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Vampire Suspicion -Different vampire story The novel is a story of great principles and living by them. When a vampire starts doubting his own vampire being, it's all going to be messed up soon. While you're still packing with the longing for love, serial murders and acceptance of one's own differences, the plot is ready to condense into the final act, where gothic style emerged plays a big part. The turn-of-the-century Victorian London is being shown to a vampire community whose sense of community is beginning to tear up due to dissent, the story also reflects on the theme of loneliness and faith.
Consuming energy instead of blood, psychic vampires come in a variety of unsuspecting guises. This unique approach to the subject will introduce you to a trio of new thieves: group vampires, parasitic vampires, and global vampirism. Exploring environmental, developmental, and past-life factors, Psychic Vampires presents effective step-by-step empowerment procedures you can use to protect yourself and replenish your energy reserves. This practical guide offers: An exploration of previously unknown forms of psychic vampirism Methods to identify and counteract the effects of psychic attacks Thirteen photos illustrating the "Vampire Shadow Phenomenon," the "Halo Effect," and more A Seven-Day Psychic Protection Plan
"The Jerusalem Vampire", an oral folklore history of a modern vampire invasion of Israel, centers on Jerusalem, and ultimately ends in the defeat of count Culandra (Dracula) and his vampire cohorts.
Varney the Vampire (Vol.1-3) stands as a monumental anthology within the gothic literature panorama, bridging the realms of supernatural folklore and the burgeoning Victorian anxieties surrounding modernity and morality. This collection, encompassing an array of narratives from the macabre to the romantic, showcases the diversity of literary styles and the depth of thematic exploration characteristic of the period. The works within these volumes are pivotal in tracing the evolution of the vampire myth in Western literature, offering readers a comprehensive view of the social and cultural undercurrents that shaped such tales. The anthology draws from the prolific outputs of Thomas Peckett Prest and James Malcolm Rymer, whose collaborative efforts are often overshadowed by their contemporary, Bram Stoker, yet remain crucial in the groundwork of vampiric literature. Their backgrounds as writers for penny dreadfuls allowed them to capture the zeitgeist of Victorian society, blending sensationalism with acute observations of human nature and societal change. This collection, therefore, encompasses not only stories of the supernatural but also serves as a commentary on the fears and fascinations of the era it was born in. Varney the Vampire (Vol.1-3) is an indispensable resource for those interested in the origins and evolution of vampire mythology and its intersection with cultural, social, and historical discourses of the 19th century. Readers are invited to delve into this collection not only for its entertainment value but also for its ability to illuminate the complexities of human nature, morality, and the supernatural. Through its diverse range of narrative voices and styles, this anthology offers a unique opportunity to engage with the foundational texts that continue to influence gothic literature and horror genres today.
In the first of a trilogy of supernatural romance novels featuring vampire killer Candace Steele, Candace is working undercover in a Las Vegas casino as she stalks Sin City's undead, when she assigned to a security detail for popular singer Temptation McCoy, a job that is complicated by the return of her former lover, seductive vampire Ash. Original.
The Skeleton Count, or The Vampire Mistress (1828) is a penny dreadful by Elizabeth Caroline Grey. Although the novel’s authorship is frequently disputed, The Skeleton Count, or The Vampire Mistress is likely the first vampire tale to be written and published by a woman. Like most penny dreadfuls, the novel makes up for a lack in style with an abundance of horror and romance. “When he had concluded the impious formula, an awful silence reigned in the turret, and he perceived the sheet gently agitated by the quivering of the limbs, which betokened returning animation. Then a shudder pervaded his frame in spite of himself, as he perceived the eyes of the corpse slowly open, and the dark dilated pupils fix their gaze on him with a strange and stolid glare.” Desperate to live to eternity, Count Rodolph makes a dangerous deal with the devil. Invigorated with his newfound power, Rodolph reanimates the corpse of the beautiful Bertha, a fitting bride to accompany him in his quest for everlasting life. Will she be a loyal and irresistible vampire mistress, or will the Count’s creation turn against him? The Skeleton Count, or The Vampire Mistress is an entertaining tale of terror and the occult from a prolific author of nineteenth century penny dreadfuls. With a beautifully designed cover and professionally typeset manuscript, this edition of Elizabeth Caroline Grey’s The Skeleton Count, or The Vampire Mistress is a classic penny dreadful reimagined for modern readers.
