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Home to more than 10 million people, modern Los Angeles County bears little resemblance to the largely agricultural landscape, dotted with small towns, of just over a century ago. Los Angeles County has surged forward on a path of phenomenal growth and constant transformation. Over this course, much of what was both famous and familiar to Angelenos 100 or even 50 years ago has been lost in the name of progress. This collection of more than 200 vintage postcards explores a sampling of these vanishing sites, including the once ubiquitous orange groves, views from the early days of the countys towns, yesteryears famed attractions, landmarks, hotels, and restaurants, and scenes from the roadside era.
Home to more than 10 million people, modern Los Angeles County bears little resemblance to the largely agricultural landscape, dotted with small towns, of just over a century ago. Los Angeles County has surged forward on a path of phenomenal growth and constant transformation. Over this course, much of what was both famous and familiar to Angelenos 100 or even 50 years ago has been lost in the name of progress. This collection of more than 200 vintage postcards explores a sampling of these vanishing sites, including the once ubiquitous orange groves, views from the early days of the county's towns, yesteryear's famed attractions, landmarks, hotels, and restaurants, and scenes from the roadside era.
Orange County formally separated from Los Angeles County in 1889, and theres been no looking back. Wilderness gave way to rich farmlands, where oranges, lemons, avocados, and walnuts made agriculture the new countys most important industry; the region was actually named for the prevalence of its citrus groves. The 20th century brought with it plenty of entrepreneurs, including Walter Knott and later Walt Disney, along with the aerospace industry, oil drilling, beach culture, and more. But the more popular the O.C. became, the more the past began to be lost to development and sprawl. This evocative compendium of photographs revisits many of the places locals held near and dear, including the Golden Bear nightclub, Japanese Village Deer Park, Lion Country Safari, plus popular stores, restaurants, and, of course, the ever-shrinking farmlands. Many of these images are courtesy of the Orange County Archives, and others came from the authors private collection.
With the help of mirrors, trap doors, elevators, photographs, and film, women vanish and return in increasingly spectacular ways throughout the nineteenth and twentieth centuries. Karen Beckman tracks the proliferation of this elusive figure, the vanishing woman, from her genesis in Victorian stage magic through her development in conjunction with photography and film. Beckman reveals how these new visual technologies projected their anxieties about insubstantiality and reproducibility onto the female body, producing an image of "woman" as utterly unstable and constantly prone to disappearance. Drawing on cinema studies and psychoanalysis as well as the histories of magic, spiritualism, and photography, Beckman looks at particular instances of female vanishing at specific historical moments—in Victorian magic’s obsessive manipulation of female and colonized bodies, spiritualist photography’s search to capture traces of ghosts, the comings and goings of bodies in early cinema, and Bette Davis’s multiple roles as a fading female star. As Beckman places the vanishing woman in the context of feminism’s discussion of spectacle and subjectivity, she explores not only the problems, but also the political utility of this obstinate figure who hovers endlessly between visible and invisible worlds. Through her readings, Beckman argues that the visibly vanishing woman repeatedly signals the lurking presence of less immediately perceptible psychic and physical erasures, and she contends that this enigmatic figure, so ubiquitous in late-nineteenth- and twentieth-century culture, provides a new space through which to consider the relationships between visibility, gender, and agency.
From the author of the "wrenching and exhilarating" All Things Cease to Appear comes a gripping literary thriller about a man reckoning with the mysterious death of his former roommate (Wall Street Journal). Julian Ladd and Rye Adler cross paths as photography students in the exclusive Brodsky Workshop. When Rye needs a roommate, Julian moves in, and a quiet, compulsive envy takes root, assuring, at least in his own mind, that he will never achieve Rye’s certain success. Both men are fascinated with their beautiful and talented classmate, Magda, whose captivating images of her Polish neighborhood set her apart, and each will come to know her intimately – a woman neither can possess and only one can love. Twenty years later, long after their paths diverge, Rye is at the top of his field, famous for his photographs of celebrities and far removed from the downtrodden and disenfranchised subjects who’d secured his reputation as the eye of his generation. When Magda reenters his life, asking for help only he can give, Rye finds himself in a broken landscape of street people and addicts, forcing him to reckon with the artist he once was, until his search for a missing boy becomes his own desperate fight to survive. Months later, when Julian discovers Rye’s obituary, the paper makes it sound like a suicide. Despite himself, Julian attends the funeral, where there is no casket and no body. This sudden reentry into a world he thought he left behind forces Julian to question not only Rye’s death, but the very foundations of his life. In this eerie and evocative novel, Elizabeth Brundage establishes herself as one of the premiere authors of literary fiction at work today.
As suburban sprawl conquer the country, the vestiges of a lost way of life are falling under the wrecking ball. Photographer Eastman has captured these quirky buildings on film before they vanish, in this book that delights in the idiosyncrasies of America's vernacular styles.
