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Valmiki the poet and the author of Valmiki-Ramayana most unlikely used irregularities more often than just sporadically it is not concerned generally with what is grammatically correct. To present here the same is the main aim of this study that is mainly based on the text and the critical apparatus of the critical edition of the Valmiki Ramayana, The national epic of India.
This collection of literature attempts to compile many classics that have stood the test of time and offer them at a reduced, affordable price in an attractive volume so that everyone can enjoy them.
Ramayana is the story of Rama, the prince of Ayodhya. Poet Valmiki describes Rama as a dutiful son, loving brother, devoted husband, fierce warrior and wise statesman, of pleasant manners and speech. Rama is above all an upholder of Dharma so it is no wonder that he is hailed as an avatar or incarnation of Lord Vishnu.
As I pen this preface, my heart is filled with both hope and urgency. The Valmiki community, often marginalized and unjustly labeled as "untouchables," has a story that is rich in culture yet fraught with struggle. My journey as a social reformer has brought me face-to-face with the realities faced by this resilient community, inspiring me to write this book not merely as an academic endeavor but as a heartfelt tribute to their ongoing fight for dignity, rights, and recognition
This is a condensed version of a long epic, written between 750 and 500 B.C., consisting of 50,000 lines of Sanskrit verse. Divided into seven Kanor books, it tells the story of Rama from his birth to his death. At regular intervals throughout the text, the chapters being condensed are designated by Kantitles and numbers. Each interval is appropriate in length for a daily reading, and there are 365 intervals. The cast of characters is provided by a glossary of proper names.
Een welvarende familie op Trinidad weet niet goed raad met seksualiteit.
Omprakash Valmiki describes his life as an untouchable, or Dalit, in the newly independent India of the 1950s. "Joothan" refers to scraps of food left on a plate, destined for the garbage or animals. India's untouchables have been forced to accept and eat joothan for centuries, and the word encapsulates the pain, humiliation, and poverty of a community forced to live at the bottom of India's social pyramid. Although untouchability was abolished in 1949, Dalits continued to face discrimination, economic deprivation, violence, and ridicule. Valmiki shares his heroic struggle to survive a preordained life of perpetual physical and mental persecution and his transformation into a speaking subject under the influence of the great Dalit political leader, B. R. Ambedkar. A document of the long-silenced and long-denied sufferings of the Dalits, Joothan is a major contribution to the archives of Dalit history and a manifesto for the revolutionary transformation of society and human consciousness.
"Valmiki’s Ramayana is the saga of Prince Rama who was born in Ayodhya in the Kosala Province of India. It is a narrative of the forever righteous Lord Ramchandra, an incarnation of the Supreme Lord Vishnu who descended on earth to eradicate all evil. Valmiki’s Ramayana - The Saga of a Scion Born in Ayodhya is a depiction of strong family and social values: - bonding between Father and Son, Brothers and Siblings, Husband and Wife, Teacher and Pupil, King and his Subjects and the Lord and his Devotees. Each character in the epic makes immense sacrifice with utmost dedication, rising above the self. The selflessness reflected in the narrative is a lesson to be imbibed by all in a society which is infected with ‘I, Me and Mine.’ A glimpse of the rich Indian Culture and heritage is a ‘must know’ for children and young adults. The knowledge and wisdom which is conveyed by this Saga can also serve as panacea to overcome all obstacles and challenges in the hour of adversity. Hope you enjoy reading the text depicted in an interesting and engaging summary form."
The last and most intriguing book of the Ramayana, the Uttara Kanda is rendered here by noted Sanskrit scholar Arshia Sattar in vivid, sensuous detail. First composed around 500 BCE, it tells the story of an unjustly exiled prince, the abduction of his wife from the forest by a ten-headed demon king, his alliance with a band of magical monkeys, and the internal and external battles he must fight to win back his wife and keep her. India’s great Sanskrit epic brings to readers the classic dilemmas every individual faces: love versus duty, destiny and free will, the public and the private self, the pull of family, and the right to personal happiness. These universal problems are layered with the quintessentially Indian ideas of karma (action) and dharma (duty).The book explores what it means to be human in a complex and demanding world, considering the parameters and contexts in which we make the decisions that will determine the color and tenor of our lives, the choices that make us who we are. It also offers a great, albeit tragic, love story—a story of the demands and pressures of love and how we might fail those that we love most. Accompanied by Sattar’s thoughtful essays weighing the moral complexity of this most enduring of epics, this translation crystallizes her deep and intimate knowledge of the Ramayana in a way that is utterly compelling.