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Nothing Left to Burn is a remarkable memoir that looks into the life of a family that has spent years harboring secrets, both dark and volatile. It eloquently tells the story of a son’s relationship with his father, the fire chief and a local hero, and his grandfather, a serial arsonist. When Jay Varner, fresh out of college, returns home to work for the local newspaper, he knows that he will have to deal with the memories of a childhood haunted by a grandfather who was both menacing and comical and by a father who died too young and who never managed to be the father Jay so desperately needed him to be. In digging into the past, he uncovers layers of secrets, lies, and half-truths. It is only when he finally has the truth in hand that he comes to an understanding of the forces that drove his father, and of the fires that for all his efforts his father could never extinguish.
An American Library Association 2021 Best Graphic Novel for Children Twelve-year-old Kate is laser-focused on her one true passion: horseback riding. But try as she might, she can't hide from life's problems in the stable. There's nothing Kate loves more than being around horses. But her best friend is allergic to them, so Kate has to take riding lessons without her. Kate's forced to navigate some of life's hardships—like the mean girls at the stable who tease her and her body insecurities—all on her own. To make matters worse, Kate is continually falling off her horse. To Kate, her tween years feel like one unfair punishment after another. Can she get over it all...and get back on her horse? Horse Trouble, the debut graphic novel from children's book artist Kristin Varner, is an oh-so-relatable graphic novel with humor and heart.
In the decades following the Mexican Revolution, nation builders, artists, and intellectuals manufactured ideologies that continue to give shape to popular understandings of indigeneity and mestizaje today. Postrevolutionary identity tropes emerged as part of broader efforts to reunify the nation and solve pressing social concerns, including what was posited in the racist rhetoric of the time as the “Indian problem.” Through a complex alchemy of appropriation and erasure, indigeneity was idealized as a relic of the past while mestizaje was positioned as the race of the future. This period of identity formation coincided with a boom in technology that introduced a sudden proliferation of images on the streets and in homes: there were more photographs in newspapers, movie houses cropped up across the country, and printing houses mass-produced calendar art and postcards. La Raza Cosmética traces postrevolutionary identity ideals and debates as they were dispersed to the greater public through emerging visual culture. Critically examining beauty pageants, cinema, tourism propaganda, photography, murals, and more, Natasha Varner shows how postrevolutionary understandings of mexicanidad were fundamentally structured by legacies of colonialism, as well as shifting ideas about race, place, and gender. This interdisciplinary study smartly weaves together cultural history, Indigenous and settler colonial studies, film and popular culture analysis, and environmental and urban history. It also traces a range of Indigenous interventions in order to disrupt top-down understandings of national identity construction and to “people” this history with voices that have all too often been entirely ignored.
The book of James has often been described as the Proverbs of the New Testament--meaning wisdom that is only loosely organized, without a strict linguistic structure. Varner's work reveals that James did indeed intend his message to be understood as a unified whole, rather than merely loosely connected thoughts.
Zoe loves cupcakes, especially pink ones, and princesses, especially magic ones. Unfortunately her greedy brother Ralph loves cupcakes too—he spoils everything! One day Zoe bakes a wish into her cupcakes. Suddenly she is a real princess! But Ralph is still up to his old tricks. Will Princess Zoe finally find a way to give Ralph what he deserves? Katherine Tegen's humorous text and Kristin Varner's magical artwork will satisfy every sister who has ever been plagued by a brother, and every child who believes in the power of magic!
Are you burning with a passion to pursue the high call of God and earn the eternal prize? Sound the Alarm is a prophetic cry to forsake religious tradition and usher in a Third Day revelation of the Lord. Discover how to sanctify yourself to His purpose to emerge from desolation, consecration and reformation as a champion for Christ. Now is the time for the Church to return to the power of preaching a pure Gospel. With its in-depth look at the Book of Joel, Sound the Alarm sounds the trumpet for a radical movement of apostolic reform.
Vamer believes that the key principle to moving on in God is a balance of two extremes. You must have both a solid foundation in biblical principles and a knowledge of how to make them practical in your life. Here you'll learn three basic ways to be an overcomer.
The book also draws heavily on empirical research on consciousness and cognition in non-human animals as a way of approaching the question of which animals, if any, are "persons," or at least "near-persons".
The Beat Movement was one of the most radical and innovative literary and arts movements of the 20th century, and the history of the Beat Movement is still being written in the early years of the 21st century. Unlike other kinds of literary and artistic movements, the Beat Movement is self-perpetuating. After the 1950s generation, headlined by Jack Kerouac, Allen Ginsberg, and William S. Burroughs, a new generation arose in the 1960s led by writers such as Diane Wakoski, Anne Waldman, and poets from the East Side Scene. In the 1970s and 1980s writers from the Poetry Project at St. Mark's Church and contributors to World magazine continued the movement. The 1980s and 1990s Language Movement saw itself as an outgrowth and progression of previous Beat aesthetics. Today poets and writers in San Francisco still gather at City Lights Bookstore and in Boulder at the Jack Kerouac School of Disembodied Poetics and continue the movement. It is now a postmodern movement and probably would be unrecognizable to the earliest Beats. It may even be in the process of finally shedding the name Beat. But the Movement continues. The Historical Dictionary of the Beat Movement covers the movement's history through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on significant people, themes, critical issues, and the most significant novels, poems, and volumes of poetry and prose that have formed the Beat canon. This book is an excellent access point for students, researchers, and anyone wanting to know more about the Beat Movement.