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Even before Bram Stoker immortalized Transylvania as the homeland of his fictional Count Dracula, the figure of the vampire was inextricably tied to Eastern Europe in the popular imagination. Drawing on a wealth of previously neglected sources, this book offers a fascinating account of how vampires—whose various incarnations originally emerged from folk traditions from all over the world—became so strongly identified with Eastern Europe. It demonstrates that the modern conception of the vampire was born in the crucible of the Enlightenment, embodying a mysterious, Eastern otherness that stood opposed to Western rationality. From the Prologue: From Original Sin to Eternal Life For a broad contemporary public, the vampire has become a star, a media sensation from Hollywood. Bestselling authors such as Bram Stoker, Anne Rice and Stephenie Meyer continue to fire the imaginations of young and old alike, and bloodsuckers have achieved immortality through films like Dracula, Interview with a Vampireand Twilight. It is no wonder that, in the teenage bedrooms of our globalized world, vampires even steal the show from Harry Potter. They have long since been assigned individual personalities and treated with sympathy. They may possess superhuman powers, but they are also burdened by their immortality and have to learn to come to terms with their craving for blood. Whereas the Southeast European vampire, discovered in the 1730s, underwent an Americanization and domestication in the media landscape of the twentieth century, the creole zombies that first became known through the cheap novels and horror films of the 1920s still continue to serve as brainless horror figures. Do bloodsuckers really exist and should we really be afraid of the dead? These are the questions that I seek to tackle, following the wishes of my daughter, who was ten when I started this project.
THE VAMPIRE, His Kith and Kin examined the reasons for the old belief in Vampirism, its growth and dissemination in many lands, and its crystallization into a permanent and determinate legend. This new volume, The Vampire in Europe, uniform with the other, deals with the subject from a historical point of view and presents the evidence which gave rise to the theories. This evidence, drawn from little-known authors, musty chronicles, and the obscurer occultists, is in many cases derived from official sources, civil and ecclesiastical. The first chapter treats of Vampirism in ancient Greece and Rome. Accounts of the extraordinary outbreaks of Vampirism in England during the twelfth and thirteenth centuries have been gathered from Geoffrey of Monmouth and William of Newburgh. Particular attention is paid to the alleged irritation which gave rise to so much literature in the early eighteenth century, while the curious situation in modern Greece is fully discussed. Included in this critical edition are the authoritative text, rare contextual and source materials, illustrations, criticism, contemporary reviews, and Greek and Latin translations. A biographical note is also included.
For the last three hundred years, fictions of the vampire have fed off anxieties about cultural continuity. Though commonly represented as a parasitic aggressor from without, the vampire is in fact a native of Europe, and its "metamorphoses," to quote Baudelaire, a distorted image of social transformation. Because the vampire grows strong whenever and wherever traditions weaken, its representations have multiplied with every political, economic, and technological revolution from the eighteenth century on. Today, in the age of globalization, vampire fictions are more virulent than ever, and the monster enjoys hunting grounds as vast as the international market. Metamorphoses of the Vampire explains why representations of vampirism began in the eighteenth century, flourished in the nineteenth, and came to eclipse nearly all other forms of monstrosity in the early twentieth century. Many of the works by French and German authors discussed here have never been presented to students and scholars in the English-speaking world. While there are many excellent studies that examine Victorian vampires, the undead in cinema, contemporary vampire fictions, and the vampire in folklore, until now no work has attempted to account for the unifying logic that underlies the vampire's many and often apparently contradictory forms. Erik Butler holds a PhD from Yale University and has taught at Emory University and Swarthmore College. His publications include The Bellum Gramaticale and the Rise of European Literature (2010) and a translation with commentary of Regrowth (Vidervuks) by the Soviet Jewish author Der Nister (2011).
An authoritative new history of the vampire, two hundred years after it first appeared on the literary scene Published to mark the bicentenary of John Polidori’s publication of The Vampyre, Nick Groom’s detailed new account illuminates the complex history of the iconic creature. The vampire first came to public prominence in the early eighteenth century, when Enlightenment science collided with Eastern European folklore and apparently verified outbreaks of vampirism, capturing the attention of medical researchers, political commentators, social theorists, theologians, and philosophers. Groom accordingly traces the vampire from its role as a monster embodying humankind’s fears, to that of an unlikely hero for the marginalized and excluded in the twenty-first century. Drawing on literary and artistic representations, as well as medical, forensic, empirical, and sociopolitical perspectives, this rich and eerie history presents the vampire as a strikingly complex being that has been used to express the traumas and contradictions of the human condition.
