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The first part of this book explains the personal, social and physical functions of art. The second part is the style of objective accuracy, formal order, emotion and fantasy. The third part on the elements of visual, design and aesthetics. Fourth part: painting, sculpture, architecture, photography and images in motion. The final part explains the theory of art criticism and critical performance.
"A classic on the functions, styles and structure of the major visual art forms, this well-received text is reputed to have the best treatment available on the theory and practice of art criticism. It examines the connection between the visual, social, and physical dimensions of everyday life in which the arts perform essential roles, while illustrating clearly the common features of theme and style in works of art separated by time and culture. For art critics, artists, and all those interested in art criticism."--Publisher.
A book on the functions, styles and structure of the major visual art forms, this text is reputed to have the best treatment available on the theory and practice of art criticism. It examines the connection between the visual, social, and physical dimensions of everyday life in which the arts perform essential roles, while illustrating clearly the common features of theme and style in works of art separated by time and culture.
What do we see? We are visually conscious of colors and shapes, but are we also visually conscious of complex properties such as being John Malkovich? In this book, Susanna Siegel develops a framework for understanding the contents of visual experience, and argues that these contents involve all sorts of complex properties. Siegel starts by analyzing the notion of the contents of experience, and by arguing that theorists of all stripes should accept that experiences have contents. She then introduces a method for discovering the contents of experience: the method of phenomenal contrast. This method relies only minimally on introspection, and allows rigorous support for claims about experience. She then applies the method to make the case that we are conscious of many kinds of properties, of all sorts of causal properties, and of many other complex properties. She goes on to use the method to help analyze difficult questions about our consciousness of objects and their role in the contents of experience, and to reconceptualize the distinction between perception and sensation. Siegel's results are important for many areas of philosophy, including the philosophy of mind, epistemology, and the philosophy of science. They are also important for the psychology and cognitive neuroscience of vision.
Feldman investigates the role of art and its purpose in daily life. This edition features more than 800 illustrations, including 221 new color plates, which encompass paintings, drawings, sculpture, architecture, crafts, industrial design, and stills from films and television. Feldman compares images of different eras, styles, and media, and his selection is a blend of the familiar and the rare. He is articulate about the effect of photography on our visual perceptions. ISBN 0-8109-1735-1 : $40.00 (For use only in the library).
For much of the 20th century, unusual perceptions and sensations, radical alternations of consciousness, and other extraordinary subjective experiences were ignored as legitimate topics of study in mainstream psychology. Recent years, however, have witnessed a burgeoning interest in the scientific study of anomalous experiences. In this updated edition, the editors have invited experts to provide definitive reviews and analyses of a wide range of anomalous experiences, from commonly documented sensations and perceptions like synesthesia, lucid dreaming, out-of-body experiences, and auditory and visual hallucinations, to rarer and more seemingly inexplicable experiences, such as anomalous healing, past lives, near-death experiences, mystical experiences, and even alien abductions. The book makes a compelling case for the inclusion of these marginalized and underrecognized experiences as not merely incidental but essential to our understanding of human psychology. Book jacket.
An empirical investigation of financial crises during the last 800 years.
LEVEL: Key Stage 4 onwards. A comprehensive art appreciation programme, 'The Visual Experience' is a complete visual art curriculum that integrates art history, aesthetics, criticism, and production. The Teacher's Edition does your preparation for you. The Teacher's Edition is correlated to the national visual arts standards and has: a wrap-around format; organisers for every chapter; clear lesson organisations; individual needs and interdisciplinary support; technology focus; and ancillary resources at point-of-use.