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The idea of "Utopia" has made a comeback in the age of globalization, and the bewildering technological shifts and economic uncertainties of the present era call for novel forms of utopia. Tally argues that a new form of utopian discourse is needed for understanding, and moving beyond, the current world system.
The idea of "Utopia" has made a comeback in the age of globalization, and the bewildering technological shifts and economic uncertainties of the present era call for novel forms of utopia. Tally argues that a new form of utopian discourse is needed for understanding, and moving beyond, the current world system.
Taking aim at the belief in utopia's demise, this collection of original essays offers a new look at the vibrant renewal of utopianism emerging in response to the challenges of globalization. It consider questions of hope and transformation associated with the utopian desire for social change.
Exploring the fury of the young in a world or crisis that seems to offer no alternatives "Only martyrs know neither pity nor fear. Believe me, the day when the martyrs are victorious will be the day of universal conflagration". Jacques Lacan made this gloomy prophesy back in 1959: but doesn't it also apply to our own time? Faced with a rise in attacks around the world, can we really just blame the 'radicalization of' Islam'? What hope is there for the alienated youth, as the wars that have ravaged the Middle East spill out across the globe? For Alain Bertho, the mounting chaos we see today is above all driven by the weakening of states' legitimacy under the pressure of globalization. Add to this the hypocrisy of the elites who beat the drum of 'security measures', even as they sow the seeds of violence around the world. This disorder is the swamp of despair which can only produce fresh atrocities. Today's youth are the lost children of neoliberal globalization, the inheritors of the political and human chaos it produces. When they find it easier to imagine the end of the world than the end of capitalism, their revolt tends to take the paths of martyrdom and despair. The closing of the revolutionary hypothesis allows only fury. The answer, Bertho argues, is a new radicalism, able to inspire a collective hope in the future.
A pathbreaking exploration of the fate of utopia in our troubled times, this book shows how the historically intertwined endeavors of utopia and critique might be leveraged in response to humanity's looming existential challenges. Utopia in the Age of Survival makes the case that critical social theory needs to reinstate utopia as a speculative myth. At the same time the left must reassume utopia as an action-guiding hypothesis—that is, as something still possible. S. D. Chrostowska looks to the vibrant, visionary mid-century resurgence of embodied utopian longings and projections in Surrealism, the Situationist International, and critical theorists writing in their wake, reconstructing utopia's link to survival through to the earliest, most radical phase of the French environmental movement. Survival emerges as the organizing concept for a variety of democratic political forms that center the corporeality of desire in social movements contesting the expanding management of life by state institutions across the globe. Vigilant and timely, balancing fine-tuned analysis with broad historical overview to map the utopian impulse across contemporary cultural and political life, Chrostowska issues an urgent report on the vitality of utopia.
In an age of globalization characterized by the dizzying technologies of the First World, and the social disintegration of the Third, is the concept of utopia still meaningful? Archaeologies of the Future, Jameson's most substantial work since Postmodernism, Or, the Cultural Logic of Late Capitalism, investigates the development of this form since Thomas More, and interrogates the functions of utopian thinking in a post-Communist age. The relationship between utopia and science fiction is explored through the representations of otherness . alien life and alien worlds . and a study of the works of Philip K. Dick, Ursula LeGuin, William Gibson, Brian Aldiss, Kim Stanley Robinson and more. Jameson's essential essays, including "The Desire Called Utopia," conclude with an examination of the opposing positions on utopia and an assessment of its political value today.
It has become clear that utopian thought has returned to the political scene. Featherstone traces the history of utopia and also discusses a number of contemporary case studies. This examination of the nature of utopian politics in the twenty-first century will be essential reading for political scientists and sociologists.
This book brings together scholars from across a variety of disciplines who use different methodologies to interrogate the changing nature of Russian culture in the twenty-first century. The book considers a wide range of cultural forms that have been instrumental in globalizing Russia. These include literature, art, music, film, media, the internet, sport, urban spaces, and the Russian language. The book pays special attention to the processes by which cultural producers negotiate between Russian government and global cultural capital. It focuses on the issues of canon, identity, soft power and cultural exchange. The book provides a conceptual framework for analyzing Russia as a transnational entity and its contemporary culture in the globalized world.
A discussion of Henry James and other utopian writers (Charlotte Perkins, Gilman, Edward Bellamy and William Dean Howells) and how the commercial and territorial expansion of the U.S. prompted these utopians to imagine a universal culture standing at the