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With the help of mirrors, trap doors, elevators, photographs, and film, women vanish and return in increasingly spectacular ways throughout the nineteenth and twentieth centuries. Karen Beckman tracks the proliferation of this elusive figure, the vanishing woman, from her genesis in Victorian stage magic through her development in conjunction with photography and film. Beckman reveals how these new visual technologies projected their anxieties about insubstantiality and reproducibility onto the female body, producing an image of "woman" as utterly unstable and constantly prone to disappearance. Drawing on cinema studies and psychoanalysis as well as the histories of magic, spiritualism, and photography, Beckman looks at particular instances of female vanishing at specific historical moments—in Victorian magic’s obsessive manipulation of female and colonized bodies, spiritualist photography’s search to capture traces of ghosts, the comings and goings of bodies in early cinema, and Bette Davis’s multiple roles as a fading female star. As Beckman places the vanishing woman in the context of feminism’s discussion of spectacle and subjectivity, she explores not only the problems, but also the political utility of this obstinate figure who hovers endlessly between visible and invisible worlds. Through her readings, Beckman argues that the visibly vanishing woman repeatedly signals the lurking presence of less immediately perceptible psychic and physical erasures, and she contends that this enigmatic figure, so ubiquitous in late-nineteenth- and twentieth-century culture, provides a new space through which to consider the relationships between visibility, gender, and agency.
DIVDisappearing women as a persistent trope from nineteenth-century magic through contemporary theory, film, and psychoanalysis./div
"Based on the true story of Ellen Craft, a light-skinned slave who escaped from Georgia in 1848. By posing as an ailing white man while her husband pretended to be her slave, Ellen and William Craft traveled over one thousand to freedom"--
From the bestselling author of What You Did comes a true-crime investigation that cast a dark shadow over the Ireland of her childhood. Ireland in the 1990s seemed a safe place for women. With the news dominated by the Troubles, it was easy to ignore non-political murders and sexual violence, to trust that you weren't going to be dragged into the shadows and killed. But beneath the surface, a far darker reality had taken hold. Through questioning the society and circumstances that allowed eight young women to vanish without a trace―no conclusion or conviction, no resolution for their loved ones―bestselling crime novelist Claire McGowan delivers a candid investigation into the culture of secrecy, victim-blaming and shame that left these women's bodies unfound, their fates unknown, their assailants unpunished. McGowan reveals an Ireland not of leprechauns and craic but of outdated social and sexual mores, where women and their bodies were of secondary importance to perceived propriety and misguided politics--a place of well-buttoned lips and stony silence, inadequate police and paramilitary threat. Was an unknown serial killer at large or was there something even more insidious at work? In this insightful, sensitively drawn account, McGowan exposes a system that failed these eight women--and continues to fail women to this day.
One of CrimeReads Most Anticipated Books of the Year! "This literary thriller paints as vivid a landscape as any book coming out this summer...Gee creates a lush, tantalizing world that readers will want to travel into deeper and deeper."—CrimeReads Celia Lily is rich, beautiful, and admired. She’s also missing. And the search for the glamorous socialite is about to expose all the dark, dirty secrets of Vanishing Falls… Deep within the lush Tasmanian rainforest is the remote town of Vanishing Falls, a place with a storied past. The town’s showpiece, built in the 1800s, is its Calendar House—currently occupied by Jack Lily, a prominent art collector and landowner; his wife, Celia; and their four daughters. The elaborate, eccentrically designed mansion houses one masterpiece and 52 rooms—and Celia Lily isn’t in any of them. She has vanished without a trace.… Joelle Smithton knows that a few folks in Vanishing Falls believe that she’s simple-minded. It’s true that Joelle’s brain works a little differently—a legacy of shocking childhood trauma. But Joelle sees far more than most people realize, and remembers details that others cast away. For instance, she knows that Celia’s husband, Jack, has connections to unsavory local characters whom he’s desperate to keep hidden. He’s not the only one in town with something to conceal. Even Joelle’s own husband, Brian, a butcher, is acting suspiciously. While the police flounder, unable to find Celia, Joelle is gradually parsing the truth from the gossip she hears and from the simple gestures and statements that can unwittingly reveal so much. Just as the water from the falls disappears into the ground, gushing away through subterranean creeks, the secrets in Vanishing Falls are pulsing through the town, about to converge. And when they do, Joelle must summon the courage to reveal what really happened to Celia, even if it means exposing her own past…
Between 1993 and 1998, six Irish women, ranging in age from eighteen to twenty eight, disappeared. The area in which these disappearances occurred became publicly referred to as 'The Vanishing Triangle'. To date, none of the missing females have ever been located. These six unsolved cases resulted in the creation of the specialist Garda task force 'Operation Trace', set up in the hope of finding a connection between the missing women. None was found. The task force investigated dozens of unsolved cases of women gone missing in Ireland. Alan Bailey served as the National Coordinator for the task force for thirteen years, and the revealing stories in Missing, Presumedall come from his personal experiences in this role. Missing, Presumed details, and reports on, the Garda investigations into the case studies of fifteen women who disappeared over a time span of twenty years. In almost half of the cases, the women's badly mutilated bodies were recovered, sometimes months later, buried in shallow graves. Each chapter focuses on one woman's story, and details the timeline of events that led to her disappearance, beginning on the day of her disappearance through to the ensuing investigation, and up to - when lucky - a conviction. These stories are haunting, terrifying, and true. 'It is now sixteen years since Trace was established. The families and friends of both the disappeared and those whose bodies were found still await closure.'
