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What happens in Vegas stays in the family. Two dynasties merge in this trilogy debut from the #1 New York Times bestselling author of the Texas series. When Sallie Coleman abandons Texas to follow her dreams in Las Vegas, she never imagines she’ll win so soon—and so big. But a stroke of luck makes her the richest, most powerful businesswoman in Nevada, and in no time at all her transformation is complete—when she marries Philip Thornton and becomes Vegas’s most elegant first lady. Like her future mother-in-law before her, Pennsylvania beauty Fanny Logan makes her fortune in Vegas, building one of the city’s most successful clothing empires. Her wedding to Ash Thornton, the visionary behind the magnificent Babylon casino, is like a happy ending to their fairytale lives. But Ash’s greatest triumph may be his ultimate downfall . . . “[A] sweeping family saga reminiscent of her Texas series.” —Booklist “Through it all, Sallie remains a matriarch to be reckoned with, but her twin grandsons, Sage and Birch, appear to be the future of Vegas . . . for better or worse . . . if history doesn’t lie, Michaels won’t disappoint her fans.” —Kirkus Reviews “Her characters are well constructed.” —Publishers Weekly
Las Vegas Then and Now pairs vintage shots from 100 years of the city's history with the same view today.
This “brutal and unflinching” novel of fleeting love in Sin City inspired the film starring Nicholas Cage and Elizabeth Shue (Jay McInerney, author of Bright Lights, Big City). John O’Brien’s debut novel, Leaving Las Vegas, is an emotionally wrenching story of a woman who embraces life and a man who rejects it; a powerful tale of hard luck, hard drinking, and a relationship of tenderness and destruction. An avowed alcoholic, Ben drinks away his family, friends, and, finally, his job. With deliberate resolve, he burns the remnants of his life and heads for Las Vegas to end it all in the last great binge of his hopeless life. On the Strip, he picks up Sera, a prostitute, in what might have become another excess in his self-destructive jag. Instead, their chance meeting becomes a respite on the road to oblivion as they form a bond that is as mysterious as it is immutable.
Bittersweet, funny and touching, Larry McMurtry's The Desert Rose is the story of Harmony, a Las Vegas showgirl. At night she's a lead dancer in a gambling casino; during the day she raises peacocks. She's one of a dying breed of dancers, faced with fewer and fewer jobs and an even bleaker future. Yet she maintains a calm cheerfulness in that arid neon landscape of supermarkets, drive-in wedding chapels, and all-night casinos. While Harmony's star is fading, her beautiful, cynical daughter Pepper's is on the rise. But Harmony remains wistful and optimistic through it all. She is the unexpected blossom in the wasteland, the tough and tender desert rose.
#1 NEW YORK TIMES BESTSELLER NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Janet Maslin, The New York Times • St. Louis Post-Dispatch When Pulitzer Prize–winning journalist Bill Dedman noticed in 2009 a grand home for sale, unoccupied for nearly sixty years, he stumbled through a surprising portal into American history. Empty Mansions is a rich mystery of wealth and loss, connecting the Gilded Age opulence of the nineteenth century with a twenty-first-century battle over a $300 million inheritance. At its heart is a reclusive heiress named Huguette Clark, a woman so secretive that, at the time of her death at age 104, no new photograph of her had been seen in decades. Though she owned palatial homes in California, New York, and Connecticut, why had she lived for twenty years in a simple hospital room, despite being in excellent health? Why were her valuables being sold off? Was she in control of her fortune, or controlled by those managing her money? Dedman has collaborated with Huguette Clark’s cousin, Paul Clark Newell, Jr., one of the few relatives to have frequent conversations with her. Dedman and Newell tell a fairy tale in reverse: the bright, talented daughter, born into a family of extreme wealth and privilege, who secrets herself away from the outside world. Huguette was the daughter of self-made copper industrialist W. A. Clark, nearly as rich as Rockefeller in his day, a controversial senator, railroad builder, and founder of Las Vegas. She grew up in the largest house in New York City, a remarkable dwelling with 121 rooms for a family of four. She owned paintings by Degas and Renoir, a world-renowned Stradivarius violin, a vast collection of antique dolls. But wanting more than treasures, she devoted her wealth to buying gifts for friends and strangers alike, to quietly pursuing her own work as an artist, and to guarding the privacy she valued above all else. The Clark family story spans nearly all of American history in three generations, from a log cabin in Pennsylvania to mining camps in the Montana gold rush, from backdoor politics in Washington to a distress call from an elegant Fifth Avenue apartment. The same Huguette who was touched by the terror attacks of 9/11 held a ticket nine decades earlier for a first-class stateroom on the second voyage of the Titanic. Empty Mansions reveals a complex portrait of the mysterious Huguette and her intimate circle. We meet her extravagant father, her publicity-shy mother, her star-crossed sister, her French boyfriend, her nurse who received more than $30 million in gifts, and the relatives fighting to inherit Huguette’s copper fortune. Richly illustrated with more than seventy photographs, Empty Mansions is an enthralling story of an eccentric of the highest order, a last jewel of the Gilded Age who lived life on her own terms. Praise for Empty Mansions “An amazing story of profligate wealth . . . an outsized tale of rags-to-riches prosperity.”