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Vincent Van Gogh is often seen as a man who went through life lonely and misunderstood. This is not an accurate picture. That he had a complex and somtimes obdurate character is certainly true, but he also had long-lasting and often intimate relationships -- ties that helped to shape the man and his art. This book, Van Gogh's Inner Circle: Friends, Family, Models, published to accompany the exhibition of the same title, highlights the people who played an important part in his life and work. Personal documents and works of art make us readjust the present somewhat clichéd image. Van Gogh's Inner Circle gives us a different impression of the idiosyncratic artist, in whom many of those around him recognized an exceptional talent, a great spirit and a warm heart, and so leaves us much better acquainted with Van Gogh and his nearest and dearest.
The Nazis kept extensive files on practically everybody in the Third Reich. Now author Paul Roland turns the tables with this brilliant new exposé - a fascinating psychological profile of the leading Nazis and their lesser-known associates. Examples include: • Adolf Hitler had 'terrible' table manners, gorged on cake in his bunker and Allied psychologists considered him a neurotic psychopath. • When Hermann Goering surrendered to the Americans, he had a gold-plated revolver and a stash of drugs in his luggage. • Franz Stangl loved his job so much (as commandant of Sobibor and Treblinka concentration camps) that he tried to make his places of work seem as normal as he could by planting flowers and shrubs everywhere and creating a fake railway station with fake painted clocks to welcome new arrivals. Accompanied by over 50 images, this concise yet revealing chronicle of Hitler's henchmen and their horrifying crimes is presented in a fresh and accessible way.
Grassroots memorials have become major areas of focus during times of trauma, danger, and social unrest. These improvised memorial assemblages continue to display new and more dynamic ways of representing collective and individual identities and in doing so reveal the steps that shape the national memories of those who struggle to come to terms with traumatic loss. This volume focuses on the hybrid quality of these temporary memorials as both monuments of mourning and as focal points for protest and expression of discontent. The broad range of case studies in this volume include anti-mafia shrines, Theo van Gogh’s memorial, September 11th memorials, March 11th shrines in Madrid, and Carlo Giuliani memorials in Genoa.
Drawing on unpublished archival material by and about members of the circle, Susan Goodman here presents and intimate view of this American expatriate community, as well as the large transatlantic culture it mirrored. Tracing Wharton's individual relationships with these men and their relationships with one another, she examines literary kinships and movements in the biographical and feminist context of gender, exile, and aesthetics.
The term ‘radicalization’ immediately evokes images of extremism, Muslim fundamentalism, and violence. The phenomenon is considered one of the evil forces triggering acts of terrorism and confl icts around the world. These notions also colour the way we view Sub-Saharan Africa since the Boko Haram uprising in Nigeria in 2009 and the spillover consequences of the Libyan civil war in 2012. This book aims to broaden our understanding of radicalization. It searches for the deeper wellsprings of radicalization as a force not only negative in outcome, but also pregnant with opportunities and vital to social and political change. The book argues that radical ideas and persons appear primarily with a call for change. Certainly, these cries can turn extremely violent and lead to open confl ict, but could this violence have been avoided if the radicalization and people involved had initially been interpreted differently? Following an opening refl ection by a slam artist on the phenomenon of radicalization, the book presents four case studies from the past and six from the present day. The studies are drawn mainly from Sub-Saharan Africa, with one from the Netherlands. By focusing on ‘biographies of radicalization’ the book investigates the history of the phenomenon, the forms it takes, and the pathways that lead a person to become radicalized. Rather than focus on chronological accounts of events, the emphasis is on exploring personal trajectories and inside stories. What can we learn from these individual itineraries and forms of radicalization? Were violent outcomes inevitable, and how might the calls for change have been turned in a different direction? The last three chapters examine pathways out of radicalization, ending with a report on youth in Dakar who directly engage with problematic issues in society and creatively harness the energy for change without becoming violent radicals.
