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"With this ground-breaking book, Kenton V. Stone presents to North American readers one of the most intriguing writers to emerge out of Latin America in recent years, Uruguay's Carlos Martinez Moreno. Martinez Moreno started writing in the 1960s and achieved international reknown in 1981 when he was awarded Mexico's international fiction prize (by a panel including Gabriel Garcia Marquez, Julio Cortazar, and Ariel Dorfman) for his novel El color que el infierno me escondiera - a novel which, as the title suggests, takes the classic work of Dante Allighieri as its model. Stone's study of Martinez Moreno's novels has a dual purpose. The first purpose is to show that Martinez Moreno is a writer of the "Boom" in the Latin-American novel of the 1960s who deserves a revival in critical attention. The second purpose is to propose that new readings of his work extend beyond political protest to a study of Dantesque moral analysis - especially evident in El Infierno." "Once a utopian welfare state known to all as the "Switzerland of the Americas" for its democracy, pacifism, and prosperity, Uruguay succumbed to military rule in 1973. Martinez Moreno - along with compatriots Mario Benedetti, Eduardo Galeano, and Juan Carlos Onetti (among others) - had long predicted the demise of Uruguay's utopia in his novels. From 1973 until his death in exile, he took up the role of resisting - as novelist and attorney - what became the most ruthless regime of the "dirty wars" of Latin America in the 1970s, a regime that forced one-fifth of its citizens into prison or exile." "In Utopia Undone, Stone offers the reader an incisive analysis of Martinez Moreno's award-winning book and the novels that led up to its writing. He analyzes Martinez Moreno's works as they range from the Cuban revolution in El paredon (1963) to Bolivia's cocaine trade and Che Guevara in Coca (1968). Stone painstakingly points out the parallels between Martinez Moreno's craft and the deterioration of Uruguayan society, a process chronicled in his novels as la deca, "the decay." The reader is introduced to the Uruguayan author's life and times and how they were inevitably set on a collision course with what Roa Bastos calls Martinez Moreno's "revolutionary dream." Finally, Stone examines the end of Martinez Moreno's career - in exile in Mexico, bearing witness to Uruguay's largely overlooked diaspora with El Infierno, a monumental classic of the "literature of the disappeared" with a Dantesque devotion to truth and moral vision." "Utopia Undone was born in an interview Kenton V. Stone conducted with Martinez Moreno only months prior to the novelist's death in 1986 - the year Uruguay's democracy was restored."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Media narratives inform our ideas of the future - and Games are currently making a significant contribution to this medial reservoir. On the one hand, Games demonstrate a particular propensity for fantastic and futuristic scenarios. On the other hand, they often serve as an experimental field for the latest media technologies. However, while dystopias are part of the standard gaming repertoire, Games feature utopias much less frequently. Why? This anthology examines playful utopias from two perspectives. It investigates utopias in digital Games as well as utopias of the digital game; that is, the role of ludic elements in scenarios of the future.
Over five hundred years since it was named, utopia remains a vital concept for understanding and challenging the world(s) we inhabit, even in – or rather because of – the condition of ‘post-utopianism’ that supposedly permeates them. In Rethinking Utopia David M. Bell offers a diagnosis of the present through the lens of utopia and then, by rethinking the concept through engagement with utopian studies, a variety of ‘radical’ theories and the need for decolonizing praxis, shows how utopianism might work within, against and beyond that which exists in order to provide us with hope for a better future. He proposes paying a ‘subversive fidelity’ to utopia, in which its three constituent terms: ‘good’ (eu), ‘place’ (topos), and ‘no’ (ou) are rethought to assert the importance of immanent, affective relations. The volume engages with a variety of practices and forms to articulate such a utopianism, including popular education/critical pedagogy; musical improvisation; and utopian literature. The problems as well as the possibilities of this utopianism are explored, although the problems are often revealed to be possibilities, provided they are subject to material challenge. Rethinking Utopia offers a way of thinking about (and perhaps realising) utopia that helps overcome some of the binary oppositions structuring much thinking about the topic. It allows utopia to be thought in terms of place and process; affirmation and negation; and the real and the not-yet. It engages with the spatial and affective turns in the social sciences without ever uncritically being subsumed by them; and seeks to make connections to indigenous cosmologies. It is a cautious, careful, critical work punctuated by both pessimism and hope; and a refusal to accept the finality of this or any world.
Bringing together leading interpreters of Zygmunt Bauman’s sociology, this volume thinks with and beyond Bauman’s work in order to show its continued relevance as a theory in its own right, as an object of criticism and as a stepping stone towards a fuller understanding of contemporary society. The volume deals with some proposed omissions and absences in Bauman’s sociology, with chapters comparing Bauman’s ideas to those of other prominent social thinkers as well as chapters devoted to teasing out some problems and pitfalls in his work. Paying attention to central concepts and themes of Bauman’s thought, authors engage with various aspects of his work, considering potential deficiencies in his ethical perspective, his neglect of the religious dimensions of modernity, his lack of consideration for ethnicity and gender, his overlooking the importance of socialisation in liquid modernity and his problematic argument for individual choice and freedom in a world that is increasingly closed down by consumer capitalism. Beyond Bauman aspires to show that despite Bauman's status as a key sociological thinker, there are also certain deficiencies in his work demand critical discussion. It will be of use to scholars of sociology, contemporary society, social theory and modernity.
Provides a clear account of the issues in Spanish American fiction in the last quarter-century by attempting to answer questions on the Boom, Post-Boom, and its relation to Postmodernism.
