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This vivid monograph examines the often surprising and stunning sculpture of Hans Van de Bovenkamp. He is best known for his groundbreaking work in public sculpture. His art covers a myriad of sculptural objects located in accessible open places. 92 colour & 35 b/w illustrations
Paintings on Canvas by Hans Van de Bovenkamp"For me, making sculpture and creating paintings is both a spiritual and an artistic act. The studio is my playground, my laboratory, my sanctuary, where I practice and experiment with sculptural ideas. When I am working I am truly living in the present moment: focused and aware of choices as I make them, functioning in an elevated state between the conscious and the subconscious. Over time, I have been fortunate to gather together enough skill and vision to realize my ideas as they have come into my heart. Art for me is a way of life, not just a passion."---Hans Van de Bovenkamp
This beautiful monograph traces the forty-year evolution of the vision and technique of a major contemporary sculptor, whose work is characterized by dynamic balance and compositional rigor.
Lawrence Alloway (1926–90) was one of the most influential and widely respected art writers of the postwar years. A key interpreter of pop art, abstraction, and land art, he was also involved with the realist revival and the early feminist movement in art. Art and Pluralism provides close and critical readings of Alloway's writings and sets his work in the context of the London and New York art worlds from the 1950s to the early 1980s. Nigel Whiteley underlines the particular importance of pluralism and its relationship with the artistic value systems that bookended it—formalism and postmodernism—shedding new light on postwar visual culture as a whole.
A unique history of Nebraska is presented in these pages, drawing on fifty-eight short topical chapters and a rich gallery of illustrations. Professor Frederick C. Luebke?s lifelong commitment to the study of his state informs the book in every detail, as does his concern for clear and readable narrative. The treasure trove of images, many never published before, cast new light on many aspects of Nebraska?s history. These include the culture of the state?s Native peoples and their lives today, the building of the transcontinental railroad, the hardship endured by European immigrants, and the contributions of women, African Americans, Hispanic Americans, and Asian Americans to the state. This is a book that every Nebraskan will want to own, read, and enjoy. ø This second edition includes updated chapters on the current social, economic, and political climate of Nebraska and some new illustrations.
The Collector’s Guide strives to be a trusted partner in the business of art by being the most knowledgeable, helpful and friendly resource to New Mexico’s artists, art galleries, museums and art service providers. Through a printed guidebook, the World Wide Web and weekly radio programs, we serve art collectors and others seeking information about the art and culture of New Mexico.
The Collector’s Guide strives to be a trusted partner in the business of art by being the most knowledgeable, helpful and friendly resource to New Mexico’s artists, art galleries, museums and art service providers. Through a printed guidebook, the World Wide Web and weekly radio programs, we serve art collectors and others seeking information about the art and culture of New Mexico.
"Who builds these contraptions?" "What kind of kid was he?" "Where do his ideas come from?" If you've ever watched the madcap antics of colorful balls rolling, bouncing, leaping, and whirling through George Rhoads' audiokinetic sculptures, you may have wondered who invents these spellbinding contraptions. In this book you will discover how Rhoads, who dreamed of becoming a successful painter, also became a renowned creator of public art whose sculptures can be seen in airports, shopping malls, science museums, and hospitals throughout the world. Shattering the notion that machines are built only for work, Rhoads designs machines that do nothing but play. Written by Rhoads' youngest sister, the book contains personal glimpses of the artist's growing-up years in Evanston, Illinois, his struggles as an aspiring painter, his acclaim as an origami expert, and his unexpected success as a sculptor-first, of fountains, then of the whimsical yet elegant ball machines that fascinate and delight viewers of all ages. Emily Rhoads Johnson is a writer, editor, and teacher living in Ithaca, New York. She is the author of three young adult novels: Spring and the Shadow Man, A House Full of Strangers, and Write Me If You Dare.
It is 1968. Across America, citizens march for social reform and an end to the Vietnam War. Amid all this, Surya Green--a New York-born, self-absorbed, modern young woman--is a student at Stanford University, blithely pursuing a graduate degree in communication. Her view of life's purpose unexpectedly starts to expand when she says "Yes" when her Stanford film mentor selects her for a writing job at Zagreb Film in Yugoslavia. Family and friends marvel at her courage, or foolishness. The Zagreb studio may be the renowned producer of the first non-American animated film to win an Oscar, but it is in a country most Americans fear and reject as "communist." Green has no idea that her stay in Yugoslavia will ultimately take her beyond national borders to the outermost limits of her mind. Although penned in the first person against the backdrop of Tito's Yugoslavia in historic 1968, Once Upon a Yugoslavia is, paradoxically, most timely. The global economic crisis has compelled people to question excessive consumption and redefine success and the good life while embracing new lifestyle priorities--just as Yugoslavia required of Surya Green decades ago. Once Upon a Yugoslavia addresses this present-day longing while also offering a lively history lesson. History books have objectively described the former Yugoslavia, but Once Upon a Yugoslavia gives personalized look at the everyday lives of people in pre-1989 Eastern Europe that shows how the experience transformed one young woman's American Dream. Chronicling the sights, sounds, and ups and downs of the everyday Yugoslav existence, Green speaks to both the positive and negative aspects of the contemporary phenomenon known as "Yugo-nostalgia." The pros and cons of the American and Yugoslav societies fly to and fro during Surya's conversations with a host of colorful characters--some of whom she lodges with and travels the countryside with, others of whom she dates. In this strange Big Brotherish country of perplexing language, culture, and customs--which gives Surya an early experience of living a monitored life without privacy in a land where paranoia is contagious--more than once readers will hear her sobbing at night. Ultimately, the Yugoslav social experiment--its plus points, at least--were to give Surya Green a considerably altered view of the American values with which she was raised. And it is what led to that perspective--a personal transformation that started for her in explosive, memorable, life-changing 1968 in Tito's Yugoslavia, and continues to this day--which makes Once Upon a Yugoslavia such a unique and remarkable book. From the Trade Paperback edition.
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