with stunning color images throughout, The Strip traces the many metamorphoses of a city that offers a vivid projection of the American dream.
Winner, IPPY Silver Award in Architecture Finalist, 2016 Foreword Indies Award in Architecture An intimate journey through the remarkable Venetian urban landscape, this book reveals the architectural features that contribute to the incredulity of the beautiful city from the mysterious sotoporteghi to the complexity of Carlo Scarpa's "immaculate detailing." Evocative photographs complement the personal reveries contributed by 36 notable international architects and architectural writers who have been inspired by the city and share in her wonder. Included are personal reflections from Tadao Ando, James Biber, Mario Botta, Michele De Lucchi, Massimiliano Fuksas, Robert McCarter, Richard Murphy, Witold Rybczynski, Annabelle Selldorf, and Thomas Woltz.
In Dreaming of Italy, Giovanna Franci compares three Las Vegas Italian-themed resorts--Caesars Palace, Bellagio, and The Venetian--to their Italian counterparts: the ancient Forum of the Caesars, the breathtaking Lake Como resort town of Bellagio, and eternal Venice, jewel of the Adriatic. Franci not only examines architectural format and decorative details but considers how the mystique of these Italian sites has been transplanted to the Nevada desert. In the process, she addresses the compelling phenomena of modern mass tourism and postmodern travelers to whom the distinction between the real and the fake is often far less important than the appeal of a destination that allows a visitor to make a virtual Grand Tour within the confines of a single city. Franci's perceptive commentary offers unique insights into the trends and intentions behind recent development in Las Vegas. She shows how the builders of these three casinos use architectural language to unite the themes and functions of American consumer culture with the romantic mythology of some of the world's most fantastic oases of pleasure. In this context, Las Vegas emerges as far more than a popular tourist icon. It is rather the first urban spectacle of the postmodern world, a chameleon-like city continuously reinventing itself to offer visitors an unflagging array of experiences, sensations, and hedonistic delights. Federico Zignani's dazzling photographs bring to life the physical details and idyllic ambiance of the lavish Las Vegas resorts and their Italian inspirations.
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In these brilliantly realized, linked tales, the real Venice is revealed – not the iconic tourist destination the city has become, but the mysterious society that resides behind its elegant doors and shuttered windows. With a sly and affectionate delicacy, Jane Turner Rylands, an American expatriate who has lived in Venice for thirty years, portrays a dozen Venetians– a construction foreman, a countess, a gondolier, a postman, an architect, a Baronessa, an English lord – as they pursue their respective interests. And in turn, through the perspective of those who live and work in this most alluring of cities, Venetian Stories illuminates canals and palazzos, churches and gondolas, large concerns and small rituals, with an uncommon intimacy.