The idea of enlightenment entails liberty, equality, rationalism, secularism, and the connection between knowledge and well being. In spite of the setbacks of revolutionary violence, mass murder, and two world wars, the spread of enlightenment values is still the yardstick by which moral, political, and scientific advances are measured. In On Enlightenment, David Stove attacks the roots of enlightenment thought to define its successes, limitations, and areas of likely failures. Stove champions the use of reason and recognizes the falsity of religious claims as well as the importance of individual liberty. He rejects the enlightenment's uncritical optimism regarding social progress and its willingness to embrace revolutionary change. What evidence is there that the elimination of superstition will lead to happiness? Or that it is possible to accept Darwinism without Social Darwinism? Or that the enlightenment's liberal, rationalistic outlook will lead to the social progress envisioned by its advocates? Despite best intentions, says Stove, social reformers who attempt to improve the world inevitably make things worse. He advocates a conservative approach to change, pointing out that social structures are so large and complex that any widespread social reform will have innumerable unforeseen consequences. Writing in the tradition of Edmund Burke with the same passion for clarity and intellectual honesty as George Orwell, David Stove was one of the most articulate and insightful philosophers of his day.
In the light of globalization's failure provide the universal panacea expected by some of its more enthusiastic proponents, and the current status of neo-liberalism in Europe, a search has begun for alternative visions of the future; alternatives to the free market and to rampant capitalism. Indeed, although these alternatives may not be conceived of in terms of being a 'perfect order', there does appear to be a trend towards 'utopian thinking', as people - including scholars and intellectuals - search for inspiration and visions of better futures. If, as this search continues, it transpires that politics has little to offer, then what might social theory have to contribute to the imagination of these futures? Does social theory matter at all? What resources can it offer this project of rethinking the future? Without being tied to any single political platform, Utopia: Social Theory and the Future explores some of these questions, offering a timely and sustained attempt to make social theory relevant through explorations of its resources and possibilities for utopian imaginations. It is often claimed that utopian thought has no legitimate place whatsoever in sociological thinking, yet utopianism has remained part and parcel of social theory for centuries. As such, in addition to considering the role of social theory in the imagination of alternative futures, this volume reflects on how social theory may assist us in understanding and appreciating utopia or utopianism as a special topic of interest, a special subject matter, a special analytical focus or a special normative dimension of sociological thinking. Bringing together the latest work from a leading team of social theorists, this volume will be of interest to sociologists, social and political theorists, anthropologists and philosophers.
The LGBT agenda for too long has been dominated by pragmatic issues like same-sex marriage and gays in the military. It has been stifled by this myopic focus on the present, which is short-sighted and assimilationist. Cruising Utopia seeks to break the present stagnancy by cruising ahead. Drawing on the work of Ernst Bloch, José Esteban Muñoz recalls the queer past for guidance in presaging its future. He considers the work of seminal artists and writers such as Andy Warhol, LeRoi Jones, Frank O’Hara, Ray Johnson, Fred Herko, Samuel Delany, and Elizabeth Bishop, alongside contemporary performance and visual artists like Dynasty Handbag, My Barbarian, Luke Dowd, Tony Just, and Kevin McCarty in order to decipher the anticipatory illumination of art and its uncanny ability to open windows to the future. In a startling repudiation of what the LGBT movement has held dear, Muñoz contends that queerness is instead a futurity bound phenomenon, a "not yet here" that critically engages pragmatic presentism. Part manifesto, part love-letter to the past and the future, Cruising Utopia argues that the here and now are not enough and issues an urgent call for the revivification of the queer political imagination.
Are we living in a post-temporal age? Has history come to an end? This book argues against the widespread perception of postmodern narrativity as atemporal and ahistorical, claiming that postmodernity is characterized by an explosion of heterogeneous narrative "timeshapes" or chronotopes. Chronological linearity is being challenged by quantum physics that implies temporal simultaneity; by evolutionary theory that charts multiple time-lines; and by religious and political millenarianism that espouses an apocalyptic finitude of both time and space. While science, religion, and politics have generated new narrative forms of apprehending temporality, literary incarnations can be found in the worlds of science fiction. By engaging classic science-fictional conventions, such as time travel, alternative history, and the end of the world, and by situating these conventions in their cultural context, this book offers a new and fresh perspective on the narratology and cultural significance of time.
The idea of Utopia springs from a natural desire of transformation, of evolution pertaining to humankind and, therefore, one can find expressions of “utopian” desire in every civilization. Having to do explicitly with human condition, Utopia accompanies closely cultural evolution, almost as a symbiotic organism. Maintaining its roots deeply attached to ancient myths, utopian expression followed, and sometimes preceded cultural transformation. Through the next almost five hundred pages (virtually one for each year since Utopia was published) researchers in the fields of Architecture and Urbanism, Arts and Humanities present the results of their studies within the different areas of expertise under the umbrella of Utopia. Past, present, and future come together in one book. They do not offer their readers any golden key. Many questions will remain unanswered, as they should. The texts presented in Proportion Harmonies and Identities - UTOPIA(S) WORLDS AND FRONTIERS OF THE IMAGINARY were compiled with the intent to establish a platform for the presentation, interaction and dissemination of researches. It aims also to foster the awareness and discussion on the topics of Harmony and Proportion with a focus on different utopian visions and readings relevant to the arts, sciences and humanities and their importance and benefits for the community at large.