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"Vagabonds in France" is a lighthearted book about an unexpected travel adventure to France. Find out how life threw a lemon at us with losing our home, and our attempt to make lemonade. Putting all our furniture in storage, we left everything behind to experience an adventure of a lifetime. With no mortgage or rent to pay, we left with no return date or home to come back to. Exploring for 9 weeks, we traveled from Florida (Tampa and Key West), to Portugal (Funchal, Madeira), to Spain (Malaga, Cartagena, and Barcelona), to the C�te d'Azur in the south of France (Antibes, Nice, Eze, St. Paul de Vence), to Provence (Arles, Avignon), then a month in Paris. Come with my wife and me and see this country's amazing beauty, along with all the humorous cultural differences and "what the hell" moments you'll get a kick out of. Climb mountains, descend into the Paris Metro, dodge pickpockets, endure nasty weather and illness, and witness the flood of the century with us. Experience some wonderful and not-so-wonderful people. Chuckle with me as we live among the French and try to learn their ways and language. Then make it back home to an empty rental home we found online. Readers say they feel like they are right there with us on the journey, and laugh out loud, especially from the "Bathroom Reports". This book, with its 75 photograph illustrations, is available now on Amazon in both paperback (black and white illustrations) and Kindle (color illustrations)!
The Two Vagabonds in Languedoc is just one of a number of titles by Jan and Cora Gordon which sold immensely well in the USA when first published in the 1930s. They were very popular in the US and toured here. Two Vagabonds in Languedoc, written in 1925, is their charming and evocative sketch of the French village of Najac. Return today to the very same village on the border of the Departments of Tarn and Aveyron and many of the landmarks mentioned are still there; nowadays life goes on much the same.
An NYRB Classics Original Jean-Paul Clébert was a boy from a respectable middle-class family who ran away from school, joined the French Resistance, and never looked back. Making his way to Paris at the end of World War II, Clébert took to living on the streets, and in Paris Vagabond, a so-called “aleatory novel” assembled out of sketches he jotted down at the time, he tells what it was like. His “gallery of faces and cityscapes on the road to extinction” is an astonishing depiction of a world apart—a Paris, long since vanished, of the poor, the criminal, and the outcast—and a no less astonishing feat of literary improvisation: Its long looping breathless sentences, streetwise, profane, lyrical, incantatory, are an adventure in their own right. Praised on publication by the great novelist and poet Blaise Cendrars and embraced by the young Situationists as a kind of manual for living off the grid, Paris Vagabond—here published with the starkly striking photographs of Clébert’s friend Patrice Molinard—is a raw and celebratory evocation of the life of a city and the underside of life.
Excerpt from Among French Folk: A Book for Vagabonds A moment's silence followed, but it seemed like an age. All Paris stood still in expectation. Helen's hand sought mine in the darkness and trembled. SO much happiness rested on the answer. Bien The reply was as demure as you please; and there was an answering flash to the dark flowing river in the girl's eyes. Alors He was about to demonstrate his affection, when a great cat, as black as a piece of coal, emerged from the other half Of Paris on to the parapet over the river, and looking directly at the couple, sat down in front Of them and licked its chops. Helen was sure it winked, but I cannot vouch for that. At any rate, the thread was broken. 'the girl laughed and enticed pussy on her lap, Where she fondled it to the utter exclusion Of her wooer, while he, poor fellow, sat meekly trying to ingratiate himself with both parties. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
First published in 1799, George Walker's The Vagabond was an immediate popular success. Offering a vitriolic critique of post-Bastille Jacobinism and sansculotte-style mob rule, its true-to-life satirical portraits of many of the radical men and women who fought in the forefront of the "British Revolution" are nonetheless full of playful banter and farce. With swipes at Hume, Rousseau, Godwin, Wollstonecraft, and Paine; the French Revolution; and the ideas of the noble savage, natural virtue, liberty, equality, and romantic primitivism, The Vagabond offers a unique cross-section of 1790s radicalism. This Broadview edition contains a critical introduction and a wide selection of primary source materials that situate the novel in the context of the revolutionary debate of the 1790s. Appendices include contemporary reviews of the novel and excerpts from the writings of a variety of radicals and reactionaries engaged in the debate, such as Hume, Rousseau, Paine, Thelwall, Wollstonecraft, Godwin, Burke, Playfair, Malthus, and Cobbett, among many others.
Travel writing, migrant writing, exile writing, expatriate writing, and even the fictional travelling protagonists that emerge in literary works from around the globe, have historically tended to depict mobility as a masculine phenomenon. The presence of such genres in women’s writing, however, poses a rich and unique body of work. This volume examines the texts of Francophone women who have experienced or reflected upon the experience of transnational movement. Due to the particularity of their relationship to home, and the consequent impact of this on their experience of displacement, the study of women's mobility opens up new questions in our understanding of the movement from place to place, and in our broader understanding of colonial and postcolonial worlds. Addressing the proximities and overlaps that exist between the experiences of women exiles, migrants, expatriates and travellers, the collected essays in this book seek to challenge the usefulness, relevance or validity of such terms for conceptualising today’s complex patterns of transnational mobility and the gendered identities produced therein.
Travel writing, migrant writing, exile writing, expatriate writing, and even the fictional travelling protagonists that emerge in literary works from around the globe, have historically tended to depict mobility as a masculine phenomenon. The presence of such genres in women’s writing, however, poses a rich and unique body of work. This volume examines the texts of Francophone women who have experienced or reflected upon the experience of transnational movement. Due to the particularity of their relationship to home, and the consequent impact of this on their experience of displacement, the study of women's mobility opens up new questions in our understanding of the movement from place to place, and in our broader understanding of colonial and postcolonial worlds. Addressing the proximities and overlaps that exist between the experiences of women exiles, migrants, expatriates and travellers, the collected essays in this book seek to challenge the usefulness, relevance or validity of such terms for conceptualising today’s complex patterns of transnational mobility and the gendered identities produced therein.