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It is 2050, and the world is struggling to cope with the devastating effects of climate change. Food is in short supply, buildings are unsafe, and civil war reigns. Josh and Tina are trying to help their families, but the duo quickly find themselves caught up in the battle between government forces and scrappy rebels.
Charlie Chaplin's A Woman of Paris (1923) was a groundbreaking film which was neither a simple recycling of Peggy Hopkins Joyce's story, nor quickly forgotten. Through heavily-documented "period research," this book lands several bombshells, including Paris is deeply rooted in Chaplin's previous films and his relationship with Edna Purviance, Paris was not rejected by heartland America, Chaplin did "romantic research" (especially with Pola Negri), and Paris' many ongoing influences have never been fully appreciated. These are just a few of the mistakes about Paris.
Charles Maland focuses on the cultural sources of the on-and-off, love-hate affair between Chaplin and the American public that was perhaps the stormiest in American stardom.
Is comedy an inconsequential part of life, useful primarily for relaxation and escape? Conrad Hyers asserts that comedy is central to all aspects of existence. In The Comic Vision and the Christian Faith Hyers offers the first detailed study of the special significance of comic and religious themes to show that the comic tradition enriches and informs as well as entertains. Maintaining that comedy constitutes its own mythology, Hyers examines the great array of comic figures - tricksters, clowns, jesters, fools, humorists, comedians, and the like - and shows their historical significance in giving meaning to the major issues with which humankind has been concerned. Finally, Hyers shows us that when we appreciate the importance of the comic vision, we gain a keener, fresher, and more meaningful outlook.
IT HAPPENS EVERY 26,000 YEARS. Only a few ever survive. This time … No one will. That is unless Charlie Blake can locate all four diamonds to restore the Talisman of El and receive his calling from the remaining three elements before the Annus Magnus strikes. With both Arcadia and the mortal world in a state of unrest, his life quickly spirals out of control as it seems everyone has put a bounty on his head. Maybe even his closest allies. Not knowing who to trust, Charlie starts to dig up the past. When new revelations arise, he begins to question whether the Legion of Light really is what it claims to be and whether he’s been fighting for the wrong side all along. The line between good and evil is no longer as clear-cut as it used to be, especially when it appears Charlie’s destiny could very well be to destroy everything he loves. Hero or villain? Charlie isn’t so sure anymore.
Modern Times was Charlie Chaplin's last full-length silent film. The author situates 'Modern Times' within the context of Chaplin's life work, exploring its history and influences. She explores how the film's themes of oppression, industrialization and dehumanization are embodied in the little tramp's struggle to survive in the modern world.