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The time period of 1990-2010 marks a significant moment in Spanish literary publishing that emphasized a new focus on Africa and African voices and signaled the beginning of a publishing boom of Hispano-African authors and themes. Africa in the Contemporary Spanish Novel, 1990-2010 analyzes the strategies that Spanish and Hispano-African authors employ when writing about Africa in the contemporary Spanish novel. Focusing on the former Spanish colonial territories of Morocco, Western Sahara, and Equatorial Guinea, Mahan L. Ellison analyzes the post-colonial literary discourse about these regions at the turn of the twenty-first century. Heexamines the new ways of conceptualizing Africa that depart from an Orientalist framework as advanced by novelists such as Lorenzo Silva, Concha López Sarasúa, Ramón Mayrata, and others. Throughout, Ellison also places the novels within their historical context, specifically engaging with the theoretical ideas of Edward Said’s Orientalism (1978), to determine to what extent his analysis of Orientalist discourse still holds value for a study of the Spanish novel of thirty years later.
PARTE 2 "ES QUE ÁFRICA ES ASÍ" Es más que una aventura en moto desde Sudáfrica a España por la costa Oeste. Esta obra es una invitación a la reflexión sobre los valores esenciales de la vida, como pueden ser la felicidad, la necesidad y la ética sobre el bien y el mal. "ES QUE ÁFRICA ES ASÍ" Es el resultado de una reflexión personal de su autor sobre... "en qué punto nos encontramos y hacía donde vamos". Es una expresión libre, comprometida y podríamos decir que atrevida e incluso temerosa... Pero no se preocupen por él... Dicen que está loco. Suban la cremallera de sus chaquetas. Ajústense el casco y desabrochen la mente... ¡Disfruten de la aventura!
The setting is New Mexico in 1952, where John Grady Cole and Billy Parham are working as ranch hands. To the North lie the proving grounds of Alamogordo; to the South, the twin cities of El Paso and Juarez, Mexico. Their life is made up of trail drives and horse auctions and stories told by campfire light. It is a life that is about to change forever, and John Grady and Billy both know it. The catalyst for that change appears in the form of a beautiful, ill-starred Mexican prostitute. When John Grady falls in love, Billy agrees--against his better judgment--to help him rescue the girl from her suavely brutal pimp. The ensuing events resonate with the violence and inevitability of classic tragedy
Beautiful and brutal, two young cowboys come of age in The Border Trilogy – Cormac McCarthy's award-winning requiem for the American frontier. 'A landmark in American literature' – Guardian With an introduction from Rachel Kushner, author of The Mars Room. During the middle of the twentieth century, two teenage boys leave their childhoods behind across the US-Mexico border. John Grady Cole will search for his future to the south, a friend by his side, finding adventure and barbarism in the vanishing world of the Old West. Billy Parnham, after deciding not to kill her, will be drawn to the mountains of Mexico accompanied by a lone, pregnant wolf. When the two boys come together as men, in the trilogy's final volume, a dangerous chain of events will bring this story to its savage, inevitable conclusion. A stunning saga of loyalty and love, filled equally with sorrow and humour, The Border Trilogy is a powerful story of two friends growing up in a world where blood and violence are conditions of life. 'In these three fierce, desolate, beautiful novels, McCarthy has created a masterpiece' – Sunday Times This edition collects all three novels in the Border Trilogy: All the Pretty Horses, The Crossing and Cities of the Plain. Praise for Cormac McCarthy ‘McCarthy worked close to some religious impulse, his books were terrifying and absolute’ – Anne Enright, author of The Green Road and The Wren, The Wren 'His prose takes on an almost biblical quality, hallucinatory in its effect and evangelical in its power' – Stephen King, author of The Shining and the Dark Tower series '[I]n presenting the darker human impulses in his rich prose, [McCarthy] showed readers the necessity of facing up to existence' – Annie Proulx, author of Brokeback Mountain
A collection of scholars from Cape Verde, Brazil, Portugal, the United States, the United Kingdom and Spain writing about Cape Verde
The main purpose of this etymological dictionary is to trace each Spanish word as far back as possible in order to acquaint the reader with the history of the evolution of the Spanish language; another of its aims is to help students learn vocabulary, e.g., the English word 'sky' does not help English speaking persons learn the Spanish work 'cielo' but the English word 'celestial' does. Etymology is the history of words, and, as words stand for things, it is also the history of things, and therefore of civilisation. The words analyzed in this dictionary cover every area of human endeavor, including science and technology; in addition to words, the book contains certain phrases, and many affixes. Although some Spanish words are not of Indo-European origin, most of them are. In view of the proportion of words with similar etymologies in certain languages, this Spanish etymological dictionary can also be used to find the origin of thousands of English, French, Italian and Portuguese words as well as that of many words from other languages. Many Indo-European roots are represented in Spanish words and therefore this dictionary forms a complete picture of Indo-European etymology. This etymological dictionary is of great value to all those working with, or interested in, the Spanish language. As a reference work it should be on the shelves of school, university and general public libraries as well as other appropriate reference libraries. It is of particular value to students and teachers of Spanish and to translators and conference interpreters.
