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The Van Gogh Notebook Collection features a wide variety of Van Gogh paintings as covers for our composition notebook to get you in the journaling, doodling, list making, or writing spirit. Our notebook collection makes the perfect Christmas gift or anytime gift for anyone who loves looking at and studying Master Painters and their works of art.- Perfect for note-taking, making lists, creating poetry, or writing down your life reflections or doodling.- High-quality -- Matte cover for a professional finish- Perfect size at 8.5"x11" --Perfect Size for notebook- Fountain pen and colored pencil friendly- Perfect bound paperback with blank lined pages- 100 Pages Wide-Ruled Composition Notebook- Collect Them All
New title in the Flame Tree Slimline Journal collection, combining beautiful art with high-quality production, and featuring lined pages, a pocket at the back and two ribbon bookmarks. Perfect as a gift, or an essential personal choice for writers, notetakers, travellers, students, and poets. A FLAME TREE NOTEBOOK. Beautiful and luxurious the Slimline Journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list and robust ivory text paper, printed with lines. THE ARTIST. In a letter to his sister Wilhemina, Van Gogh wrote: 'Often it seems to me night is even more richly coloured than day.' In this night painting, the sky is Prussian blue, ultramarine and cobalt, with sparkling yellow gaslights and stars. The spot depicted is in Arles, close to the Yellow House he famously rented. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."
The universal appeal of Vincent's paintings and drawings, those that are little known as well as those familiar and much loved images, is enhanced by his own account of his life and thought contained in his letters. In quantity and quality of writing they are unique among those of great artists. Most were written to Theo - his brother, patron and anchor and to him we owe an enormous debt for encouraging, supporting and preserving the writings and works of a troubled genius who, in a tragically brief ten years, progressed to a climax of highly original and productive creativity. This selection of extracts from the letters and more than 230 paintings and drawings - many reproduced for the first time - has been designed for all lovers of Vincent's work. It will appeal equally to those who are familiar with it and his life and who no longer need biographical or analytical texts to complete their enjoyment of the pictures as well as to the many with less knowledge who feel no less intensely the power of his art..
Little known but no less influential, Jo van Gogh-Bonger (1862-1925) was the wife of Theo and sister-in-law of Vincent van Gogh. When the brothers died soon after each other, she took charge of van Gogh's artistic legacy in 1891 and devoted the rest of her life to disseminating his work. She published his letters, organised exhibitions in the Netherlands and throughout the world, and made strategic sales to private individuals and influential dealers. Her efforts were crucial to the reputation of Van Gogh's art, but she also led an interesting life in other respects. Not only was she friends with eminent writers and artists, she was active within the Social Democratic Workers' Party and closely involved in emerging women's movements. Using rich source material, including unseen diaries, documents and letters, Hans Luijten charts the multi-faceted life of this driven woman who made a bold impact in a male-dominated world at the turn of the 20th century. His lovingly written biography also sheds new light on the complex history of public appreciation for Vincent van Gogh.
Van Gogh’s Finale is a definitive account of the final days of the artist’s life and the incredible story of what followed.
The Walter and Leonore Annenberg Collection of Impressionist and Post-Impressionist paintings, watercolors, and drawings constitutes one of the most remarkable groupings of avant-garde works of art from the mid-19th to the early 20th century ever given to The Metropolitan Museum of Art. A revised and expanded edition of the 1989 publication Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection, this volume presents more than fifty masterworks by such luminaries as Manet, Degas, Morisot, Renoir, Monet, Cezanne, Gauguin, Van Gogh, Picasso, and Matisse, accompanied by elucidating texts and a wealth of comparative illustrations. -- From publisher.
It is often assumed that reading about the lives of artists enhances our understanding of their work--and that their work reveals something about them--but the relationship between biography and art is rarely straightforward. In The Life and the Work, art historians Thomas Crow, Charles Harrison, Rosalind Krauss, Debora Silverman, Paul Smith, and Robert Williams address this fundamental if convoluted relationship. Looking to such figures as Andy Warhol, Bob Dylan, Vincent van Gogh, Paul Cézanne, Leonardo da Vinci, and the artists associated with the name Art & Language, the volume's authors have written a set of provocative essays that explore how an artist's life and art are intertwined.