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Wedding planner Mallory Shepard doesn’t have time to organize her own nuptials—because right now she’s engaged in solving a murder . . . When Mallory discovers some old lace at a Port Quincy antique shop, she knows it’ll make a perfect headpiece. But she’s barely gotten it out of the store before Helene Pierce tears it from her hands. Helene claims it’s a family heirloom that went missing when her late husband died in a hit-and-run twenty-five years ago. The conflict gets more complicated when the veil is attributed to none other than famed seamstress Betsy Ross. Mallory may have a genuine museum piece on her hands, but meanwhile Independence Day is right around the corner and she has to host the town’s Revolutionary War re-enactment. Then it becomes clear there’s a bigger mystery behind all this history when a local woman is murdered with a musket—and Mallory’s investigation could set off some fireworks . . .
Looking at the cultural responses to death and dying, this collection explores the emotional aspects that death provokes in humans, whether it is disgust, fear, awe, sadness, anger, or even joy. Whereas most studies of death and dying treat the subject from an objective viewpoint, the scholars in this collection recognize their inherent connection with death which allows for a new and more personal form of study. More broadly, this collection suggests a new paradigm in the study of death and dying.
"Tika reaches her birthplace hoping to find a home, a family, and a safe haven, but Mortan has other plans for the girl with incredible healing powers. Tika is forced to leave Xanti and find a way to protect herself against Mortan and his deadly Sha̕andari--for even though she denies being Azetha, she can't deny the constant threat she's living under. Only the Veil of Death will give her a fighting chance to stay alive."--Back cover.
In this 2006 text, Daniel M. Gurtner examines the meaning of the rending of the veil at the death of Jesus in Matthew 27:51a by considering the functions of the veil in the Old Testament and its symbolism in Second Temple and Rabbinic Judaism. Gurtner incorporates these elements into a compositional exegesis of the rending text in Matthew. He concludes that the rending of the veil is an apocalyptic assertion like the opening of heaven revealing, in part, end-time images drawn from Ezekiel 37. Moreover, when the veil is torn Matthew depicts the cessation of its function, articulating the atoning role of Christ's death which gives access to God not simply in the sense of entering the Holy of Holies (as in Hebrews), but in trademark Matthean Emmanuel Christology: 'God with us'. This underscores the significance of Jesus' atoning death in the first gospel.
You are cordially invited. . . . Now see amateur detective Carnegie Kincaid, expert in all things matrimony and murder, in the Hallmark original movie Wedding Planner Mystery! When love is in the air, Carnegie Kincaid is not far behind. A wedding planner who works out of her Seattle houseboat, Carnegie makes magic—usually—with fractious families, brimming brides, and cantankerous caterers to give loving couples the wedding they’ve always wanted. So why is her dream job turning into a perfect nightmare? It started when Carnegie agreed to plan the wedding of one of Seattle’s most prominent families—who happen to be going through a high-stakes, headline-grabbing legal war. Before she can get her bride-to-be into just the right dress, a murder and a kidnapping plunge Carnegie into a mystery of extortion and violence. With a shadowy figure stalking her, a rich lawyer wooing her, and an annoying reporter pursuing her, Carnegie is putting all wedding plans on hold. In an explosion of sheer terror, she must hunt down a killer—till death do her part.
The veil between worlds is a very real place. What lurks within the darkness sometimes wants out of the purgatory it's trapped in. The darkness came back with Isla when she was a very small child. It tormented her through childhood, and continued to torment her into adulthood. To make matters worse, the darkness and ghosts weren't her only tormentors. Isla kissed the veil of death and unwillingly became a beacon for the dead.
This is a book about ordinary people—plumbers, artists and accountants, bakers and beauticians, teachers and lawyers—who have been able to receive communication from loved ones who have died. Included here are accounts from over 80 people across the country who have had contact with the dead through the diaphanous veil that separates them from the living. The book begins with the story of Annie’s deceased daughter speaking to her in the early morning hours. The communication was so transformative that she began to share her experience. Much to her surprise, she discovered that after-death communication is much more common than is normally assumed, and she began to connect with other folks across the country who had similar experiences. Each of the ten chapters is organized around a specific kind of after-death communication. Included here are chapters on dreams, verbatim conversations, and synchronicity through nature and various other physical manifestations, descriptions of the results of these occurrences, and advice on how to open up to after-death communication. This book inspires in the reader reassurance, courage, healing, and a sense of wonder. From the author: “The time is ripe for people to recognize the blessing of how frequently our dead beloveds return . . . to confirm the reality that consciousness continues beyond the grave and to remind us that there is much more to death than the physical cessation of breath and pulse. It is time to break the silence, time to stop keeping these powerful healing experiences to ourselves. It is time to allow the experiences themselves, and the positive effect they have on the living.”
A mother and son recall a childhood of limited resources, tensions, and religiously advocated child abuse during the politically tempestuous '50s and '60s in Iran. Photos.
Lily is abandoned at birth only to be thrown into the horrors of the foster system for fifteen years. At age fifteen, she arrives at what will be her last foster home. It is there that she meets the one person she will ever count as a true friend, and together, they make shocking discoveries about why she is there. She also begins to have disturbing hallucinations and premonitions. After one night of extreme abuse by her foster father, her friend Jason takes her, and they run away only to get into a fatal car accident where she watches him die in front of her. Now Lily is left alone in a small town where everyone seems oddly familiar, and she begins to feel like she is not alive but living in some sort of nightmare that she cannot wake up from.
When Madiera Cutler returns home to Mystick Falls, Connecticut, for her sister's wedding, she must magically unravel the secrets that an antique wedding dress holds to bring the real killer of her sister's arch enemy to justice before everything falls apart at the seams. Original.