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Varney the Vampire Or the Feast of Blood is a horror story by Thomas Peckett Prest. Structured in different episodes, these are classic tales of blood sucking horrors at midnights, for fans of the genre.
The unprecedented success of the romance of "Varney the Vampyre," leaves the Author but little to say further, than that he accepts that success and its results as gratefully as it is possible for any one to do popular favours. A belief in the existence of Vampyres first took its rise in Norway and Sweden, from whence it rapidly spread to more southern regions, taking a firm hold of the imaginations of the more credulous portion of mankind.
A deathless creature with an insatiable appetite for blood, Varney is the antihero of this epic, which predates Dracula and establishes many of the conventions associated with vampirism.Volume 1 of 2.
The Vampyre is a work of prose fiction written in 1819 by John William Polidori taken from the story Lord Byron told as part of a contest among Polidori, Mary Shelley, Lord Byron, and Percy Shelley. The same contest produced the novel Frankenstein; or, The Modern Prometheus. The Vampyre is often viewed as the progenitor of the romantic vampire genre of fantasy fiction. The work is described by Christopher Frayling as "the first story successfully to fuse the disparate elements of vampirism into a coherent literary genre."
The terrifying and definitive collection of Vampire stories from the masters of literary horror They're lurking under the cover of darkness…and between the covers of this book. Here, in all their horror and all their glory, are the great vampires of literature: male and female, invisible and metamorphic, doomed and daring. Their skin deathly pale, their nails curved like claws, their fangs sharpened for the attack, they are gathered for the kill and for the chill, brought frighteningly to life by Bram Stoker, Fritz Leiber, Richard Matheson, Robert Bloch, Charles L. Grant, Tanith Lee, and other masters of the macabre. Careful—they are all crafty enough to steal their way into your imagination and steal away your hopes for a restful sleep.
Against the social and economic upheavals that characterized the nineteenth century, the border-bending nosferatu embodied the period’s fears as well as its forbidden desires. This volume looks at both the range among and legacy of vampires in the nineteenth century, including race, culture, social upheaval, gender and sexuality, new knowledge and technology. The figure increased in popularity throughout the century and reached its climax in Dracula (1897), the most famous story of bloodsuckers. This book includes chapters on Bram Stoker’s iconic novel, as well as touchstone texts like John William Polidori’s The Vampyre (1819) and Sheridan Le Fanu’s Carmilla (1872), but it also focuses on the many “Other” vampire stories of the period. Topics discussed include: the long-war veteran and aristocratic vampire in Varney; the vampire as addict in fiction by George MacDonald; time discipline in Eric Stenbock’s Studies of Death; fragile female vampires in works by Eliza Lynn Linton; the gender and sexual contract in Mary Elizabeth Braddon’s “Good Lady Ducayne;” cultural appropriation in Richard Burton’s Vikram and the Vampire; as well as Caribbean vampires and the racialized Other in Florence Marryat’s The Blood of the Vampire. While drawing attention to oft-overlooked stories, this study ultimately highlights the vampire as a cultural shape-shifter whose role as “Other” tells us much about Victorian culture and readers’ fears or desires.
This book was originally published in "penny dreadful" form. This edition does not include the entire 109 episodes, which were published in three lengthy volumes, but this slightly condensed form conveys the full story and complete reading experience. Note that authorship has also been ascribed to James Malcolm Rymer. [812 pages]
Vampires, those dark children of the night, who rise from their coffins to suck the blood of the living, continue to hold a strange fascination and dread. This book presents vampire stories, some familiar, some less so.