DIV DIVThree witty and poignant novellas from a twentieth-century literary master at the peak of his craftDIV /div/divDIVVan Gogh’s Room at Arles is Stanley Elkin’s second collection of novellas, a razor-sharp exploration of three characters suffering under the weight of intellectual, physical, and social burdens. In the collection’s title story, Elkin writes of an insecure professor’s scholarly retreat with the most accomplished members of his field. “Her Sense of Timing” is a story of a man who, though confined to a wheelchair, attempts to throw a party without the help of his absent wife. And in “Confessions of a Princess Manque,” Elkin writes of the Prince of Wales’s love affair with a common woman in a parody of a sensationalist tabloid story./divDIV /divDIVThis ebook features rare photos and never-before-seen documents from the author’s estate and from the Stanley Elkin archives at Washington University in St. Louis./div /div
A new look at the ways van Gogh represented the seasons and the natural world throughout his career The changing seasons captivated Vincent van Gogh (1853–90), who saw in their unending cycle the majesty of nature and the existence of a higher force. Van Gogh and the Seasons is the first book to explore this central aspect of van Gogh's life and work. Van Gogh often linked the seasons to rural life and labor as men and women worked the land throughout the year. From his depictions of peasants and sowers to winter gardens, riverbanks, orchards, and harvests, he painted scenes that richly evoke the sensory pleasures and deprivations particular to each season. This stunning book brings to life the locales that defined his tumultuous career, from Arles, where he experienced his most crucial period of creativity, to Auvers-sur-Oise, where he committed suicide. It looks at van Gogh's interpretation of nature, the religious implications of the seasons in his time, and how his art was perceived against the backdrop of various symbolist factions, antimaterialist debates, and esoteric beliefs in fin de siècle Paris. The book also features revealing extracts from the artist's correspondence and artworks from his own collection that provide essential context to the themes in his work. Breathtakingly illustrated and featuring informative essays by Sjraar van Heugten, Joan Greer, and Ted Gott, Van Gogh and the Seasons shines new light on the extraordinary creative vision of one of the world's most beloved artists.
Although Vincent van Gogh's and Paul Gauguin's artistic collaboration in the south of France lasted no more than two months, their stormy relationship has continued to fascinate art historians, biographers, and psychoanalysts as well as film-makers and the general public. Van Gogh and Gauguin explores the artists' intertwined lives from a psychoana
Fascinating Look into the Life of a Tortured Genius Using Van Gogh's own letters as a primary source, the author discusses the artist's life, his approach to his work and his mental illness. The letters vividly show the artist's life was no bed of roses. Whereas Van Gogh perfectly knew what was sellable, he continued to produce what he considered as honest, 'truthful' art, regardless of current taste. He did not expect the art-buying public to understand the rough appearance of his work. Van Gogh acknowledged that being an artist simply involved struggle, but he believed that one would benefit from adversity, both personally and professionally. "No victory without a battle, no battle without suffering." In Van Gogh's case it seems to have been a never ending battle against poverty, isolation and adversity. Given his circumstances - being financially dependent upon his brother Theo, not selling any work, and getting minimal recognition - his achievements are utterly amazing. This is not a book about Van Gogh's art, but about his life as an artist and human being. By reading it, you will appreciate and understand his work even better. Van Gogh's Inner Struggle is number # 3 of the series SECRETS OF VAN GOGH. # 1 The 1-Hour Van Gogh Book is a brief introduction to Van Gogh's fascinating life and work. If you want to gain a greater appreciation for one of the most fascinating artists of all time, this is the book for you. You will gain a whole new perspective on Van Gogh. # 3 Van Gogh Today - Short Stories contains eight short stories of lives that were touched in some way or another by the artist. They are a reflection of the power of his story, and why Van Gogh remains a timeless inspiration to us all. The book is not about Van Gogh's paintings, but tells us about the relevance of Van Gogh's life story for eight seemingly ordinary people. # 4 Van Gogh and Love tells the story of the artist's longing for love and a family, exploring the lesser-known area of the artist's romantic life. As can perhaps be expected from an artist like Vincent van Gogh, his choice of women was unconventional. He favored more mature companions, and pursued relationships with women that were considered unsuitable. His yearning for love and a family life was intimately connected with his artistic practice. A woman could not only assist him practically, by serving as his model, but would also give him the opportunity to fully understand emotions like love, tenderness and compassion. A painter had to be immersed in his subject matter to properly express feelings in his work. # 5 Van Gogh and Money focuses on Vincent's financial situation, a subject never explored before. Known as the ultimate embodiment of the notion of the "poor artist", Vincent van Gogh was largely unable to sell his work during his lifetime. His letters tell of an eternal lack of money, and the difficulties this created when it came to practising his art. Paint, canvases and models were, as he discovered, not cheap. He was, however, more than happy to sacrifice his physical wellbeing in the interest of producing his masterpieces. The book follows Vincent during two critical periods of his artistic career, his time spent in The Hague and Arles. At both stages, he was supported by his brother Theo, who sent him a monthly allowance that never seemed sufficient. This dependency on his brother caused Vincent immense guilt. From his letters we get a good insight into Vincent's financial affairs, since the brothers' correspondence often touched on the subject of money. This book presents a more nuanced view of Vincent as the impoverished artist, as he was in fact in a rather fortunate position compared to many of his peers. Regardless of the actual amount of money he received from his brother, it becomes clear that Vincent was poor in the light of his ambition.