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The story of the small "new age" religious group that introduced Victorian Toronto to Eastern thought and theology, vegetarianism, reincarnation, cremation, and the pacifism of Mohandas Gandhi.
Vanguard of the New Age unearths a largely ignored dimension of Canadian religious history. Gillian McCann tells the story of a diverse group of occultists, temperance leaguers, and suffragettes who attempted to build a Utopian society based on spiritual principles. Members of the Toronto Theosophical Society were among the first in Canada to apply Eastern philosophy to the social justice issues of the period - from poverty and religious division to the changing role of women in society. Among the most radical and culturally creative movements of their time, the Theosophists called for a new social order based on principles of cooperation and creativity. Intrigued by this compelling vision of a new age, luminaries such as members of the Group of Seven, feminist Flora MacDonald Denison, Emily Stowe, and anarchist Emma Goldman were drawn to the society. Meticulously researched and compellingly written, this careful reconstruction preserves Theosophist founder Albert Smythe's dream of a culturally distinct, egalitarian, and religiously pluralist nation.
In this book, Smith has assembled a portrait of the small vessels invented and refined in the shipyards of Spain and Portugal half a millennium ago. He focuses on the advances in maritime technology that made the European conquest of the New World possible. Shipwrights worked by trial and error to make ships that would travel faster and farther, carrying larger and larger cargoes. Pilots developed new methods of celestial navigation and learned the patterns of wind and sea currents. Long voyages taxed the physical and emotional well-being of the crew, requiring new methods of supply and sustenance. In addition to covering these developments, Smith's book shows how ships were built, outfitted, and manned, illustrating what life at sea was like in the late fifteenth and sixteenth centuries. Focusing on the advances in maritime technology that made European expansion possible, this book will shed light on a neglected aspect of the European conquest of the New World.
The epic history of African American women's pursuit of political power -- and how it transformed America. In the standard story, the suffrage crusade began in Seneca Falls in 1848 and ended with the ratification of the Nineteenth Amendment in 1920. But this overwhelmingly white women's movement did not win the vote for most black women. Securing their rights required a movement of their own. In Vanguard, acclaimed historian Martha S. Jones offers a new history of African American women's political lives in America. She recounts how they defied both racism and sexism to fight for the ballot, and how they wielded political power to secure the equality and dignity of all persons. From the earliest days of the republic to the passage of the 1965 Voting Rights Act and beyond, Jones excavates the lives and work of black women -- Maria Stewart, Frances Ellen Watkins Harper, Fannie Lou Hamer, and more -- who were the vanguard of women's rights, calling on America to realize its best ideals.
Jazz fans get the inside story of New York's legendary club. At age 83 Lorraine Gordon is a jazz icon who has lived more than a few lives: downtown bohemian uptown grande dame music business pioneer wife lover mother and finally at a point when m
Chariots, the first mobile fighting vehicle, seem to have originated in Mesopotamia in the third millennium BC. The highly mobile two-wheeled war chariot, carrying a driver and an archer armed with a short composite bow, revolutionized military tactics after 1700 BC. This expensive weapon spread throughout the Middle East and is thought to have reached Egypt with the conquering Hyksos. It spread into Asia Minor, Greece, and was known in Northern Europe by 1500 BC. This book covers the evolution of the war chariot throughout the Bronze Age, detailing its design, development and combat history - in particular its fundamental involvement at the battle of Qadesh.
Sarah Pike traces the history of New Age and Neopagan religions in the United States from their origins in the nineteenth century to their reemergence in the 1960s counterculture. She also considers the differences and similarities between the New Age and Neopagan movements as well as the antagonistic relationship between these two practices and other religions in America, particularly Christianity. Covering such topics as healing, gender and sexuality, millennialism, and ritual experience, she offers a sympathetic yet critical treatment of religious practices often marginalized yet soaring in popularity. Her book is a rich analysis of these spiritual worlds and social networks and questions why these faiths are flourishing at this point in American history.
Carmine Infantino. Steve Ditko. Jack Kirby. Gil Kane. Joe Kubert. Gene Colan. Jim Steranko. Neal Adams. Some of the greatest comic book artists of their generation, who created some of their greatest work during The Silver Age of Comics (circa1956-1970). They not only drew definitive versions of the medium’s greatest characters including The Flash, Batman, Captain America, Superman, Thor, Green Lantern, Spider-Man, Dr. Strange, Green Arrow and more— but set trends in the art of comic book storytelling. Now this popular and influential body of work, along with each artist’s thoughts, ideas and commentary, is presented in The Silver Age of Comic Book Art, a coffee table comic book art history book written and designed in a daringly different format by comic book historian and illustrator Arlen Schumer, and published in hardcover and digital/e-book editions by Archway Publishing (from Simon & Schuster). Dynamic spreads of the actual printed comic art, graphically enlarged, are integrated with comic-styled text, often by the artists themselves, that replaces the original comic book copy with more personalized prose that places the art firmly in the period it was created: the turbulent 1960s. By creating a comic book history book that reads like a comic book, Schumer succeeds spectacularly in making you see, as if for the first time, the comics you’ve been reading your whole life. “Arlen Schumer documents an important period in comic book history, told with an explosive format and stunning design. It reflects the kinetic rhythm of the era.” — Will Eisner (1917-2005), creator of The Spirit and the graphic novel A Contract with God "Through the years, I’ve had the pleasure of seeing many books that pay tribute to the art of comics, but Arlen Schumer has created an entirely new format in presenting the art and words of the artists. It's the most comprehensive and personal way a fan or colleague can learn what lies beneath the art. Arlen has found the perfect way to inform and entertain. It’s simply awesome —and the best representation of my work ever!” —Gene Colan (1926-2011), legendary comic book artist “A lovingly crafted tribute to the superhero comic of the 1960s, The Silver Age of Comic Book Art recaptures the four-color visionary surge of the era, its jet-age psychedelic rush of imagination and the titanic, luminous figures, both real and imaginary, that glittered in its firmament. For a brief moment in the late 20th century, it seemed as if the spirit of the age wore a vivid leotard, a chest emblem, and traveled in a strobing blur of speed lines. For anyone with any interest in or affection for that moment, this beautiful volume is indispensible.” — Alan Moore, author of Swamp Thing and Watchmen For more on The Silver Age of Comic Book Book Art, join Arlen’s Facebook group of the same name, and visit Arlen’s website: www.arlenschumer.com
This text tells how Bogle built Vanguard and transformed the investing world. It also distills the principles upon which the company stands, as well as the key milestones of the company. Started in 1974, Vanguard has emerged as one of the world's most important financial institutions.
The world's first war machines were ships built two millennia before the dawn of the Classical world. Their influence on the course of history cannot be overstated. A wide variety of galleys and other types of warships were built by successive civilisations, each with their own distinctive appearance, capability and utility. The earliest of these were the Punt ships and the war galleys of Egypt which defeated the Sea People in the first known naval battle. Following the fall of these civilisations, the Phoenicians built biremes and other vessels, while in Greece the ships described in detail in the 'Trojan' epics established a tradition of warship building culminating in the pentekonters and triaconters. The warships of the period are abundantly illustrated on pottery and carved seals, and depicted in inscriptions and on bas-reliefs. The subject has been intensively studied for two and a half millennia, culminating in the contemporary works of authoritative scholars such as Morrison, Wallinga, Rodgers and Casson. To date there are no works covering the subject which are accessible and available to non-academics.