Vampire Literature: An Anthology is the first anthology of vampire literature designed specifically for use in the higher education classroom. As Nina Auerbach argues in her introduction to Our Vampires, Ourselves, vampires are “personifications of their age”; with coverage from the early nineteenth century to the twenty-first, Vampire Literature: An Anthology brings together a wide range of texts from many eras—and bring together as well work by American, British, Irish, and Caribbean writers. The focus is on shorter prose texts, primarily short stories and novellas (Polidori’s The Vampyre and LeFanu’s Carmilla are included in full); in a few cases, longer works are excerpted. Included as well are a range of illustrations and other visual materials. With an informative general introduction, headnotes to each selection, and explanatory footnotes throughout, Vampire Literature: An Anthology is ideally suited for use in the undergraduate classroom.
She’s back. She’s hungover. She’s got no idea. Estate agent by day, necromancer by night, reluctant amateur sleuth when bullied into it… Toni Windsor is already juggling life and now she has to find out who clubbed a Cornish cheese millionaire to death while he was alone in a locked room. And her diary was already full. She’s trying to keep the peace between vampire courts, a fistful of demonic contracts have just landed on her lap and – no surprise – her love life still isn’t looking great even though she’s finally dating someone who isn’t dead. Can’t a girl catch a break?
First in a delightfully irreverent new series-and second to none when it comes to beautiful 227-year-old career women. Being dead isn't all it's cracked up to be. Take it from Francesca Marinelli, trapped underground for over 200 years and rediscovered during the renovation of a Victorian mansion in historic St. Augustine. A tourist attraction herself, she's well suited for a job as an Old Ghost Town Tour guide. Francesca's due for a new lease on afterlife-and with enough sunblock, she can finally live it. Unfortunately, everything she learned about men is a little dated. And when people in her tour group turn up dead, naturally the police suspect her. After all, she is a vampire. Which is why a crazed vampire-hunting vigilante squad is out to get her as well. Between the dead bodies, the stalkers, and a seriously non-existent love life, she's starting to wish she was dead. Or at least buried, where she was safe.
RT Book Reviews 2015 Reviewers Choice Award Winner for Best Paranormal Romance Book 3 of Dead in the City Vampires are nothing but trouble... As far as beautiful vampire Sadie Pemberton is concerned, werewolves shouldn't be sticking their noses into New York's supernatural politics. They don't know jack about running a city—not even that hot-as-sin new vampire-werewolf liaison who's just arrived in town. Werewolves are too sexy for their own good... The last thing Killian Bane wanted was to end up in New York City playing nice with vampires. Unfortunately, he's on a mission, and when he encounters the sexiest, most stubborn female vamp he's ever met, he's going to have to turn on a little of that wolfish charm...and Sadie's going to learn a thing or two about what it means to have a wild side... Dead in the City Series: Tall, Dark, and Vampire (Book 1) Vampire Trouble (Book 2) Vampires Never Cry Wolf (Book 3) The Good, the Bad and the Vampire (Book 4) PRAISE FOR VAMPIRE TROUBLE: "Totally irresistible...Humphreys is undoubtedly a rising star." —RT Book Reviews, 4 1⁄2 stars, Top Pick "This series is wildly addictive, and this is...a five-star book that you do not want to miss." —The Romance Reviews "A powerful love story that proves that while our past is inescapable, it is the core of our strength." —Sarah MacLean, New York Times bestselling author of No Good Duke Goes Unpunished