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Only a creature of the night can save her. Four brothers. All turned vampires by the same evil Sire. They are the Lords of Blacknall, in this century. Trinity is the second oldest and while starting to investigate the murder of women on London's east side, he suddenly feels a woman in danger. Why her? And why does this one woman's blood set his thirst on fire. Can Trinity save Lady Beth from the monster that hunts her? Can he even protect her from his own wicked urges, wanting to devour her? Lady Beth Winslow never stays home in the evenings. She fears her despicable stepbrother. Then a monster stalks her in the dark woods and she cannot tell beast from savior. Gothic undertones fill this vampire regency romance novel. If you've read Shirl Anders before you will be surprised. This is a novel length story with all of Shirl Anders style, but much more satisfying and lengthy romance.
It’s an arranged marriage and he’s a vampire, while she’s a virgin ... did they have any hope to make it work? Now that he has married Lady Beth, Lord Trinity is realizing his wife has a startling fear ... her stepbrother. Is Fanton the evil creature Trinity has been searching for this entire time? While Beth and Trinity struggle to make a real marriage, dangerous events conspire against them. In the end, Beth shows she has more backbone than Trinity ever realized. And this fateful couple is going to need it, because evil is stalking them; and if the Blacknalls, Beth, and her brother don’t band together this wickedness is going to consume them and win. *This is the 3rd and final installment of Wicked Lord a vampire romance.
Lady Beth has finally realized that Lord Trinity is a vampire. A creature whose blood she has drank. Is it his blood that makes her desire him until she has to flee the cravings or be consumed? Lord Trinity Blacknall wonders why a noble lady’s blood haunts him. Is it her virginal innocence? He is a vampire who is decades old and he has never met a woman he couldn’t entrance, until Lady Beth Winslow. There are things between them that are impossible in his world; he can sense her from distances, he cannot mesmerize her, and her blood drives him wild with need. But even as he tries to stay away from her ... and he fails ... he must discover what manner of creature stalks women in London’s underbelly before it is too late and Beth or her brother become the beast’s newest kill. *This is the 2nd installment of Wicked Lord a vampire romance set in regency times. If you love Bella Forrest Shades you will like this.
Evil stalks Lady Beth, and only a dark and powerful creature of the night can save her. Lady Beth never sleeps at night because evil lives with her. She spends her evenings forced to make the rounds in London society until dawn. At a party far from home, she finds herself in danger. Her friend is lost and she must search the dark woods for find her. But there are predators in the woods, and soon she is being chased by a monster. Lord Trinity Blacknall stalks the night hunting for rogue vampires that take human lives. He and his brothers demand order. But one night something calls to him which he has never felt before. And he finds a lady in grave danger from a beast he cannot name. As he tries to save the lady, her blood taunts him with savage cravings, in ways he has never felt before, and it takes all his tremendous willpower to stay her savior and not become her attacker. *This is the 1st installment of Wicked Lord; all 3 parts are finished in this vampire romance like Bella Forrest Shades!
Erotic twists start quickly with a mistaken identity when Lord Harrison Ravenscar seizes the wrong woman for his vengeance and he takes innocent Chloe as his for revenge. My Lady Enslaved is the second book of Shirl Anders bestselling erotic Regency romance series called the Archangels. Captured between her deadly twin sister and Lord Ravenscar, Chloe finds herself captured into darkness. The coldly handsome and sexually arrogant Ravenscar refuses to believe her claims of mistaken identity as he propels her into the heady realm of submission. This is an adventurous and Gothic tale of revenge and intrigue. HEA Review, Vikky, Fallen Angels Review: "Such an erotic story I definitely recommend this regency BDSM to everyone." 4 Stars! Keywords; regency, regency romance, historical romance, spies, duke, victorian, archangel series, aristocratic, suspense, thriller, adventure, captive
Gothic Regency Romance: Against her will, Arabella is gambled by her stepfather in a card game and won by the fiercely scarred Lord Darth Peregrine. A man who believes that no woman could desire him. Lord Peregrine holds Arabella captive to his desires. He is the lord and master and she is naked to his control. In the end Lord Peregrine saves Arabella's young brother ... and he saves himself. HEA Keywords: regency romance, gothic romance, gothic, regency, historical romance, captive
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.