Murray Leinster (June 16, 1896 – June 8, 1975) was a nom de plume of William Fitzgerald Jenkins, an award-winning American writer of science fiction and alternate history. He wrote and published more than 1,500 short stories and articles, 14 movie scripts, and hundreds of radio scripts and television plays. Leinster was born in Norfolk, Virginia, the son of George B. Jenkins and Mary L. Jenkins. His father was an accountant. Although both parents were born in Virginia, the family lived in Manhattan in 1910, according to the 1910 Federal Census. He began his career as a freelance writer before World War I; he was two months short of his 20th birthday when his first story, "The Foreigner", appeared in the May 1916 issue of H. L. Mencken's literary magazine The Smart Set. Over the next three years, Leinster published ten more stories in the magazine. During and after World War I, he began appearing in pulp magazines like Argosy, Snappy Stories, and Breezy Stories. He continued to appear regularly in Argosy into the 1950s. When the pulp magazines began to diversify into particular genres in the 1920s, Leinster followed suit, selling jungle stories to Danger Trails, westerns to West and Cowboy Stories, detective stories to Black Mask and Mystery Stories, horror stories to Weird Tales, and even romance stories to Love Story Magazine under the pen name Louisa Carter Lee. Leinster's first science fiction story, "The Runaway Skyscraper", appeared in the February 22, 1919 issue of Argosy, and was reprinted in the June 1926 issue of Hugo Gernsback's first science fiction magazine, Amazing Stories. In the 1930s, he published several science fiction stories and serials in Amazing and Astounding Stories (the first issue of Astounding included his story "Tanks"). He continued to appear frequently in other genre pulps such as Detective Fiction Weekly and Smashing Western, as well as Collier's Weekly beginning in 1936 and Esquire starting in 1939. Leinster is credited with the invention of parallel universe stories. Four years before Jack Williamson's The Legion of Time came out, Leinster published his "Sidewise in Time" in the June 1934 issue of Astounding. Leinster's vision of extraordinary oscillations in time ('sidewise in time') had a long-term impact on other authors, for example Isaac Asimov's "Living Space", "The Red Queen's Race", and The End of Eternity.
ñI tell you, God could care less about the poor. Tell me, why must we live here like this? What have we done to deserve this? YouÍre so good and yet you suffer so much,î a young boy tells his mother in Tomàs RiveraÍs classic novel about the migrant worker experience. Outside the chicken coop that is their home, his father wails in pain from the unbearable cramps brought on by sunstroke after working in the hot fields. The young boy canÍt understand his parentsÍ faith in a god that would impose such horrible suffering, poverty and injustice on innocent people. Adapted into the award-winning film ƒand the earth did not swallow him and recipient of the first award for Chicano literature, the Premio Quinto Sol, in 1970, RiveraÍs masterpiece recounts the experiences of a Mexican-American community through the eyes of a young boy. Forced to leave their home in search of work, the migrants are exploited by farmers, shopkeepers, even other Mexican Americans, and the boy must forge his identity in the face of exploitation, death and disease, constant moving and conflicts with school officials. In this new edition of a powerful novel comprised of short vignettes, Rivera writes hauntingly about alienation, love and betrayal, man and nature, death and resurrection and the search for community.
When a breach birth leaves Paulo severely disabled, his father, the articulate, unsentimental Professor Frigerio, struggles to come to terms with his son’s condition. Face to face with his own limitations, Frigerio confronts the strange way society around him handles Paolo’s handicaps and observes his surprising gifts. In spare, deeply affecting episodes, the professor of language explores the nuanced boundaries between “normal” and “disabled” worlds. A remarkable memoir of fathering, winner of the 2001 Strega Prize, Italy’s most prestigious literary honor, Born Twice is noted Italian author Guiseppe Pontiggia’s American debut. Sometimes meditative, often humorous, and always probing, Pontiggia’s haunting characters linger and resound long after the book is done.