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Harry Vanda and George Young put Friday on our minds, triggered Easyfever with the Easybeats, and harnessed the raw energy and power of Aussie pub rock to make superstars of AC/DC, Rose Tattoo, and the Angels. The day Vanda and Young met at Sydneys Villawood Migrant Hostel has been called the most significant moment in Australian music history. What followed, as members of the Easybeats, producers and mentors for Georges brothers band AC/DC, and songwriters of a diverse range of hits from Friday on My Mind, Shes So Fine, Yesterdays Hero and Love is in the Air to Am I Ever Gonna See Your Face Again, has provided the soundtrack to the last 50 years. Featuring revelatory interviews with Vanda and Young and members AC/DC and the other chart-topping acts they worked with, this is the inspirational story of Australias top songwriters, producers and starmakers.
The hits that Vanda and Young wrote and/or produced over five decades are like stepping stones through the history of the Australian music industry. the Official Songbook collects, for the first time, 20 of their finest tunes presented with a rare selection of archive imagery. Harry Vanda and George Young are the most iconic and successful songwriters in the history of Australian music. The writer/producer team are responsible for more hit singles and albums than any other songwriters in Australia. Each song has been carefully transcribed and arranged with guitar chord boxes, vocal lines in standard notation, and full lyrics. Songlist: - Black-Eyed Bruiser - Can’t Stop Myself From Loving You - Down Among The Dead Man - Evie: Let Your Hair Hang Down - Evie: Evie - Evie: I’m Losing You - Falling In Love Again - Friday On My Mind - Good Times - Guitar Band - Hey St. Peter - I Hate The Music - Love Is In The Air - Midnight Man - The Music Goes Round My Head - Pasadena - Show No Mercy - Spend the Night - Standing in the Rain - Yesterday’s Hero
David Nichols tells the story of Australian rock and pop music from 1960 to 1985 – formative years in which the nation cast off its colonial cultural shackles and took on the world. Generously illustrated and scrupulously researched, Dig combines scholarly accuracy with populist flair. Nichols is an unfailingly witty and engaging guide, surveying the fertile and varied landscape of Australian popular music in seven broad historical chapters, interspersed with shorter chapters on some of the more significant figures of each period. The result is a compelling portrait of a music scene that evolves in dynamic interaction with those in the United States and the UK, yet has always retained a strong sense of its own identity and continues to deliver new stars – and cult heroes – to a worldwide audience. Dig is a unique achievement. The few general histories to date have been highlight reels, heavy on illustration and short on detail. And while there have been many excellent books on individual artists, scenes and periods, and a couple of first-rate encylopedias, there’s never been a book that told the whole story of the irresistible growth and sweep of a national music culture. Until now . . .
Pop star, mentor and icon, George Young was one of the most important figures in Australian pop music history. Jeff Apter reveals the little-known facts that helped create a music empire. George Young wasn't so much on the charts for the best part of three decades: he and his musical partner Harry Vanda were the charts. George's journey began with the trailblazing Easybeats and continued, alongside Harry, as producer/songwriter for hire with John Paul Young, The Angels, Rose Tattoo, Cheetah, Ted Mulry, Stevie Wright and, most crucially, AC/DC. George and Harry also struck gold with Flash and the Pan, almost by accident. George Young helped create such classics as 'Friday on My Mind', 'Sorry', 'Love is in the Air', 'Evie', 'Yesterday's Hero', 'Down Among the Dead Men', 'Hey, St. Peter', 'Bad Boy for Love', 'Jailbreak' and 'It's a Long Way to the Top'. In 2001, APRA voted 'Friday on My Mind' the best and most significant Australian song of the past 75 years. In this long-overdue book, the first to focus exclusively on the life and work of George Young, writer Jeff Apter explores George's long and fruitful association with Harry; his rare ability to maintain a stable married life with his wife Sandra; and his handshake deal with Ted Albert that helped create a music empire. The book also reveals such little-known events as the accident that almost killed off 'Hey, St. Peter' before its release, and the tragedy that bonded George and Harry for life.
The astonishing outpouring of rock 'n' roll in the 1960s in Australia and New Zealand gave birth to such iconic bands such as the Easybeats, the Masters Apprentices, Billy Thorpe and the Aztecs, the Purple Hearts, and the Missing Links. It also launched the careers of a generation of musicians who would go on to greater, international fame with their later groups (the Bee Gees, AC/DC, Little River Band, and more). Wild About You! includes chapters on 35 bands that made the scene, as well as the editors' list of the top 100 beat and garage songs of the era. Heavily illustrated throughout, and with a detailed discography, this is the definitive work on these bands, and compulsory reading for 60s obsessives and garage band enthusiasts worldwide.
