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This text offers scholarly and critical editions of significant novels of Gothic fiction from the Romantic period. It illustrates the various forms of female Gothic literature as a vehicle for representing the modern forms of subjectivity, or complex and authentic inward experience and identity.
Varieties of Female Gothic is a major contribution to the recent developments in criticism centring on Romantic women's literature, and makes available a representative selection of the most important types of Female Gothic fiction. The range of texts and the supporting materials will improve understanding of the Female Gothic and its relation to other forms of fiction.
This text offers scholarly and critical editions of significant novels of Gothic fiction from the Romantic period. It illustrates the various forms of female Gothic literature as a vehicle for representing the modern forms of subjectivity, or complex and authentic inward experience and identity.
This text offers scholarly and critical editions of significant novels of Gothic fiction from the Romantic period. It illustrates the various forms of female Gothic literature as a vehicle for representing the modern forms of subjectivity, or complex and authentic inward experience and identity.
This text offers scholarly and critical editions of significant novels of Gothic fiction from the Romantic period. It illustrates the various forms of female Gothic literature as a vehicle for representing the modern forms of subjectivity, or complex and authentic inward experience and identity.
This text offers scholarly and critical editions of significant novels of Gothic fiction from the Romantic period. It illustrates the various forms of female Gothic literature as a vehicle for representing the modern forms of subjectivity, or complex and authentic inward experience and identity.
This text offers scholarly and critical editions of significant novels of Gothic fiction from the Romantic period. It illustrates the various forms of female Gothic literature as a vehicle for representing the modern forms of subjectivity, or complex and authentic inward experience and identity.
To explain the millennial shift away from the traditionally dark Protestant post-Enlightenment Gothic, Nelson studies the complex arena of contemporary Gothic subgenres that take the form of novels, films, and graphic novels. She considers the work of Dan Brown and Stephenie Meyer, graphic novelists Mike Mignola and Garth Ennis, Christian writer William P. Young (author of The Shack), and filmmaker Guillermo del Toro. She considers twentieth-century Gothic masters H.P. Lovecraft, Anne Rice, and Stephen King in light of both their immediate ancestors in the eighteenth century and the original Gothic--the late medieval period from which Horace Walpole and his successors drew their inspiration. Fictions such as the Twilight and Left Behind series do more than follow the conventions of the classic Gothic novel. They are radically reviving and reinventing the transcendental worldview that informed the West's premodern era. As Jesus becomes mortal in The Da Vinci Code and the child Ofelia becomes a goddess in Pan's Labyrinth, Nelson argues that this unprecedented mainstreaming of a spiritually driven supernaturalism is a harbinger of what a post-Christian religion in America might look like.