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Value without Fetish presents the first in-depth English-language study of the influential Japanese economist Uno Kōzō‘s (1897-1977) theory of ‘pure capitalism’ in the light of the method and object of Marx’s Critique of Political Economy. A close analysis of the theories of value, production and reproduction, and crisis in Uno’s central texts from the 1930s to the 1970s reveals his departure from Marx’s central insights about the fetish character of the capitalist mode of production – a departure that Lange shows can be traced back to the failed epistemology of value developed in Uno’s earliest writings. By disavowing the complex relation between value and fetish that structures Marx’s critique, Uno adopts the paradigms of neoclassical theories to present an apology rather than a critique of capitalism.
This book demonstrates the continuing relevance of Marx’s critique of the capitalist system, in which value is simply equated with market price. It includes chapters specifically on the environment and financialisation, and presents Marx’s qualitative theory of value and the associated concept of fetishism in a clear and comprehensive manner. Section I demonstrates how fetishism developed in Marx’s writing from a journalistic metaphor to an analytical device central to his critique. In Section II, commodity fetishism is distinguished from other forms: of money, capital and interest-bearing capital. There follows an analysis of Marx’s complex attempt to distinguish his argument from that of Ricardo, and Samuel Bailey. The section ends with a discussion of the ontological status of value: as a social rather than a natural phenomenon. Section III considers the merits of understanding value by analogy with language, and critically assesses the merits of structural Marxism. Section IV challenges Marx’s emphasis solely on production, and considers also exchange and consumption as social relations. Section V critically assesses recent Marx-inspired literature relating to the two key crises of our time, finance and the environment, and identifies strong similarities between the key analytical questions that have been debated in each case.
In this volume, leading scholars from around the world suggest that radical ideologies have shaped complex historical processes in East Asia by examining how intellectuals and activists interpreted, rethought and criticized Marxism in East Asia. The contributors to this volume ask how we can use Marxism to understand East Asia in a global capitalist world, and where the problems that Marxism highlighted, including imperialism, domination and inequality, are increasingly prevalent. The volume draws on various disciplines to reinterpret Marx, and shed light on the complex dynamics of global capitalism in various historical/national contexts. The distinguished contributors illuminate, rethink and make accessible highly complex Marxist concepts, such as the question of class contradiction, the temporalities of capitalism, real and formal subsumption, relative surplus value and the commodity form, the question of class and the proletariat. At a time when people around the world are struggling to cope with the crises of global capitalism, this volume on regional responses to capitalism is especially welcome. It will be of interest to students and scholars of East Asian studies, social and political theory, sociology and globalization studies.
The aim of this book is to explore the French writers and critics of the 1930s and 1940s, who were to shape French literature. It studies the prehistory of postmodernism, looking at the main figures in French literature before the age of anxiety gave way to the era of
Drawing on a wide range of texts and using an interdisciplinary approach, this volume shows how Chinese and Japanese intellectuals mobilized the past to create a better future. It is especially significant today given a world where, amidst tensions within Asia and the rise of China, East Asian intellectuals and governments constantly find new political meanings in their traditions. The essays illuminate how throughout Chinese and Japanese history, thinkers constantly weaved together nationalism, internationalism and a politics of time. This volume explores a broad range of subjects such as premodern and early modern attempts to conjure a politics of Confucianism, twentieth-century Japanese Marxist interpretations of Buddhism and Japanese and Chinese endeavors to imagine a new world order. In sum, this book shows us why understanding East Asian pasts are essential to making sense of ideological trends in contemporary China and Japan. For example, without understanding Confucianism and how modern intellectuals in China grappled with this body of thought, we would be unable to make sense of the Chinese government’s current promotion of the Chinese classics. This book will interest students and scholars of political science, history, Asian studies, sociology and philosophy.
