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There's newcomers on Cleator Moor, a town menace, brooding, ancient, and above all else devoted to evil. These chosen few roam this rural landscape in search of victims - an unquenchable craving for blood coursing through their veins. They are the vampires! Yet there is another evil in this town... something greater...
Gretchen is a Werecat. She lives in Louisiana in the first-ever subdivision just for paranormals like herself. She meets Adrian at the Night Club where she works, and there is an immediate attraction. Adrian is the Fae Enforcer, whose job is to capture and apprehend Fae that escape prison. He is sent to capture a Fae named Camilla, but he soon realizes that this isn’t just any ordinary job.
Collects Legion Of Monsters (1975) #1, Marvel Preview #8, Marvel Premiere #28; Marvel Spotlight (1971) #2 And #5, Tomb Of Dracula (1972) #1 And Frankenstein (1973) #1. Celebrate 80 years of Marvel Comics, decade by decade — together with the groovy ghoulies of the Supernatural Seventies! It was an era of black-and-white magazines filled with macabre monsters, and unsettling new titles starring horror-themed “heroes”! Now, thrill to Marvel’s greatest horror icons: The melancholy muck monster known as the Man-Thing — whosoever knows fear burns at his touch! Morbius, the Living Vampire! Jack Russell, cursed to be a Werewolf by Night! And the flame-skulled spirit of vengeance, the Ghost Rider! But what happens when they are forced together to become the Legion of Monsters? Plus: Stories starring Dracula, Frankenstein’s monster, Manphibian, the vampire-hunter Blade and never-before-reprinted tales of terror!
Analyzes how the rhetoric of Yugoslav intellectuals and politicians and the U.S.-led Western media and political leadership framed the serbs as metaphorical vampires in the last decades of the twentieth century.
This collection of original essays presents pedagogical tools, methods, and approaches for incorporating the figure of the vampire into the learning environment of the college classroom, in the hopes of ushering the Undead out of the coffin and into the classroom. The essays foster interdisciplinary collaboration and dialogue, and serve as a collective resource for those currently teaching the vampire as well as newcomers to vampire studies. Opening with a foreword by Sam George, the collection is organized around such topics as historicizing the vampire, teaching the diverse vampire, and engaging the student learner. Interwoven throughout the volume are strategies for incorporating writing instruction and generating conversations about texts ("texts" defined broadly so as to include film and other media). The vampire allows instructors to explore timeless themes such as life and death, love and passion, immortality, and monstrosity and Otherness.
The Vampire’s Bedside Companion is a riveting compendium of new facts and fiction on the ‘undying’ theme of vampirism. Here is a new theory on the genesis of Dracula (surely literature’s most compelling and macabre figure?); thoughts on allusions to vampirism in Wuthering Heights; first-hand experience of Vampires in Hampstead, London; publication for the first time of the story of a fifteenth-century Vampire Protection medallion that Montague Summers presented to the author; an account by a professor of English at Dalhousie University of a visit to ‘Castle Dracula’ in Transylvania - The Vampire’s Bedside Companion contains these and a wealth of other hitherto unpublished material on a subject that is of enduring interest: The Vampire Legend. To many people, vampires are creatures only of legend and fantasy with no reality outside the pages of books. Others, who have studied the folklore of many countries and the continuing reports of vampirism, maintain that there is extensive evidence not only that vampires once existed but that, in fact, they still do exist. In this fascinating book the author, himself an acknowledged expert on the Occult, presents true accounts of vampire infestation in England, America, Ireland, Hungary, China and France. Records of vampires and vampirism are, he claims, as old as the world and as recent as yesterday. Four new, existing and authentic vampire fictional stories by Peter Allan, Crispin Derby, Richard Howard and James Turner complete this compelling companion for dark nights, solitude and howling winds! Illustrated with my striking photographs, The Vampire’s Bedside Companion also contains original and evocative drawings by Geoffrey Bourne-Taylor. It is a must for all students of the occult and every reader of the macabre.
Vampires have been a popular subject for writers since their inception in 19th century Gothic literature and, later, became popular with filmmakers. Now the classical vampire is extinct, and in its place are new vampires who embrace the hi-tech worlds of science fiction. This book is the first to examine the history of vampires in science fiction. The first part considers the role of science and pseudo-science, from late Victorian to modern times, in the creation of the vampire, as well as the "sensation fiction" of J. Sheridan Le Fanu, Bram Stoker, Arthur Conan Doyle and H.G. Wells. The second part focuses on the history of the science fiction vampire in the cinema, from the silent era to the present. More than sixty films are discussed, including films from such acclaimed directors as Roger Corman, David Cronenberg, Guillermo del Toro and Steven Spielberg, among others.
First published in 1970, the gay pulp classic Vampire's Kiss, follows the transformation of Damon Sanger from an ambitious, married attorney to a gay vampire whose bodily libation of choice isn't blood. During a restless night of solo barhopping, Damon accidentally wanders into The Cave, a gay nigthclub, and drunkenly goes home with hypnotic, handsome and red-lipped seducer Alan Drake. Alan makes short work of Damon's conviction that he's straight as an arrow, and Alan isn't just gay; he's also a vampire. Or is he? Damon can't decide whether his trysts with Alan have simply opened his eyes to his true desires, or whether he's under the influence of a supernatural fiend whose wildly exciting influence has inducted him into the ranks of the homosexual undead, doomed to roam the earth and convert other men. Written with a light hand and a sly sense of humor, Vampire's Kiss follows Damon as he negotiates his secret life while pretending to be the ordinary suburban husband who enjoyed boozy barbecues with the neighbors and admiring curvaceous women. As Damon learns how to satisfy his new appetites and maintain his sanity, he conducts an ongoing, tongue-in-cheek examination of himself—he is a lawyer, after all—about everything from the morality of recruiting new vampires to whether he really has to give up the garlic he's always loved.
As someone who has survived her first year as an Acari recruit, Drew's ultimate goal is to become a Watcher and be paired up with a Vampire agent. Except nothing is as it seems. The vampire Alcántara is as sinister as he is sexy, Ronan is more distant than ever, and it turns out there are other vampires out there. Bad ones. They've captured one of the Watcher vamps and are torturing him for information-and Drew is going undercover to rescue him. But when their vampire prisoner turns out to be a gorgeous bad boy, Drew's first mission quickly turns into more than she bargained for...