NEW YORK TIMES BESTSELLER HIGHLY RECOMMENDED BY ENTERTAINMENT WEEKLY · PEOPLE MAGAZINE · MARIE CLAIRE · POPSUGAR · BUSTLE · SHEREADS · HELLOGIGGLES · and more! A woman is drawn into a mysterious web of secrets in this twisty whodunnit from New York Times bestselling author Mary Kubica Sadie and Will Foust have only just moved their family from bustling Chicago to a coastal island in Maine when their neighbor Morgan Baines is found dead in her home. The murder rocks their tiny coastal island, but no one is more shaken than Sadie. But it’s not just Morgan’s death that has Sadie on edge. And as the eyes of suspicion turn toward the new family in town, Sadie is drawn deeper into the mystery of what really happened that dark and deadly night. But Sadie must be careful, for the more she discovers about Mrs. Baines, the more she begins to realize just how much she has to lose if the truth ever comes to light. “Altogether unpredictable.” —Karin Slaughter, New York Times bestselling author Don't miss Mary Kubica's chilling upcoming novel, She's Not Sorry, where an ICU nurse accidentally uncovers a patient's frightening past... And look for the new editions of The Good Girl, Pretty Baby, Don’t You Cry and Every Last Lie featuring brand new covers! More edge-of-your-seat thrillers by New York Times bestselling author Mary Kubica: The Good Girl Pretty Baby Don’t You Cry Every Last Lie When the Lights Go Out Local Woman Missing Just The Nicest Couple She’s not Sorry
Vanishing for the vote recounts what happened on one night, Sunday 2 April, 1911, when the Liberal government demanded every household comply with its census requirements. Suffragette organisations urged women, all still voteless, to boycott this census. Many did. Some wrote ‘Votes for Women’ boldly across their schedules. Others hid in darkened houses or, in the case of Emily Wilding Davison, in a cupboard within the Houses of Parliament. Yet many did not. Even some suffragettes who might be expected to boycott decided to comply – and completed a perfectly accurate schedule. Why? Vanishing for the vote explores the ‘battle for the census’ arguments that raged across Edwardian England in spring 1911. It investigates why some committed campaigners decided against civil disobedience tactics, instead opting to provide the government with accurate data for its health and welfare reforms. This book plunges the reader into the turbulent world of Edwardian politics, so vividly recorded on census night 1911. Based on a wealth of brand-new documentary evidence, it offers compelling reading for history scholars and general readers alike. Sumptuously produced, with 50 illustrations and an invaluable Gazetteer of suffrage campaigners.
Please note: This is a companion version & not the original book. Sample Book Insights: #1 I grew up in Northern Ireland in the nineties, which was a time of turmoil and change. We were afraid of being shot by the soldiers who crouched in the hedgerows as we walked home, and we were afraid of being bombed by the IRA. #2 The nineties in Ireland were a time of change and struggle. People were trying to prise off the fingers of Church control, and they were struggling with their self-identification as one of the few true Catholic countries left. #3 There were a few brutal murders in Ireland during my childhood that could be linked to the later disappearances. In 1979, Phyllis Murphy, who was twenty-three, went missing from Newbridge, about thirty miles from Dublin. She was last seen walking to the bus stop wearing jeans and a winter coat, mittens. Her body was found two months later in a forest in Wicklow. #4 There were several unsolved cases in Ireland in the 1980s and 1990s, including the murders of Antoinette Smith and Jastine Valdez. The cases were all similar, with the bodies of the victims wrapped in plastic bags and dumped in bog land.
As she has in her previous books, Ndebele: The Art of an African Tribe and African Canvas: The Art of West African Women, Margaret Courtney-Clarke turns her sensitive eye on women whose lives have seldom been observed. Her photos explore the remarkable arts and rapidly changing way of life of the Berber women of North Africa. 230 full-color photos.