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In Veil and Vow, Aneeka Ayanna Henderson places familiar, often politicized questions about the crisis of African American marriage in conversation with a rich cultural archive that includes fiction by Terry McMillan and Sister Souljah, music by Anita Baker, and films such as The Best Man. Seeking to move beyond simple assessments of marriage as "good" or "bad" for African Americans, Henderson critically examines popular and influential late twentieth- and early twenty-first-century texts alongside legislation such as the 1996 Defense of Marriage Act and the Welfare Reform Act, which masked true sources of inequality with crisis-laden myths about African American family formation. Using an interdisciplinary approach to highlight the influence of law, politics, and culture on marriage representations and practices, Henderson reveals how their kinship veils and unveils the fiction in political policy as well as the complicated political stakes of fictional and cultural texts. Providing a new opportunity to grapple with old questions, including who can be a citizen, a "wife," and "marriageable," Veil and Vow makes clear just how deeply marriage still matters in African American culture.
"In ###Veil and Vow#, Aneeka Ayanna Henderson places familiar, often politicized questions about the crisis of African American marriage in conversation with a rich cultural archive that includes fiction by Terry McMillan and Sister Souljah, music by Anita Baker, and films such as ###The Best Man#. Seeking to move beyond simple assessments of marriage as "good" or "bad" for African Americans, Henderson critically examines popular and influential late twentieth- and early twenty-first-century texts alongside legislation such as the 1996 Defense of Marriage Act and the Welfare Reform Act, which masked true sources of inequality with crisis-laden myths about African American family formation. Providing a new opportunity to grapple with old questions, including who can be a citizen, a "wife," and "marriageable," ###Veil and Vow# makes clear just how deeply marriage still matters in African American culture"--
The Moving City: Processions, Passages and Promenades in Ancient Rome focusses on movements in the ancient city of Rome, exploring the interaction between people and monuments. Representing a novel approach to the Roman cityscape and culture, and reflecting the shift away from the traditional study of single monuments into broader analyses of context and space, the volume reveals both how movement adds to our understanding of ancient society, and how the movement of people and goods shaped urban development. Covering a wide range of people, places, sources, and times, the volume includes a survey of Republican, imperial, and late antique movement, triumphal processions of conquering generals, seditious, violent movement of riots and rebellion, religious processions and rituals and the everyday movements of individual strolls or household errands. By way of its longue durée, dense location and the variety of available sources, the city of ancient Rome offers a unique possibility to study movements as expressions of power, ritual, writing, communication, mentalities, trade, and – also as a result of a massed populace – violent outbreaks and attempts to keep order. The emerging picture is of a bustling, lively society, where cityscape and movements are closely interactive and entwined.
Dr. Jin Tsay’s revelation entices the military with a potential to uncover and disarm any covert threats. The government that funded the engineer’s classified project orders Tsay’s death, so they can solely and secretly possess his alluring technological consummation: VEIL Veil proves to be the purest, deepest form of espionage and anti-terrorism by endowing humankind with the ability to experience life through another person. Dr. Tsay's technology offers submersion into another’s mind; Veil provides a direct perception of their immediate thoughts, emotions, memories, and the rush of their most intimate senses. If it ever escapes the military’s relentlessly selfish grip, Veil swears to permanently alter the psychosocial, sexual, political, economic, and religious landscapes of our lives. Veil promises to usher in our ultimately unifying evolution: the New Veil World. Retribution for Dr. Jin Tsay’s assassination comes in the form of his widow, who races to deliver Veil unto the world and share it freely, before those who ordered her husband’s murder can exploit it. Wielding the inescapable force of Veil, Suren Tsay seeks to inflict justice upon all those responsible for her husband’s demise, culminating in an unforgiving, brutal, obsessive hunt for the elusive killer of the father of the New Veil World: the Great Jin Tsay. Taking Veil beyond limits Jin himself could’ve imagined, the revered Widow Tsay vows to get her revenge at any cost. Suren Tsay soon realizes she too must inhabit the world created by her husband’s invention and her own bloodlust. Suren must learn to live in the New Veil World. She must also fight to liberate it.
Renee Winters has the voice and the face of an angel. She's the worship leader at her church, runs the Brides for Christ program for young teenage girls, and she is the chaste "bride" modeling the gowns for the bridal shop she works at. The problem is - it is all a lie. Renee's childhood was filled with memories of an alcoholic mother who paraded a slew of men in and out their home. Renee vowed she would never turn out like her, but one broken night, she runs from the nightmare of her home and into the arms of handsome bad-boy, Ian McKnight. She laid down her vow to God that night, and woke up with a heart filled with regret. Since then, she has tried to erase her moment of weakness with years of faithful service. Yet each time she stands before a group of young girls, preaching about the beauty of remaining pure, she is painfully aware of her broken vows. Then Ian returns - a wounded soldier, a recovering alcoholic and no stranger to broken vows. Ian is the only one who knows the truth, and Renee tries to avoid him at all cost, unsure if she can trust him - or herself. When the bridal shop she works for hires him to create their website, she realizes that she can't avoid him forever. With his camera pointed in her direction, he tries his hardest to capture the real Renee - the one behind the veil of lies. Will Ian tempt Renee to break her promises again, or will he help her understand the true nature of her vows?