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FOOTSTEPS IN THE FOG Lord Frederick Aveline, otherwise known as Derick, has successfully kept up appearances as an English nobleman. What no one knows is that he's a full-blooded Frenchman--a double-agent for the British against the French. But there is something else no one knows about Derick. Deciding to leave behind his days of espionage, he's arrived home in Derbyshire to finish one final order of business: to find and expose a dangerous traitor. But Aveline castle holds its own share of secrets--including murder, and an unexpected lure in Emma Wallingford. Brilliant and feisty, her loyalty lies with acting as the town's magistrate, and she doesn't welcome an unanticipated, though appealing, intrusion like Derick. As the two of them are drawn closer, the sordid past of Derick's family comes to light, as does the true nature of his arrival. But when deception, however sweet, is the name of the game no one can be trusted, and every love--and every life--is at risk.
For two years, Dr. Maira Khan has waited for handsome police officer Sasha Karimi to see her as more than a friend. When Sasha is injured in the line of duty, Maira decides to make the first move, but is rebuffed by Sasha who believes she's blinded by hero worship. Realizing too late that her feelings for him are real, Sasha sets out to win her back with a proper courtship.
Geoffrey Wentworth, the Earl of Stratford, is a war hero focused on affairs of king and country rather than affairs of the heart. Nevertheless, his mother is playing matchmaker and has invited potential brides to visit the family estate. Geoffrey resigns himself to playing host to a gaggle of husband hunters more interested in his title than in him - until he unexpectedly meets one notable and intriguing exception. Miss Liliana Claremont has no interest in being an earl's wife, least of all Wentworth's - the son of the man she believes murdered her father. Liliana is determined to find evidence of the crime, but her behavior rouses the earl's suspicions as well as her own undeniable attraction to a man she thought was her enemy. As Geoffrey and Liliana explore their growing passion for one another, the truth behind their fathers' enmity threatens to destroy their newfound love . . . 'Heather Snow combines sizzling tension, witty dialogue, and achingly raw emotions for a passionate love story you'll remember long after the last page.' Kathyrn Smith, USA TodayBestselling Author of When Tempting a Rogue
An erotic short story set in Victorian London by Alcamia Payne. What is the secret of elegant Constanzia Pryce, the Victorian woman who always wears a long veil, and shrouds her face in mystery? When Michael Weston falls in love and lust with Constanzia he soon wants to find out. However obstinate Constanzia is determined Michael will love her for more than her looks, and against his will Michael soon becomes entangled in fetishistic sexual fantasies about his mysterious veiled lover. What lies beneath that seductive black lace? Will Constanzia fulfil his wildest sexual desires? Michael is soon to find out that seduction is not always just about a pretty face.
Ever since her husband's sudden and tragic death, Lady Penelope Bridgeman has committed herself to studying the maladies of the mind, particularly the trauma of soldiers of the Napoleonic Wars. It is this expertise that brings the Marquess of Bromwich's family to her door. Gabriel Devereaux's unexpected and unpredictable episodes are unlike any Penelope has studied. The once proud soldier has been left shaken and withdrawn, but Penelope manages to build a fragile trust between them. Strangely, Gabriel seems completely lucid when not in the grips of his mania, and during the calm bouts between, she is surprised by how much she is drawn to him. Despite his own growing feelings, Gabriel knows that he is fit for no one and is determined to keep Penelope away from his descent into madness. But even though she knows firsthand the folly of loving a broken man, Penelope cannot stop herself from trying to save him, no matter the cost. Praise for Sweet Enemy 'A must read for any historical romance fan!' Fresh Fiction'A great read. Romance fans will love it.' #1 New York TimesBestselling Author Julie Garwood