Michael Chugg was only fifteen years old when he began managing and promoting music in his hometown of Launceston, Tasmania. That was in 1962. Fast forward to the present, and "Chuggi", as he is affectionately known, has been a pioneer in bringing the newest, biggest and baddest musical acts to Australia. These include The Police, Frank Sinatra, Liza Minelli and Sammy Davis Jr., Fleetwood Mac, R.E.M., Bon Jovi, Guns N Roses, Red Hot Chili Peppers, Kiss, Pearl Jam, and many more. Chuggi has developed a reputation as a hard-arse, often walking on stage to shout down the crowd or pull the talent into line. He also never minces words – writing in shocking detail about what goes on behind closed doors when big international acts come to town. This honest, open and blunt expose of the underbelly of Australian music events is both hilarious and fascinating.
By the early 1970s, practically everyone under a certain age liked rock music, but not everyone liked it for the same reasons. We typically associate the sounds of classic rock 'n' roll with youthful rebellion by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But in this insightful and timely book, author George Case shows how an important strain of rock music from the late 1960s onward spoke to and represented an idealized self-portrait of a very different audience: the working-class 'Average Joes' who didn't want to change the world as much as they wanted to protect their perceived place within it. To the extent that "working-class populism" describes an authentic political current, it's now beyond a doubt that certain musicians and certain of their songs helped define that current. By now, rock 'n' roll has cast a long shadow over hundreds of millions of people around the world not just over reckless kids, but over wage-earning parents and retired elders; not just over indignant youth challenging authority, but over indignant adults challenging their own definition of it. Not only have the politics of rock fans drifted surprisingly rightward since 1970; some rock, as Case argues, has helped reset the very boundaries of left and right themselves. That God, guns, and Old Glory can be understood to be paid fitting tribute in a heavy guitar riff delivered by a long-haired reprobate in blue jeans but that #Me Too, Occupy Wall Street or Black Lives Matter might not hints at where those boundaries now lie.
Released in 1979, AC/DC's Highway To Hell was the infamous last album recorded with singer Bon Scott, who died of alcohol poisoning in London in February of 1980. Officially chalked up to "Death by Misadventure," Scott's demise has forever secured the album's reputation as a partying primer and a bible for lethal behavior, branding the album with the fun chaos of alcoholic excess and its flip side, early death. The best songs on Highway To Hell achieve Sonic Platonism, translating rock & roll's transcendent ideals in stomping, dual-guitar and eighth-note bass riffing, a Paleolithic drum bed, and insanely, recklessly odd but fun vocals. Joe Bonomo strikes a three-chord essay on the power of adolescence, the durability of rock & roll fandom, and the transformative properties of memory. Why does Highway To Hell matter to anyone beyond non-ironic teenagers? Blending interviews, analysis, and memoir with a fan's perspective, Highway To Hell dramatizes and celebrates a timeless album that one critic said makes "disaster sound like the best fun in the world."
AC/DC have reigned over rock 'n' roll for almost four decades. Their signature power chord rock was the sonic standard bearer of the genre they pioneered, summarised in Rolling Stone's declaration that they 'are one of the top hard rock bands in history'. The group has transcended their Australian roots to become a global phenomenon. Their albums consistently go platinum and they have earned their reputation as one of the best bands on the planet.The band's live arsenal includes 'It's a Long Way to the Top (If you want to Rock 'n 'Roll); 'Highway to Hell and 'You Shook Me All Night Long' and their influence is felt today as strongly as ever. 2008's Black Ice sold an astonishing more than 1.5 million copies in its first week, and would go on to sell seven million copies worldwide, spending several weeks on the top of the Billboard Top 200. In November 2012, Live at River Plate was released - the band's first live album for 20 years.Featuring exclusive interviews with producers and engineers, AC/DC in the Studio is the definitive account of the making of the greatest hard rock anthems of all time. Every album is featured in incredible detail, from 1975's TNT all the way to 2008 and Black Ice.
An affectionate, honest tribute now updated with new revelations about the rock and roll icon who helped make AC/DC an international sensation The second edition of Bon: The Last Highway includes a brand new 16-page introduction. Fink examines… • New information from French media that changes what we know about who was with Bon Scott the night he died • The London drug-dealing connections of the late Alistair Kinnear • A possible heroin link involving the late Yes bassist Chris Squire • Revised theories on how Bon died With unprecedented access to Bon’s lovers and newly unearthed documents, this updated edition contains a new introduction and more revelations about the singer’s death, dispelling once and for all the idea that Scott succumbed to acute alcohol poisoning on February 19, 1980. Meticulously researched and packed with fresh information, Bon: The Last Highway is an affectionate, honest tribute to a titan of rock music.