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The author of Condemnation introduces hero Sikander North, a Kashmiri officer on board the starship CSS Hector who struggles to prove himself to his Aquilan crewmates and the colonial ruler's headstrong daughter during a violent uprising.
For many of its participants, the Second World War was the most intense period of their lives - with horizons widened by grief, strangeness and excitement. Peter Ross, graduated from Trinity College, Dublin, to become a troop commander in Montgomery's Eighth Army. He took ship to Egypt and was active in the Western Desert campaign, concluding with El Alamein, a memorable and historic battle which marked the turning-point of the war. Hospitalized and awarded the Military Cross, Ross returned to take part in the D-Day landings, the liberation of Brussels and the advance on the Rhine. All Valiant Dust is a young Irishman's experience of war, vividly recounted with compassion and humour. Its painfully realized remembrance of the din and tempo of desert conflict, and much besides, documents extraordinary times.
A study of the popluar fiction of the past.
This book investigates the origins of figurative language in literary discourse within a cognitive framework. It represents an interface between linguistics and literature and develops a 6-tier theoretical model which analyses the different factors contributing to the creation of figurative words and expressions. By examining features ranging from language structure to figurative thought, cultural history, reference, narrative and the personal experience of authors, it develops a global overview of the processes involved. Due to its particularly innovative characteristics in literature, the theme of death is explored in relation to universal concepts such as love and time. These aspects are discussed in the light of well-known authors in comparative literature such as D.H. Lawrence, Simone De Beauvoir, Hermann Hesse and Jorge Luis Borges. The origins can involve complex conceptual mappings in figures of speech such as metaphor and symbolism. They are often at the roots of an author’s personal desires or represent the search for answers to human existence. This approach offers a wide variety of new ideas and research possibilities for postgraduate and research students in modern languages, linguistics and literature. It would also be of interest to academic researchers in these disciplines as well as the general public who would like to delve deeper into the relevant fields.
For Decadent authors, Romanticism was a source of powerful imaginative revisionism, perversion, transition, and partial negation. But for all these strong Decadent reactions against the period, the cultural phenomenon of Decadence shared with Romanticism a mutual distrust of the philosophy of utilitarianism and the aesthetics of neo-Classicism. Reflecting on the interstices between Romantic and Decadent literature, Decadent Romanticism reassesses the diverse and creative reactions of Decadent authors to Romanticism between 1780 and 1914, while also remaining alert to the prescience of the Romantic imagination to envisage its own distorted, darker, perverted, other self. Creative pairings include William Blake and his Decadent critics, the recurring figure of the sphinx in the work of Thomas De Quincey and Decadent writers, and Percy Shelley with both Mathilde Blind and Swinburne. Not surprisingly, John Keats’s works are a particular focus, in essays that explore Keats’s literary and visual legacies and his resonance for writers who considered him an icon of art for art’s sake. Crucial to this critical reassessment are the shared obsessions of Romanticism and Decadence with subjectivity, isolation, addiction, fragmentation, representation, romance, and voyeurism, as well as a poetics of desire and anxieties over the purpose of aestheticism.