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This book challenges several assumptions commonly encountered in Japanese dialectology: that the pitch-accent analysis of modern Tōkyō Japanese is an appropriate basis for describing the suprasegmental phonology of other dialects and earlier stages of Japanese; that the Kyōto-type dialects have been more conservative than dialects to their east and west; that the first split in proto-Japanese was the separation of proto-Ryūkyūan; and so on. De Boer brings together evidence from recent fieldwork, premodern texts, and other sources to establish a theory of dialect divergence that avoids the problems these assumptions entail. Building on De Boer 2010, this book brings the author’s theory up to date with research published in the interim, explains why Japanese is best understood as a restricted tone language, and why mergers in the large tone classes of nouns and verbs are especially reliable markers of dialect divergence.
The sounds of language can be divided into consonants, vowels, and tones - the use of pitch to convey word meaning. Seventy percent of the world's languages use pitch in this way. Assuming little or no prior knowledge of the topic, this textbook provides a clearly organized introduction to tone and tonal phonology. Comprehensive in scope, it examines the main types of tonal systems found in Africa, the Americas, and Asia, using examples from the widest possible range of tone languages. It provides students with a basic grasp of the simple phonetics of tone, and covers key topics such as the distinctive feature systems suitable for tonal contrasts, allophonic and morphophonological tonal alterations, and how to analyze them within Optimality Theory. The book also examines the perception and acquisition of tone, as well as the interface between tonal phonology and the morphosyntax.
This book vibrantly demonstrates how the study of music allows for identification and interpretation of the forces that form Taiwanese society, from politics and policy to reactions to and assertions of such policies. Contributors to this edited volume explore how music shapes life — and life shapes music — in Taiwan, focusing on subjects ranging from musical life under Japanese colonial rule (1895–1945) through to the contemporary creations of Indigenous musicians, popular music performance and production, Christian religious music, traditional ritual music and theatre, conceptions about sound and noise, and garbage truck music's role in reducing household waste. The volume’s twelve chapters present diverse approaches to their sounding subjects, some deeply rooted in the methods and concerns explored by Taiwan's first generation of ethnomusicologists. Others employ current social theories. Presenting a window into the cultural lives of the residents of this multicultural, politically contested island, Resounding Taiwan will appeal to students and scholars of musicology and ethnomusicology, anthropology and Asian studies more widely.
This volume descibes, in up-to-date terminology and authoritative interpretation, the field of neurolinguistics, the science concerned with the neural mechanisms underlying the comprehension, production and abstract knowledge of spoken, signed or written language. An edited anthology of 165 articles from the award-winning Encyclopedia of Language and Linguistics 2nd edition, Encyclopedia of Neuroscience 4th Edition and Encyclopedia of the Neorological Sciences and Neurological Disorders, it provides the most comprehensive one-volume reference solution for scientists working with language and the brain ever published. - Authoritative review of this dynamic field placed in an interdisciplinary context - Approximately 165 articles by leaders in the field - Compact and affordable single-volume format
The Bulletin of the Atomic Scientists is the premier public resource on scientific and technological developments that impact global security. Founded by Manhattan Project Scientists, the Bulletin's iconic "Doomsday Clock" stimulates solutions for a safer world.
A one-stop, comprehensive account of the key developments in the phonological history of Chinese.