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In Valley of the Craftsmen, the story of "higher degree" Freemasonry is depicted through portraits, official papers, material objects, photographs, buildings, and stagecraft. Featuring many previously unpublished images, Valley of the Craftsmen begins with rare illustrations of the English and French philosophical sources that were projected upon an American landscape vitalized and transformed by the concept of fraternity. The story is framed by American popular culture and the serious private effort of individual men in small towns and expansive cities who were intent on developing a moral life in service to their communities.
The isolated Canadian River in the Texas Panhandle stretched before John Erickson and Bill Ellzey as they began a journey through time and what the locals call "the valley." They went on horseback, as they might have traveled it a century before. Everywhere they went they talked, worked, and swapped stories with the people of the valley, piecing together a picture of what life has been like there for a hundred years. Through Time and the Valley is their story of the river--its history, its lore, its colorful characters, the comedies and tragedies that valley people have spun yarns about for generations. Rancher Erickson is an insider who knows his territory and has the gifts to tell about it. A wry and delightful humorist, he tickles our funnybone while touching our feelings. Outlaws, frontier wives, Indian warriors, cowboys, craftsmen, dance-hall girls, moonshiners, inventors, big ranchers, small ranchers-all are part of the Canadian River country heritage that gives this book its vitality.
Why do people work hard, and take pride in what they do? This book, a philosophically-minded enquiry into practical activity of many different kinds past and present, is about what happens when people try to do a good job. It asks us to think about the true meaning of skill in the 'skills society' and argues that pure competition is a poor way to achieve quality work. Sennett suggests, instead, that there is a craftsman in every human being, which can sometimes be enormously motivating and inspiring - and can also in other circumstances make individuals obsessive and frustrated. The Craftsman shows how history has drawn fault-lines between craftsman and artist, maker and user, technique and expression, practice and theory, and that individuals' pride in their work, as well as modern society in general, suffers from these historical divisions. But the past lives of crafts and craftsmen show us ways of working (using tools, acquiring skills, thinking about materials) which provide rewarding alternative ways for people to utilise their talents. We need to recognise this if motivations are to be understood and lives made as fulfilling as possible.
New York Times Book Review Editors' Choice A groundbreaking and endlessly surprising history of how artisans created America, from the nation's origins to the present day. At the center of the United States' economic and social development, according to conventional wisdom, are industry and technology-while craftspeople and handmade objects are relegated to a bygone past. Renowned historian Glenn Adamson turns that narrative on its head in this innovative account, revealing makers' central role in shaping America's identity. Examine any phase of the nation's struggle to define itself, and artisans are there-from the silversmith Paul Revere and the revolutionary carpenters and blacksmiths who hurled tea into Boston Harbor, to today's “maker movement.” From Mother Jones to Rosie the Riveter. From Betsy Ross to Rosa Parks. From suffrage banners to the AIDS Quilt. Adamson shows that craft has long been implicated in debates around equality, education, and class. Artisanship has often been a site of resistance for oppressed people, such as enslaved African-Americans whose skilled labor might confer hard-won agency under bondage, or the Native American makers who adapted traditional arts into statements of modernity. Theirs are among the array of memorable portraits of Americans both celebrated and unfamiliar in this richly peopled book. As Adamson argues, these artisans' stories speak to our collective striving toward a more perfect union. From the beginning, America had to be-and still remains to be-crafted.
Reports for 1980-19 also include the Annual report of the National Council on the Arts.
Outlines the Dept. of the Interior precepts to preserve our natural resources: Protect the environment for present and succeeding generations; Make wise and beneficial use of the environment without degradation or risk to health and safety; Preserve and protect the historic, cultural, and natural aspects of our national heritage; Enhance the quality of our renewable resources; Recycle our depletable resources; Seek a balance between population and resource use to assure Americans a high standard of living.