In this evocative, wildly romantic new novel set in Venice and London, Tracy MacNish follows one woman's journey from vengeance to extraordinary passion. . . Three years ago, Kieran Mullen was a carefree, confident beauty. One fateful night, everything changed, and she became solitary and aloof, reluctant to leave her London home even when her brother, Rogan, insists she accompany him on holiday to Venice. There, amid the wild revelries of Carnivale, Kieran is attacked by a masked villain and rescued by a charismatic stranger who offers the one thing that might free her from her haunting past: revenge. . . Matteo de Gama is a study in contradiction--a gambler and a philosopher, a reckless libertine and a most unlikely savior. When he pulls Kieran from a canal's watery depths and learns her secrets, he resolves to help her exact justice. But soon he has another mission in mind--to release the unmistakable fire buried beneath her icy beauty, and teach her the bliss that comes with trusting in her own desires, and in their fierce, abiding love. . . "A lushly written, richly detailed Georgian historical [that] pushes the boundaries of the genre with a story of love, revenge, jealousy, and secrets. . .compelling." --Booklist "This is neo old-school romance done well. . .this book was a treat to read. It was like drinking fine brandy after having had nothing but weak tea. MacNish has a strong and distinctive style." --All About Romance.com "Excellent. . .phenomenal." --The Romance Reader.com "There's nothing veiled about the emotional power and dark sensuality of MacNish's sequel to Veiled Promises. With strong characters playing out a plot that delves into the deepest parts of the human soul, this is a tale to keep you riveted." --Romantic Times "Another delectably intense and edgy tale of passion and peril, revenge and romance." --Booklist "Memorable characters and strong emotions take center stage in a powerful love story that digs deeply into character motivation." --Kathe Robin, Romantic Times
[Siren Classic: Erotic Paranormal Romance, vampires, HEA] A newborn vampire. A powerful leader. An inconsolable woman. The shaping of their eternity all lies within the eyes. Steffan Matthews is the devastatingly handsome vampire leader of Ambrose Heights. He cultivates social order and invents concoctions that allow vampires to feel human once again. But Steffan also has a devouring obsession that brings him to his knees. Her name is Anya. Steffan sets out to claim Anya, a mortal ripe for the taking, as his mate. But the blackness in the eyes of his newborn should’ve served as a warning. Anya is off-limits according to the vampire creed. It will take the strength of the kinship, the purity of love, a hint of magic, and a subterranean guardian to shield Steffan against the wrath of Ryan Evans, protect him from the fate of the Nemesis, and bridge a passage to his rightful destiny. ** A Siren Erotic Romance
In The Edge of Modernism, Walter Kalaidjian explores American poetry on genocide, the Holocaust, and total war as well as on postwar social antagonisms, racial oppression, and domestic violence. By asking what it means for traumatic memory to have agency in the American verse tradition, Kalaidjian creates an original historical account of how American poets became witnesses, often unconsciously, to modern extremity. Combining psychoanalytic theory and cultural studies, this intense, sweeping account of modern poetics analyzes the ways in which literary form gives testimony to the trauma of twentieth-century history. Through close readings of well-known and less familiar poets—among them Langston Hughes, Countee Cullen, Claude McKay, Edwin Rolfe, Sylvia Plath, Adrienne Rich, Peter Balakian, Rachel Blau DuPlessis, Anne Sexton, and Anthony Hecht—Kalaidjian discerns the latent "edge" of modern trauma as it cuts through the literary representations, themes, and formal techniques of twentieth-century American poetics. In this way, The Edge of Modernism advances an innovative and dynamic model of modern periodization.
At first sight, tattoos, nudity, and veils do not seem to have much in common except for the fact that all three have become more frequent, more visible, and more dominant in connection with aesthetic presentations of women over the past thirty years. No longer restricted to biker and sailor culture, tattoos have been sanctioned by the mainstream of liberal societies. Nudity has become more visible than ever on European beaches or on the internet. The increased use of the veil by women in Muslim and non-Muslim countries has developed in parallel with the aforementioned phenomena and is just as striking. Through the means of conceptual analysis, Veils, Nudity, and Tattoos: The New Feminine Aesthetics reveals that these three phenomena can be both private and public, humiliating and empowering, and backward and progressive. This unorthodox approach is traced by the three’s similar social and psychological patterns, and by doing so, Veils, Nudity, and Tattoos hopes to sketch the image of a woman who is not only sexually emancipated and confident, but also more and more aware of her cultural heritage.