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Hollywood, California: three gruesome deaths within two weeks and every one of them a major star - an Oscar winner, an ingénue, and an action hero. A serial killer is working through the Hollywood A-list and celebrities are running scared. Each crime scene is worthy of a classic horror movie, and all three victims share a connection to the powerful scream queen, Ovsanna Moore. The stunning and formidable Moore is the legendary head of a Hollywood studio, as well as the writer and star of seventeen blockbuster horror films (and a few that went straight to DVD). She’s also a 500 year old vampyre… but this is Hollywood after all, and no one ever looks their age. Beverly Hills Police Detective Peter King knows a lot about the City of Angels, but he certainly doesn’t know that most of the famous actors in town are actually an established network of vampires. Or that secretive and seductive Ovsanna Moore happens to be their CEO. Moore and King may be from opposite sides of the Hollywood Hills, but both have something to gain by stopping the killer who the tabloids have dubbed the Cinema Slayer. Ovsanna must protect her vampire legacy and her production schedule, while King just wants to keep his Beverly Hills beat as blood-free as possible. But when the horror queen and the cop with the movie star looks form an unholy alliance, sparks fly and so do the creatures of the night. Film, television and Broadway star Adrienne Barbeau and New York Times bestselling author Michael Scott have teamed up to deliver this sexy, scary, and deliciously clever novel full of Hollywood glamour, behind-the-scenes secrets, and the truly bloodthirsty reality of Tinseltown. So grab some popcorn and some holy water and lose yourself in the high-stakes, back-stabbing world of the Vampyres of Hollywood.
Film, television and Broadway star Adrienne Barbeau and New York Times bestselling author Michael Scott have teamed up to deliver this sexy, scary, and deliciously clever novel full of Hollywood glamour, behind-the-scenes secrets, and the truly bloodthirsty reality of Tinseltown. So grab some popcorn and some holy water and lose yourself in the high-stakes, back-stabbing world of the Vampyres of Hollywood. Hollywood, California: Three gruesome deaths within two weeks and every one of them a major star - an Oscar winner, an ingénue, and an action hero. A serial killer is working through the Hollywood A-list and celebrities are running scared. Each crime scene is worthy of a classic horror movie, and all three victims share a connection to the powerful scream queen, Ovsanna Moore. The stunning and formidable Moore is the legendary head of a Hollywood studio, as well as the writer and star of seventeen blockbuster horror films (and a few that went straight to DVD). She's also a 500 year old vampyre... but this is Hollywood after all, and no one ever looks their age. Beverly Hills Police Detective Peter King knows a lot about the City of Angels, but he certainly doesn't know that most of the famous actors in town are actually an established network of vampires. Or that secretive and seductive Ovsanna Moore happens to be their CEO. Moore and King may be from opposite sides of the Hollywood Hills, but both have something to gain by stopping the killer who the tabloids have dubbed the Cinema Slayer. Ovsanna must protect her vampire legacy and her production schedule, while King just wants to keep his Beverly Hills beat as blood-free as possible. But when the horror queen and the cop with the movie star looks form an unholy alliance, sparks fly and so do the creatures of the night.
The figure of the vampire serves as both object and mode of analysis for more than a century of Hollywood filmmaking. Never dying, shifting shape and moving at unnatural speed, as the vampire renews itself by drinking victims' blood, so too does Hollywood renew itself by consuming foreign styles and talent, moving to overseas locations, and proliferating in new guises. In Vampires, Race, and Transnational Hollywoods, Dale Hudson explores the movement of transnational Hollywood's vampires, between low-budget quickies and high-budget franchises, as it appropriates visual styles from German, Mexican and Hong Kong cinemas and off-shores to Canada, Philippines, and South Africa. As the vampire's popularity has swelled, vampire film and television has engaged with changing discourses around race and identity not always addressed in realist modes. Here, teen vampires comfort misunderstood youth, chador-wearing skateboarder vampires promote transnational feminism, African American and Mexican American vampires recover their repressed histories. Looking at contemporary hits like True Blood, Twilight, Underworld and The Strain, classics such as Universal's Dracula and Dracula, and miscegenation melodramas like The Cheat and The Sheik, the book reconfigures Hollywood historiography and tradition as fundamentally transnational, offering fresh interpretations of vampire media as trans-genre sites for political contestation.
This is the fan bible from the Buffy the Vampire Slayer spin-off series, Angel.
Leaving behind his life in Sunnydale and his relationship with Buffy Sunners, Angel atones for his sins by fighting for humanity in the dark seedy underworld of the superficially glamorous city of L.A. Angel Investigations has moved from the Hyperion Hotel to running Wolfram & Hart, but has their conviction to be champions survived the upheaval? In his comprehensive unofficial guide to Season Five of Angel's world, Keith Topping, bestselling author of Slayer, the unofficial guide to Buffy, looks at each episode in turn, considering the links and cross-references between Angel and Buffy, draws attention to logic flaws, points out numerous pop-culture references and discusses recurrent themes and coverage of Angel on the Internet. This essential guide to the final season of the popular show explores the world of Angel, Wesley, Gunn, Fred, Lorne and Spike as they fight their own personal demons and the loneliness of the Big City in their search for redemption.
Since the dawn of civilization, the vampire has danced through the dreams and nightmares of every culture, expressed in folklore, literature, and art. Today, this fascination resonates in pop-culture through hit television shows, movies, and bestselling books. In Vampyre Magick, Father Sebastiaan reveals the hidden rituals and spells of the Living Vampires. This companion volume to Sebastiaan’s Vampyre Sanguinomicon, is intended for initiates of the Stigoii Vii, but will appeal to any scholar of magickal arts, The Golden Dawn, or other Western Mystery Traditions.
Hollywood Vampires: Unholy War is an unorthodox take on the familiar genre of vampire fiction, mixing action, drama, and romance, along with a very healthy dose of humor.
After roaming the far corners of the earth for six hundred years, a group of vampires arrives in Hollywood in 1928 where they infiltrate the movie business as producers, directors and agents. For seventy years their presence is suspected but not proven until now.
“Christopher Moore is a very sick man, in the very best sense of the word.” —Carl Hiaasen The undead rise again in Bite Me, the third book in New York Times bestselling author Christopher Moore’s wonderfully twisted vampire saga. Joining his farcical gems Bloodsucking Fiends and You Suck, Moore’s latest in continuing story of young, urban, nosferatu style love, is no Twilight—but rather a tsunami of the irresistible outrageousness that has earned him the appellation, “Stephen King with a whoopee cushion and a double-espresso imagination” from the Atlanta Journal-Constitution and inspired Denver’s Rocky Mountain News to declare him, “the 21st century’s best satirist.”