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The painter, designer, and architect Henry van de Velde (1863–1957) played a crucial role in expanding modernist aesthetics beyond Paris and beyond painting. Opposing growing nationalism around 1900, he sought to make painting the basis of an aesthetic that transcended boundaries between the arts and between nations through his work in Belgium, France, Germany, and the Netherlands. Van de Velde’s designs for homes, museums, and theaters received international recognition. The artist, often associated with the Art Nouveau and Jugendstil, developed a style of abstraction that he taught in his School of Applied Arts in Weimar, the immediate precursor of and model for the Bauhaus. As a leading member of the German Werkbund, he helped shaped the fields of modern architecture and design. This long-awaited book, the first major work on van de Velde in English, firmly positions him as one of the twentieth century’s most influential artists and an essential voice within the modern movement.
"Henry van de Velde (1863-1957) is a pivotal figure in design history: a bridge between nineteenth-century eclecticism and the emergence of a modern style. His range was prodigious: from furniture, domestic and shop interiors to ceramics, textiles, dresses, jewelery, silverware and books. He was also the architect of large private houses, theatres, museums and art galleries." --back cover of book
College Admission is the ultimate user's manual and go-to guide for any student or family approaching the college application process. Featuring the wise counsel of more than 50 deans of admission, no other guide has such thorough, expert, compassionate, and professional advice. Let’s be honest: applying to college can be stressful for students and parents. But here’s the good news: you can get in. Robin Mamlet has been dean of admission at three of America's most selective colleges, and journalist and parent Christine VanDeVelde has been through the process first hand. With this book, you will feel like you have both a dean of admission and a parent who has been there at your side. Inside this book, you'll find clear, comprehensive, and expert answers to all your questions along the way to an acceptance letter: • The role of extracurricular activities • What it means to find a college that's the "right fit" • What's more important: high grades or tough courses • What role does testing play • The best candidates for early admission • When help from parents is too much help • Advice for athletes, artists, international students, and those with learning differences • How wait lists work • Applying for financial aid This will be your definitive resource during the sophomore, junior, and senior years of high school.
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A teen girl races against the clock to prevent a terrible tragedy in this time travel suspense thriller that will keep middle grade and young adult readers on the edges of their seats By both society’s measure and her own, fifteen-year-old Zoe Mahar is pretty much a loser. Then one day she ducks into Spencerport Savings and Loan simply to get out of the rain—and witnesses a bank robbery gone horrifyingly wrong. The good news is that Zoe has a unique ability: she can play back time and repeat events. But it's not an unlimited deal—she can only jump 23 minutes, and her first playback creates an even more disastrous outcome. Zoe has only ten tries to get it right before this particular 23 minutes becomes irreversible. But in the process of trying to become the heroine she doesn't believe she can be, Zoe will learn about herself—and realize that there is more to who she is than she thought.
A sixteen-year-old will give anything to be with her true love—even though he died two hundred years ago. . . . A sopping-wet little dead girl stalks a teen who had nothing to do with her death—honest! . . . A heartless man dances with his wife—after she's passed away. From the hilarious to the horrific, master storyteller Vivian Vande Velde explores the world of the dead—and the undead—in this surprisingly moving collection of unnerving tales.
Around 1600, trade and shipping flourished in the Northern Netherlands as never before. This activity of ships on the water and in the many ports was a new, inexhaustible source of inspiration for painters who chose the sea as their subject. Among these marine painters were father and son Willem van de Velde. They worked closely together for over fifty years, first from their Amsterdam shop and from 1672 at the court of the English kings Charles II and James II. With their eye for detail and entrepreneurial talent, they became the most prominent marine painters of the seventeenth century.0Their studio has existed for over fifty years. Their productivity in that period was unprecedented, they made an estimated 2500 drawings and 800 paintings. Their works of art can now be found in the collections of all major museums in the world. The work of the Van de Veldes symbolizes the heyday of Dutch marine painting. Their departure to England in the winter of 1672 also marked the end of a period in which Dutch marine painters, like the war fleet they depicted throughout their lives, ruled in an artistic sense.00Exhibition: Het Scheepvaartmuseum, Amsterdam, the Netherlands (1.10.2021-27.3.2022).
Eight witty stories that parody the Little Red Riding Hood tale
* The imagined universe of the artist Rinus Van de Velde"Rinus Van de Velde's art touches us because the artist draws us in to his confrontation with external expectations and internal emotions." Fanni Fetzer, Director, Kunstmuseum Luzern Rinus Van de Velde has made remarkable strides in recent years in the development of his oeuvre. Best known for his large-scale charcoal drawings at the start of his career, he now positions himself as a total artist, using a range of different media and forms of expression such as drawing, sculpture, installations and film. Initially, Van de Velde used found photographs and images as a basis for his drawings, but he later went in search of ways of exercising more control over the images. He achieved this through an extensive process of scene-building, in which he cast himself and those around him in different roles and characters in order to fit them into the narrative discourse of his fictional autobiography. These scenes were built up life-size, with even the tiniest detail being reproduced in wood and cardboard. This book focuses on this part of his artistic activity and has been produced to mark the eponymous solo show in Kunstmuseum Luzern in Switzerland. With a textual contribution from Fanni Fetzer and Koen Sels. Text in English and German.
As the peaceful King Arthur reigns, the five-year-old daughter of Lady Alayna, newly widowed of the village-wizard Toland, is abducted by knights who leave their barn burning and their only servant dead.