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When cage fighting champion, Jamie Rock, visits the infamous Dinosauria Resorts with her boyfriend, she's expecting an annoying weekend filled with autographs and raptor rides. What she doesn't expect, however, is for a group of terrorists to attack as soon as she lands on the island. Apparently not everybody is too happy with the way Dinosauria is being managed, and some will do whatever it takes to destroy it from the inside out. And Jamie's reluctantly stuck in the middle of it all, kicking as much dino-ass as she can. She doesn't want to be a hero. She just wants a cold beer. Unfortunately, she'll have to go through an entire army of genetically mutated dinosaurs to get one.
Dejah Thoris, the warrior princess of Mars, heads off to the northern wastes in self-imposed exile, driven by guilt over her murderous actions while under the spell of witchcraft. In the harsh wilds, she incurs the wrath of a golden-skinned Okar warrior, before drawing the attention of alien scouts. Abducted to the rings of Saturn, Dejah Thoris finds that its bloodthirsty native race plans an invasion of Mars, and that she might soon transform into a vampiric creature herself! How will one Red Woman save her entire planet, when the only possible allies hunger for her blood? Collects the complete four-issue comic book storyline from Warlord of Mars: Dejah Thoris #16-19. Bonus material includes an extensive cover gallery featuring artists Paul Renaud and Fabiano Neves.
A tribute to Takashi Miike and Meiko Kaji. The American has decorated her home in her parents' blood; Ritsuko Kita's life is spared, but she never forgets the man who killed her parents. A man who has vowed revenge against her kind. Edmund Grant heard his parents scream. He didn't see their bodies, but he would always remember the terrible creature he glimpsed in the moonlight. In an ancient war between beast and man, Kita and Grant struggle against the forces of chaos and nature. They follow each other into twelfth century Japan, where a war between two rival families for the throne becomes a struggle for the fate of the world. Werewolves, samurai, gods, and lovers participate in the apocalyptic feud that spans nine hundred years, a feud that began when the world was born... Upon the Floating Bridge of Heaven, a dream of love was conceived. A love that would span centuries and give birth to the human race and a rivalry that would decide the fate of the world.
One woman. One mission. Thousands of zombies. A year ago, Vega was dropped into Detroit with a team of mercenaries to find the man who has the power to manipulate the horrific, ancient nightmare that has brought the dead to life. Jim Traverse remains at large, while Vega's worst enemy-post-traumatic stress disorder-threatens to drag her down into the arms of the hungry dead. While opposing groups of survivors establish a new economy based on salvage and the trade of women and children, Traverse attempts to complete his masterpiece of human annihilation. New allies, old foes, and the zombie horde stand between Vega and her mission. As the dreadful secrets behind Traverse's apocalyptic vision are revealed, Vega must fight through Hell and back to save her soul. Vega just doesn't have enough bullets.
An adventure tale for our times, the author combines real world events and supernatural elements in the style of a classical epic to tell a sometimes snarky, sometimes uproarious, and very poignant modern tale. Meet Hank Allensworth and Wilson Evans in a modern reflection of the Epic of Gilgamesh. An epic bromance between a Marine and his corpsman running around Oceanside, California . Degenerate Lance Corporals who have recently returned from Afghanistan, spending most of their time drunk at The Purple Church. One night while they're out drinking they are called back to base and the battalion is put on stand by because during the conflict with ISIS, the Islamic Republic of Iran decided to end the proxy war and get involved themselves. Soon after, Hank and Doc go with the regiment to keep the Iranians from crossing the Euphrates. The war kicks off and the Marines push across Iraq and into Iran. Hank and Doc both are wounded and sent home. The rest of the story they deal with survivor's guilt, alcoholism, PTSD, covering up for a murder, and trying to manage deteriorating love lives. I don't know if I could say there's any deeper meaning than gratuitous sex and violence, but I can guarantee you that if you've spent more than three days in an infantry battalion you will love this book.
In From Dusk Till Dawn the fertile imagination of Quentin Tarantino ventured into new territory - the world of vampires. In the film, a pair of hard-boiled natural born killers, the Gecko brothers, on the lam from the police, kidnap a family in a camping van and use them as camouflage to get across the border into Mexico. They reach their rendezvous at the Titty Twister bar and await the arrival of their comrades. As the long night sets in, all manner of mayhem breaks loose . . .
Dejah Thoris, the warrior princess of Mars, heads off to the northern wastes in self-imposed exile, driven by guilt over her murderous actions while under the spell of witchcraft. In the harsh wilds, she incurs the wrath of a golden-skinned Okar warrior, before drawing the attention of alien scouts. Abducted to the rings of Saturn, Dejah Thoris finds that its bloodthirsty native race plans an invasion of Mars, and that she might soon transform into a vampiric creature herself! How will one Red Woman save her entire planet, when the only possible allies hunger for her blood? Collects the complete four-issue comic book storyline from Warlord of Mars: Dejah Thoris #16-19. Bonus material includes an extensive cover gallery featuring artists Paul Renaud and Fabiano Neves.
A story of magic, family, a mysterious stranger . . . and a band of marauding raccoons. Otter Lake is a sleepy Anishnawbe community where little happens. Until the day a handsome stranger pulls up astride a 1953 Indian Chief motorcycle – and turns Otter Lake completely upside down. Maggie, the Reserve’s chief, is swept off her feet, but Virgil, her teenage son, is less than enchanted. Suspicious of the stranger’s intentions, he teams up with his uncle Wayne – a master of aboriginal martial arts – to drive the stranger from the Reserve. And it turns out that the raccoons are willing to lend a hand.
Chuck Palahniuk's Choke meets Year of the Flood by Margaret Atwood meets an episode of HBO's old, late night series Real Sex meets the movie Death Becomes Her meets Condoleeza Rice's collection of unflushed tampons. Time is infinite, and so are strippers. The beautiful and sultry Rene leads her trio of vampire strippers from (around) Saturn to destroy Earth. Their demonic foes-the plots-have hunted them across time; Earth is the last remaining planet with sentient life in this version of the universe. Rene's love affair with a man who is half-horse, half-boy in a future version of Earth threatens her desire to inspire the apocalypse; if the vampire strippers fail to destroy the world now, men will be nearly extinct, and women will be hunted for sport by the surviving males. True love, time travel, bad music, shapeshifting plots, and a brooding supernatural detective named Will decide the fate of Earth in more than two realities. Can Rene prevent an apathetic future while allowing Earth to survive? Time travel, it turns out, really isn't all that complicated, and neither are women.
From King Kong to Candyman, the boundary-pushing genre of the horror film has always been a site for provocative explorations of race in American popular culture. In Horror Noire: Blacks in American Horror Films from 1890's to Present, Robin R. Means Coleman traces the history of notable characterizations of blackness in horror cinema, and examines key levels of black participation on screen and behind the camera. She argues that horror offers a representational space for black people to challenge the more negative, or racist, images seen in other media outlets, and to portray greater diversity within the concept of blackness itself. Horror Noire presents a unique social history of blacks in America through changing images in horror films. Throughout the text, the reader is encouraged to unpack the genre’s racialized imagery, as well as the narratives that make up popular culture’s commentary on race. Offering a comprehensive chronological survey of the genre, this book addresses a full range of black horror films, including mainstream Hollywood fare, as well as art-house films, Blaxploitation films, direct-to-DVD films, and the emerging U.S./hip-hop culture-inspired Nigerian "Nollywood" Black horror films. Horror Noire is, thus, essential reading for anyone seeking to understand how fears and anxieties about race and race relations are made manifest, and often challenged, on the silver screen.