This edited volume traces the development of the Marxian theory of finance in Japan. Japanese Marxists have long been engaged in this field of study, yet their achievements are hardly known in other languages. Japanese Discourses on the Marxian Theory of Finance brings together in English for the first time six core essays essential to the understanding of the history and development of Japanese Marxian economics. Part I considers the so-called Uno-Miyake debate, which shaped the direction of the research in postwar Japan. Part II includes the three core essays influenced by Uno, including an essay by Shigekatsu Yamaguchi, who introduced a new method to systematically deal with “credit creation” which must be duly taken into consideration if scholars are to analyze today’s “financialization." Finally, the last two essays follow from Yamaguchi’s influential theory to consider the relation of banking with the capital market to complete the theory of finance in Marxian economics.
"The Problem of the Fetish gathers William Pietz's innovative writing on the fetish object and the history of the "fetish" as a concept. Engaging extensively with historical documents, Pietz traces the genealogy of fetishism from encounters between European colonizers and African communities in the sixteenth and seventeenth centuries to the emerging social sciences. Discussing the role of fetishism in anthropology, political economy, psychiatry, and law, he analyzes the relationship between the fetish and value, violence, sacrifice, and debt. To accompany Pietz's seven essays, this long-awaited volume includes a foreword by Francesco Pellizzi, editor of RES, the journal in which several of the essays originally appeared, and it also includes an introduction by Stefanos Geroulanos and Ben Kafka, who provide an invaluable guide to Pietz's thought. This book will speak to Pietz's multidisciplinary readership, continuing his legacy of engaging with questions of material culture, object agency, merchant capitalism, and spiritual power, and introducing the work of a powerful theorist to new generations of scholars and thinkers"--
“A timely and important project that changes our understanding of the role of abjection both in cultural politics and in the structure of film.” —Ewa Ziarek, State University of New York at Buffalo Tina Chanter resolves a fundamental problem in film theory by negotiating a middle path between “gaze theory” approaches to film and spectator studies or cultural theory approaches that emphasize the position of the viewer and thereby take account of race, class, gender, and sexuality. Chanter argues that abjection is the unthought ground of fetishistic theories. If the feminine has been the privileged excluded other of psychoanalytic theory, fueled by the myth of castration and the logic of disavowal, when fetishism is taken up by race theory, or cultural theory, the multiple and fluid registers of abjection are obscured. By mobilizing a theory of abjection, the book shows how the appeal to phallic, fetishistic theories continues to reify the hegemonic categories of race, class, sexuality, and gender, as if they stood as self-evident categories. “An intriguing read, especially for those who favor psychological models of criticism in film theory . . . Recommended.” —Choice
An expanded edition of the first comprehensive overview of Baudrillard's work, this new edition adds examples from after 1985.
Design, Politics, the Environment: a survey of the key thinkers and ideas that are rebuilding the world in the shadow of the anthropocene As we face the compounded crises of late capitalism, environmental catastrophe and technological transformation, who are the thinkers and the ideas who will allow us to understand the world we live in? McKenzie Wark surveys three areas at the cutting edge of current critical thinking: design, environment, technology and introduces us to the thinking of nineteen major writers. Each chapter is a concise account of an individual thinker, providing useful context and connections to the work of the others. The authors include: Sianne Ngai, Kodwo Eshun, Lisa Nakamura, Hito Steyerl, Yves Citton, Randy Martin, Jackie Wang, Anna Lowenhaupt Tsing, Achille Mbembe, Deborah Danowich and Eduardo Viveiros de Castro, Eyal Weizman, Cory Doctorow, Benjamin Bratton, Tiziana Terranova, Keller Easterling, Jussi Parikka. Wark argues that we are too often told that expertise is obtained by specialisation. Sensoria connects the themes and arguments across intellectual silos. They explore the edges of disciplines to show how we might know the world: through the study of culture, the different notions of how we create such things, and the impact that the machines that we devise have had upon us. The book is a vital and timely introduction to the future both as a warning but also as a road map on how we might find our way out of the current crisis.