Barcelona -- exquisite architecture, masterful artists, and just down the coast, an ancient fortress where an old and powerful vampire lives...and rules all of Spain. Tall, dark, and deadly, vampire Xavier Prospero Flores waded through blood to destroy his enemies and reach the pinnacle of vampire society--Vampire Lord. He has only one regret in his long life, and that’s the day he rejected the advances of Layla Casales. She’d been too innocent, too naïve, and far too young. But she’d also been his. Layla Casales was only nineteen when she left Spain, brokenhearted and humiliated by Xavier’s rejection. But now, ten years later, the ties of family are pulling her back, not only to Spain, but to Xavier’s fortress. Her father, the vampire lord’s military commander, is critically ill. Layla has spent years fighting on battlefields around the world, so when her father asks her to come home, she can’t say no. Though Xavier’s rule began on the ashes of his enemies, it’s not vampires trying to kill him now--it’s humans. He needs to eliminate his enemy before more of his people die. Layla arrives just in time to help, but while she came for her father, the minute she and Xavier see each other, desire burns as hotly as if they’d never been apart. Xavier isn’t going to let her go this time. But before they can rediscover the love they walked away from, they must first keep each other alive. Praise for the author: "... guaranteed to give you all the tingles!!! A SEXUAL TENSION PACKED GEM!!" --AddictedtoRomance.org on LACHLAN "...this is the series to try--if you haven’t already. There’s always plenty of action, life and death moments, romance and really hot sexy times as well." --Delightedreader.com on LACHLAN "D.B. Reynolds has delivered a master class in what paranormal romance is meant to be." --KT Book Reviews on LUCIFER About the Author: D. B. Reynolds is the RT and EPIC Award-Winning author of the Vampires in America series of paranormal romance, and an Emmy-nominated television sound editor. She lives in a flammable canyon near Los Angeles, and when she’s not writing her own books, she can usually be found reading someone else’s. Visit her blog at www.dbreynolds.com for details on all of her books, for free stories and more.
The record-breaking phenomenon from Elizabeth Kostova is a celebrated masterpiece that "refashioned the vampire myth into a compelling contemporary novel, a late-night page-turner" (San Francisco Chronicle). Breathtakingly suspenseful and beautifully written, The Historian is the story of a young woman plunged into a labyrinth where the secrets of her family’s past connect to an inconceivable evil: the dark fifteenth-century reign of Vlad the Impaler and a time-defying pact that may have kept his awful work alive through the ages. The search for the truth becomes an adventure of monumental proportions, taking us from monasteries and dusty libraries to the capitals of Eastern Europe—in a feat of storytelling so rich, so hypnotic, so exciting that it has enthralled readers around the world. “Part thriller, part history, part romance...Kostova has a keen sense of storytelling and she has a marvelous tale to tell.” —Baltimore Sun
This book brings together a wide variety of historical, critical, and literary texts that reveal and discover the origins, growth, and development of the vampire myth from its beginnings to the 21st century.
The spellbinding classic that started it all, from the #1 New York Times bestselling author—the inspiration for the hit television series “A magnificent, compulsively readable thriller . . . Rice begins where Bram Stoker and the Hollywood versions leave off and penetrates directly to the true fascination of the myth—the education of the vampire.”—Chicago Tribune Here are the confessions of a vampire. Hypnotic, shocking, and chillingly sensual, this is a novel of mesmerizing beauty and astonishing force—a story of danger and flight, of love and loss, of suspense and resolution, and of the extraordinary power of the senses. It is a novel only Anne Rice could write.
The long and distinguished tradition of the literary vampire began in Germany during the Age of Enlightenment. German literature was the first to adapt the vampire figure from central European folklore and superstition and give it literary form. Despite these German origins, scholarly attention devoted to literary vampires has consistently focused on a select set of sources: British and French literature, Bram Stoker’s Dracula, and the phenomenon of the vampire superstition in general. While there have been many illuminating studies of pre-literary vampires and vampires that have already been firmly established as literary figures, the story of the crucial moment of transition from folkloric figure to literary subject has not yet been told. In The Origins of the Literary Vampire Heide Crawford redirects scholarly attention to the body of German poetry and prose where vampire folklore becomes vampire literature. This book focuses on the adaptation of the vampire superstition from central European folklore by German poets in the 18th and early 19th centuries for an audience that had become increasingly interested in superstition and occult phenomena in an Age of Enlightenment. In addition to establishing that the origins of the literary vampire in 18th and 19th century German poetry and prose were informed by the stories and reports of vampires from Central Europe, Crawford argues that the German poets who adapted this figure from superstition for their creative work immediately molded it into a metaphor for contemporary cultural anxieties and fears—a connection that would inspire horror literature in general and the traits of the literary vampire in particular for the 19th century and beyond. Contemporary culture has exhibited a marked fascination with eroticized and politicized applications of the vampire. This volume traces these erotic motifs, common political motifs and others to the first vampire poems that were written by German poets. Consequently, this book answers three central questions: What were the origins of the literary vampire; how was the vampire of folklore and superstition adapted for literature; and how did German poets contribute to the development of the vampire and Gothic horror literature? By answering these and other questions, The Origins of the Literary Vampire explains how the literary vampire became the ubiquitous horror figure it is today.