—The New York Times “An evocative and rollicking read, part social history, part hothouse mystery, part grand guignol.”—The Daily Beast “Fascinating . . . [a] haunting true-life tale.”—People “One of those incredible stories that you didn’t even know existed. It filled a void.”—Jon Stewart, The Daily Show “Thrilling . . . deliciously scandalous.”—Publishers Weekly (starred review)
Sometimes what happens in Vegas doesn't stay there. Callyn Stott wakes up from a night-out at her friend Lara's Bachelorette party in Vegas with a hangover... and a wife. She's not really sure how she and her best friend Emma got hitched, only that they did and it's completely and totally legal. Callyn is used to getting in and out of scrapes, but this one takes the cake. Further complicating matters, Emma suggest that they stay married for "financial reasons" that don't really hold water. Not wanting to argue, Callyn agrees. The situation gets even more confusing when Callyn has to move out of her apartment, and where is she going to stay? With her fake wife, and best friend, of course. It's not like anything is going to happen. Things between the two of them have always been strictly platonic and best-friendy, right? Emma hasn't been secretly in love with Callyn her whole life and has just been waiting for Callyn to notice. No, surely not. Will Callyn get her head out of her ass and see what's right in front of her, or will she live the rest of her life oblivious that the one person she's always wanted is already there?
Evaluates for the first time one of the foundational works in architecture criticism. Immediately on its publication in 1972, Learning from Las Vegas, by Robert Venturi, Denise Scott Brown, and Steven Izenour, was hailed as a transformative work in the history and theory of architecture, liberating those in architecture who were trying to find a way out of the straitjacket of architectural orthodoxies. Resonating far beyond the professional and institutional boundaries of the field, the book contributed to a thorough rethinking of modernism and was subsequently taken up as an early manifestation and progenitor of postmodernism.
Inside by Scott M. Hoffman Inside by Scott M. Hoffman is an intriguing work detailing the internal workings of the Outfit, an organized crime family, which originated on the South Side of Chicago during prohibition and rose to power in the 1920s. The Outfit has been involved in a wide variety of criminal activities including gambling, loan-sharking, prostitution, drug trafficking, money laundering, extortion, labor racketeering, adult and child pornography, political corruption, and murder. The individuals and events in Inside are composites of real people and real events. Inside begins in 1956 with Jimmy Williams, a 47-year-old man with two families—his wife and two children and the Outfit. He’s a good man, a good husband, and a good father, while, at the same time, he is a physically powerful man who is well respected as a consigliere in the Outfit. He keeps his two lives separated, to the point his wife is unaware of what he does. The story is written from the perspective of Jimmy’s son Bobby who, from the age of 8 begins to accompany his father on Outfit business. Jimmy wants him to know what “the life” is like in order for Bobby to decide if this is the future he wants for himself. Take this remarkable journey with Bobby. Will he follow in his father’s footsteps or choose another path?
TO VEGAS and BACK is Casino meets The Burning Bed, peppered with The Glass Castle. The story begins with a twenty-six-year-old woman living the American dream in the 1960s. She was a homemaker and mother of three in the beautiful suburbs of Philadelphia. At thirty-two she gets a divorce and trades brownies and carpools for pasties and feathers as a Showgirl in Las Vegas. In a nutshell, this woman leaves her husband in 1972 and is swooped up by a rich man who wants to make her a showgirl. He moves her to Vegas and shortly after, he is murdered. Distraught, she is visited by the FBI to learn her deceased friend was a crook and ran a Ponzi scheme. She then meets a Vegas mobster who introduces her into the world of sex, drugs and the underground workings of Vegas casinos. She realizes her dream when she nails an audition and becomes one of the most sought-after showgirls of her time in the Tropicana's famous Les Folies Bergere. Finally, this woman meets a man who wants to marry her and take in her children-a man who nearly destroys them with violence, alcohol and abuse over the course of six years. The author can tell this story firsthand, because this woman is her mother.