Download Free Vaidehi Kathana A Critical Study Of Vaidehis Narratives Book in PDF and EPUB Free Download. You can read online Vaidehi Kathana A Critical Study Of Vaidehis Narratives and write the review.

Vaidehi Kathana is the first full-length literary critical study of the fictional, non fictional and poetic narratives of Vaidehi, who is considered to be one of the most celebrated contemporary Indian writers in Kannada. This work reviews, introduces, discusses and interprets all the writings of Vaidehi, which include short stories, poems, essays and a novel. The book examines how this great Indian writer has been reacting and responding to her time and space for the last four decades. The book shows how Vaidehi’s poetics has so subtly blended with her politics thereby creating some of the outstanding masterpieces in poetry and fiction of our times. The book discusses the special features of Vaidehi’s feminist perspectives as well as the uniqueness of her narrative skills. Arguing that Vaidehi’s spiritual triumph is demonstrated in her technical triumph, the book draws the attention of the non-Kannada readers to the entire body of Vaidehi’s writings. Lucidly translated into English by the noted translator O L Nagabhushana Swamy, T P Ashoka’s Vaidehi Kathana provides a meaningful opportunity for the non-Kannada readers to familiarize themselves with one of the greatest contemporary writers of India. T P Ashoka’s Vaidehi Kathana is a significant contribution to modern Indian literary criticism. The book provides an interesting reading not only to the students of literature, researchers and teachers but also appeals to the general readers.
Inlays of Subjectivity is an incisive exposition of the theme of subjectivity and selfhood in modern Indian literature. Scholarship in Indian literary studies tends to be divided along the lines of region, language, chronology, class, and caste. This book traverses and connects these contentious lines to examine some of the most influential literary texts to emerge from India in the last hundred years. It analyses literary expressions of intense emotionality—suffering, humiliation, creativity, and strife—while inhabiting the linkages between justice, speech, and affect. Nikhil Govind interprets a range of influential novelists such as Rabindranath Tagore and Saratchandra Chatterjee (Bengali), Agyeya (Hindi), Ismat Chughtai (Urdu), Krishna Sobti (Hindi), Urmila Pawar (Marathi), and K.R. Meera (Malayalam), to unearth narrative continuities of reflexive subject positions in relation to ongoing debates around free speech and egalitarianism.
I Cannot Undo What They Have Made Of Me. I Cannot Go Back And Smoothen Out The Wrinkled Brow Of My Childhood . . . There Are Things I Must Settle, Gaps I Must Fill. Both For Their Sake And Mine. It Is The 1930S And The Fire Of The Freedom Movement From Distant Bengal And Delhi Is Warming The Languid Bones Of The Small Town In Mysore, Where Kaveri And Setu Grow Up. Theirs Is A Liberal, Prosperous Household And The Family Takes Its Privileges For Granted. Mylaraiah, Their Father, Believes That They Are Twice Protected From Such Delusions As Swaraj Once By The British And Then By The Maharaja. While Setu Absorbs Their Father S Unquestioning Veneration Of The British, Kaveri, Profoundly Affected By Mahatma Gandhi S Visit To Their Town, Comes To Recognize Their Attempts To Be More English Than The English As Rather Shameful. In An Attempt To Follow Her Heart And Take Charge Of Her Own Future, Kaveri Defies Her Father And Participates In The Quit India March Organized By Shyam, The Hot-Headed Revolutionary She Is Attracted To. Angered And Jealous, And Loyal To His Father, Setu Is Forced Into Betraying His Sister. The Small Town Is Shaken Into Life Quite Brutally When It Faces A Police Firing For The First Time In Its History. But Kaveri Is Safe And Home, Or So Setu Thinks . . . Fifty Years Later, Setu S Daughter Tries To Unravel The Circumstances Of Her Uneasy Upbringing, Of The Grit-In-The-Eye Feeling To Her Childhood; Understand Her Cold Father, Her Self-Effacing Mother And Their Refusal To Talk About Their Past. Two Books And A Letter Found In A Tea Tin In The Attic Lead Her To Kaveri And It Is Kaveri, Whose Fate Remains Shrouded In Mystery, Who Has The Answer To Her Questions. But Even With All The Pieces Of The Jigsaw In Hand, The Picture Eludes Her. She Is Forced To Come To Terms With The Insidiousness Of Family Bonds As She Realizes That The Truth, If It At All Exists, Is Made Of Elisions And Imperfections.
The second volume following on from the first, which spanned the years 600 BC to the early-20th century, this book offers a new reading of cultural history that draws on contemporary scholarship on women and India. The books cover over 140 texts from 13 languages.
Translated from various Indic languages.
Includes songs by Buddhist nuns, testimonies of medieval rebel poets and court historians, and the voices of more than 60 other writers of the 18th and 19th centuries. Among the diverse selections are a rare early essay by an untouchable woman; an account by the first feminist historian; and a selection from the first novel written in English by an Indian woman.
This novel narrates the conditions of untouchables and focuses on the eradication of oppressive systems of discriminatory practices perpetuating untouchability. Vaidehi shows how social stratification and hierarchization of communities on the basis of caste produce various forms of subjugation and vulnerability.
Midnight- when stone and water melt- at the village entrance, the guardian-lamp spirits meet, they talk, exchange notes, share joys, share sorrows. Devanoora Mahadeva leads us to a world of spirits ruled by a strong sense of justice. As we listen in, their conversation introduces four generations of a family: Akkamahadevamma; her son Yaada; his son Somappa; and the main protagonist, Somappa's daughter, Kusuma. In this intricately woven cosmos, death casts its shadow. Following the different voices around, we come face to face with the harsh realities of Dalit life. Steered by the nuances of folk tale and oral tradition, this extraordinary account of feudal oppression presents a rare blend of poetry and prose. A modern classic, when it first appeared in 1988, Kusumabale marked a turning point in modern Kannada literature.