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Winner of the National Book Critics Circle Award, now in paperback D. A. Powell's fifth book of poetry, Useless Landscape, or A Guide for Boys, explores the darker side of divisions and developments, the interstitial spaces of boonies, backstage, bathhouse, and bar. With witty banter, emotional resolve, and powerful lyricism, this collection demonstrates Powell's exhilarating range.
D. A. Powell's first three groundbreaking books Published together for the first time, D. A. Powell's landmark trilogy of Tea, Lunch, and Cocktails make up a three-course Divine Comedy for our day. With a new introduction by novelist David Leavitt, Repast presents a major achievement in contemporary poetry.
Now in paperback, the winner of the Kingsley Tufts Poetry Award and a finalist for the National Book Critics Circle Award so many of the best days seem minor forms of nearness that easily fall among the dropseed: a rind, a left-behind —from "no picnic" In these brilliant poems from one of contemporary poetry's most intriguing, singular voices, D. A. Powell strikes out for the farther territories of love and comes back from those fields with loss, with flowers faded, "blossom blast and dieback." Chronic describes the flutter and cruelty of erotic encounter, temptation, and bitter heartsickness, but with Powell's deep lyric beauty and his own brand of dark wit.
*Winner of the 2012 National Book Critics Circle Award for Poetry* I have this rearrangement to make: symbolic death, my backward glance. The way the past is a kind of future leaning against the sporty hood. —from "Bugcatching at Twilight" In Useless Landscape, or A Guide for Boys - D. A. Powell's fifth book of poetry - the rollicking line he has made his signature becomes the taut, more discursive means to describing beauty, singing a dirge, directing an ironic smile, or questioning who in any given setting is the instructor and who is the pupil. This is a book that explores the darker side of divisions and developments, which shows how the interstitial spaces of boonies, backstage, bathhouse, or bar are locations of desire. With Powell's witty banter, emotional resolve, and powerful lyricism, this collection demonstrates his exhilarating range.
kids everywhere are called to supper: it's late it's dark and you're all played out. you want to go home no rule is left to this game. playmates scatter like breaking glass they return to smear the ______. and you're it --from "[you'd want to go to the reunion: see]" In "Cocktails," D. A. Powell closes his contemporary "Divine Comedy" with poems of sharp wit and graceful eloquence born of the AIDS pandemic. These poems, both harrowing and beautiful, strive toward redemption and light within the transformative and often conflicting worlds of the cocktail lounge, the cinema, and the Gospels.
With all the wit and brilliance of Chekhov, a distinctive collection of lyrical stories from Sait Faik Abasıyanık, “Turkey’s greatest short story writer” (The Guardian) Sait Faik Abasıyanık’s fiction traces the interior lives of strangers in his native Istanbul: ancient coffeehouse proprietors, priests, dream-addled fishermen, poets of the Princes’ Isles, lovers and wandering minstrels of another time. The stories in A Useless Man are shaped by Sait Faik’s political autobiography – his resistance to social convention, the relentless pace of westernization, and the ethnic cleansing of his city – as he conjures the varied textures of life in Istanbul and its surrounding islands. The calm surface of these stories might seem to signal deference to the new Republic’s restrictions on language and culture, but Abasıyanık’s prose is crafted deceptively, with dark, subversive undercurrents. “Reading these stories by Sait Faik feels like finding the secret doors inside of poems,” Rivka Galchen wrote. Beautifully translated by Maureen Freely and Alexander Dawe, A Useless Man is the most comprehensive collection of Sait Faik’s stories in English to date.
A daring collaborative celebrity autobiography by two of America's finest poets, D.A. Powell and David Trinidad
A Finalist for the Kingsley Tufts Award for Poetry A New York Times Notable Book of the Year From the Winner of the Whiting Award, an American Book Award, and finalist for a Lambda, Tommy Pico's Feed is the final book in the Teebs Cycle. Feed is the fourth book in the Teebs tetralogy. It's an epistolary recipe for the main character, a poem of nourishment, and a jaunty walk through New York's High Line park, with the lines, stanzas, paragraphs, dialogue, and registers approximating the park's cultivated gardens of wildness. Among its questions, Feed asks what's the difference between being alone and being lonely? Can you ever really be friends with an ex? How do you make perfect mac & cheese? Feed is an ode of reconciliation to the wild inconsistencies of a northeast spring, a frustrating season of back-and-forth, of thaw and blizzard, but with a faith that even amidst the mess, it knows where it's going.
A Lesser Love is a book of love poems and elegies for those who have fumbled and stumbled and disappointed. These are poems of love and departure for romantic partners, family members, even countries and communities. Raised around diasporic Korean communities, E. J. Koh has descibred her work as deeply influenced by the idea of jeong, which can be translated as a deep attachment, bond, and reciprocity for places, people, and things. This spirit of jeong permeates this book of poems that are astonishing in the connections they draw and the ties they bind. In A Lesser Love readers will find poems composed of “Ingredients for Memories that Can Be Used as Explosives” and poems composed of chemistry equations that convert light into “reasonable dioxide” and then further transmogrify the formula into a complex understanding of the parent-child relationship. A book of intimate poems that invite readers into a private world, that geography grows wider and more interconnected with each passing page. Through the eyes of mothers, fathers, daughters, aunts, friends, and lovers, we see the tragedy of a sinking ferry, they hypocrisies of government agencies, the aftermath of war, and a very wide view through the Hubble space telescope. With evocative lyricism and profound emotional intensity Koh has crafted a book of poems that charm and delight and profoundly enrich.