Joseph M. Forshaw, one of the world’s leading authorities on parrots, calls attention to the threats they face: they are one of the most endangered groups of birds, with a growing number of species nearing extinction. The main threats arise from habitat loss through deforestation and agricultural development and from the taking of birds for the international live-bird trade. Vanished and Vanishing Parrots brings together information on species that have become extinct in historical times with information on species that are in danger of becoming extinct to increase public awareness of the plight of these magnificent birds. Vivid colour plates by the wildlife artist Frank Knight draw attention to the spectacular species that we have lost or that could be lost. Forshaw’s work gives us fascinating insight into these endangered and extinct parrots. Vanished and Vanishing Parrots will be a valuable reference for scientific, ornithological and avicultural organisations, as well as individual lovers of birds and of illustrated natural history books.
Pynchon’s California is the first book to examine Thomas Pynchon’s use of California as a setting in his novels. Throughout his 50-year career, Pynchon has regularly returned to the Golden State in his fiction. With the publication in 2009 of his third novel set there, the significance of California in Pynchon’s evolving fictional project becomes increasingly worthy of study. Scott McClintock and John Miller have gathered essays from leading and up-and-coming Pynchon scholars who explore this topic from a variety of critical perspectives, reflecting the diversity and eclecticism of Pynchon’s fiction and of the state that has served as his recurring muse from The Crying of Lot 49 (1965) through Inherent Vice (2009). Contributors explore such topics as the relationship of the “California novels” to Pynchon’s more historical and encyclopedic works; the significance of California's beaches, deserts, forests, freeways, and “hieroglyphic” suburban sprawl; the California-inspired noir tradition; and the surprising connections to be uncovered between drug use and realism, melodrama and real estate, private detection and the sacred. The authors bring insights to bear from an array of critical, social, and historical discourses, offering new ways of looking not only at Pynchon’s California novels, but at his entire oeuvre. They explore both how the history, geography, and culture of California have informed Pynchon’s work and how Pynchon’s ever-skeptical critical eye has been turned on the state that has been, in many ways, the flagship for postmodern American culture. CONTRIBUTORS: Hanjo Berressem, Christopher Coffman, Stephen Hock, Margaret Lynd, Scott MacLeod, Scott McClintock, Bill Millard, John Miller, Henry Veggian
During the afternoon of May 18, 1926, and auburn-haired woman whose name was virtually an American household word went for a swim in the Pacific. She was not seen to come out of the water. Thousands of Californians who had thronged to hear the dynamic Aimee Semple McPherson preach at her floodlit Angelos Temple were stunned at the news of her disappearance. Two people died in the attempt to find her body. Services were held for her at the Temple and a memorial fund was collected. Meanwhile, however, letters had begun to come in, demanding $500,000 ransom for the return of Sister Aimee. And five weeks after the vanished, Aimee turned up in a Mexican border town with a circumstantial story of having been kidnapped and then imprisoned in a desert shack, and of having escaped on foot across miles of sandy wastes. The missing shepherd was welcomed back to life with great rejoicing by the Temple flock. But certain skeptics—among them the Los Angeles district attorney—had doubts about her story. Why was no shack to be found that would fit her description? Why was she neither sunburned nor thirsty when she returned? And who was the mysterious “Miss X,” so remarkably like the evangelist, who had occupied, with a “Mr. McIntyre,” a rented honeymoon cottage at Carmel-by-the-Sea while Aimee was gone? These questions led to a grand-jury investigation with sensational surprised of its own, and eventually brought the evangelist and certain others into court, where the disclosures made were as startling—and as hilarious—as anything that had preceded... “The whole story is one of the funniest episodes from the harebrained 1920s....It has been told in great and amusing detail....”—GILBERT HIGHET “It’s more fun than a barrel of—well, Holy Rollers.”—LESLIE HANSCOM, New York Telegram and Sun “It is a story far too fantastic for fiction; nobody would believe it if it appeared between the covers of a novel...”—FREDERIC BABCOCK, Chicago Tribune
A RECOMMENDED SUMMER READ BY THE NEW YORK TIMES, USA TODAY, TIME, AND NEWSWEEK Longtime Jeopardy! host and television icon Alex Trebek reflects on his life and career. Since debuting as the host of Jeopardy! in 1984, Alex Trebek has been something like a family member to millions of television viewers, bringing entertainment and education into their homes five nights a week. Last year, he made the stunning announcement that he had been diagnosed with stage four pancreatic cancer. What followed was an incredible outpouring of love and kindness. Social media was flooded with messages of support, and the Jeopardy! studio received boxes of cards and letters offering guidance, encouragement, and prayers. For over three decades, Trebek had resisted countless appeals to write a book about his life. Yet he was moved so much by all the goodwill, he felt compelled to finally share his story. “I want people to know a little more about the person they have been cheering on for the past year,” he writes in The Answer Is…: Reflections on My Life. The book combines illuminating personal anecdotes with Trebek’s thoughts on a range of topics, including marriage, parenthood, education, success, spirituality, and philanthropy. Trebek also addresses the questions he gets asked most often by Jeopardy! fans, such as what prompted him to shave his signature mustache, his insights on legendary players like Ken Jennings and James Holzhauer, and his opinion of Will Ferrell’s Saturday Night Live impersonation. The book uses a novel structure inspired by Jeopardy!, with each chapter title in the form of a question, and features dozens of never-before-seen photos that candidly capture Trebek over the years. This wise, charming, and inspiring book is further evidence why Trebek has long been considered one of the most beloved and respected figures in entertainment.