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Equal parts steamy and funny, with a few genuinely creepy moments, this paranormal romance has everything -- compelling characters, plenty of witty banter, and a romance that just might be to die for. After losing both her parents before age 17, aspiring designer Caitlin Holte feels like her whole world has been turned upside down, and that was before she accidentally attracted the attention of a demon. Then, she learns that her hot, bad-boy neighbor, Adrian -- who might have just saved her life -- is actually a half-demon vampire. Suddenly, Caitlin is stuck with a vampire bodyguard who feels that the best way to protect her is to become her pretend boyfriend. Trouble is, Caitlin is starting to fall in love for real, while Adrian can never love a human. Caitlin trusts Adrian to keep her safe from his demon father, but will he be able to protect her heart? Temple West’s debut novel Velvet is a sexy, delightful romance chosen by readers like you for Macmillan's young adult imprint Swoon Reads. Praise for Velvet: “This romantic Twilight readalike shines with credible dialogue and fully developed characters.” —School Library Journal "Velvet is fun and very entertaining with snappy dialogue, awesome characters and some solid teen angst.” —The Windy Pages
This book contains 275 reproductions of black velvet paintings. It traces the roots of the art form from ancient China and Japan through to Victorian England, the Pacific, Southeast Asia and the Americas.
The timeless tale of 14-year-old Velvet Brown's participation in the Grand National Steeplechase has thrilled generations of readers. The story provides a positive role model for girls and remains ever popular with young horse lovers.
"First rule in this line of business: don't sleep with the client." My name's Kate Kane, and when an eight-hundred-year-old vampire prince came to me with a case, I should have told her no. But I've always been a sucker for a femme fatale. It always goes the same way. You move too fast, you get in too deep, and before you know it, someone winds up dead. Last time it was my partner. This time it could be me. Yesterday a werewolf was murdered outside the Velvet, the night-time playground of one of the most powerful vampires in England. Now half the monsters in London are at each other's throats, and the other half are trying to get in my pants. The Witch Queen will protect her own, the wolves are out for vengeance, and the vampires are out for, y'know, blood. I've got a killer on the loose, a war on the horizon, and a scotch on the rocks. It's going to be an interesting day.
Velvet is a laundress in a Victorian steam laundry. With both her mother and father dead, she is an orphan and has to rely upon her own wits to make a living. The laundry's work is back-breaking and Velvet is desperate to create a better life for herself. Then Velvet is noticed by Madame Savoya, a famed medium, who asks Velvet to come to work for her. Velvet is dazzled at first by the young yet beautifully dressed and bejewelled Madame. But soon Velvet realises that Madame Savoya is not all that she says she is, and Velvet's very life is in danger . . . A romantic and thrillingly exciting new novel from an acclaimed and much loved historical writer for teens.
From the oyster huts of Whitstable to the music halls of Victorian London, Tipping the Velvet is the glorious first novel from this much-loved author 'Piercing the shadows of the naked stage was a single shaft of rosy limelight, and in the centre of this was a girl: the most marvellous girl - I knew it at once! - that I had ever seen.' A saucy, sensuous and multi-layered historical romance, Tipping the Velvet follows the glittering career of Nan King - oyster girl turned music-hall star turned rent boy turned East End 'tom'. 'Erotic and absorbing... Written with startling power' New York Times Book Review 'An unstoppable read, a sexy and picaresque romp through the lesbian and queer demi-monde of the roaries Nineties' Independent on Sunday 'Waters is an extremely confident writer, combining precise, sensuous descriptions with irony and wit' Observer
In order to find an authentic understanding of the Christian faith, Bell frees readers to consider God beyond the picture someone else painted.
Jesus, matadors, panthers, bandits, Native Americans, movie stars, waifs, and, of course, Elvis are recognized icons of the oft-despised, uber-kitsch art form of black velvet painting. In Black Velvet Art author Eric A. Eliason and photographer Scott Squire present a comprehensive overview of this covertly loved and overtly reviled tradition. In cooperation with a network of artists, collectors, importers, and gallery owners in Tijuana, Los Angeles, Seattle, and Calgary, this book draws from the largest survey of velvet painting ever undertaken. The book traces velvet's historical development as a folk art shaped by both Indigenous traditions as well as Western consumer expectations in such markets as the South Pacific, Southeast Asia, and particularly the US-Mexico border and the black velvet capital of Tijuana. In black velvet, class and taste challenge art as a consumer phenomenon, democratic spirit faces down elitism, reproduction questions originality, and sexuality seduces and provokes religiosity. What is most significant about black velvet art to many Americans is its signaling of the nadir of bad taste. Black velvet is the “anti-art” in many ways. Eliason seeks to explore how and why black velvet serves this function and to examine ways it deserves a glowing redemption.
Scholars of state socialism have frequently invoked “nostalgia” to identify an uncritical longing for the utopian ambitions and lived experience of the former Eastern Bloc. However, this concept seems insufficient to describe memory cultures in the Czech Republic and other contexts in which a “retro” fascination with the past has proven compatible with a steadfast critique of the state socialist era. This innovative study locates a distinctively retro aesthetic in Czech literature, film, and other cultural forms, enriching our understanding of not only the nation’s memory culture, but also the ways in which popular culture can structure collective memory.