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Winner of the National Book Critics Circle Award, now in paperback D. A. Powell's fifth book of poetry, Useless Landscape, or A Guide for Boys, explores the darker side of divisions and developments, the interstitial spaces of boonies, backstage, bathhouse, and bar. With witty banter, emotional resolve, and powerful lyricism, this collection demonstrates Powell's exhilarating range.
D. A. Powell's first three groundbreaking books Published together for the first time, D. A. Powell's landmark trilogy of Tea, Lunch, and Cocktails make up a three-course Divine Comedy for our day. With a new introduction by novelist David Leavitt, Repast presents a major achievement in contemporary poetry.
Now in paperback, the winner of the Kingsley Tufts Poetry Award and a finalist for the National Book Critics Circle Award so many of the best days seem minor forms of nearness that easily fall among the dropseed: a rind, a left-behind —from "no picnic" In these brilliant poems from one of contemporary poetry's most intriguing, singular voices, D. A. Powell strikes out for the farther territories of love and comes back from those fields with loss, with flowers faded, "blossom blast and dieback." Chronic describes the flutter and cruelty of erotic encounter, temptation, and bitter heartsickness, but with Powell's deep lyric beauty and his own brand of dark wit.
kids everywhere are called to supper: it's late it's dark and you're all played out. you want to go home no rule is left to this game. playmates scatter like breaking glass they return to smear the ______. and you're it --from "[you'd want to go to the reunion: see]" In "Cocktails," D. A. Powell closes his contemporary "Divine Comedy" with poems of sharp wit and graceful eloquence born of the AIDS pandemic. These poems, both harrowing and beautiful, strive toward redemption and light within the transformative and often conflicting worlds of the cocktail lounge, the cinema, and the Gospels.
*Winner of the 2012 National Book Critics Circle Award for Poetry* I have this rearrangement to make: symbolic death, my backward glance. The way the past is a kind of future leaning against the sporty hood. —from "Bugcatching at Twilight" In Useless Landscape, or A Guide for Boys - D. A. Powell's fifth book of poetry - the rollicking line he has made his signature becomes the taut, more discursive means to describing beauty, singing a dirge, directing an ironic smile, or questioning who in any given setting is the instructor and who is the pupil. This is a book that explores the darker side of divisions and developments, which shows how the interstitial spaces of boonies, backstage, bathhouse, or bar are locations of desire. With Powell's witty banter, emotional resolve, and powerful lyricism, this collection demonstrates his exhilarating range.
A direct and moving account of a young man's life in a time of plague.
A daring collaborative celebrity autobiography by two of America's finest poets, D.A. Powell and David Trinidad
With all the wit and brilliance of Chekhov, a distinctive collection of lyrical stories from Sait Faik Abasıyanık, “Turkey’s greatest short story writer” (The Guardian) Sait Faik Abasıyanık’s fiction traces the interior lives of strangers in his native Istanbul: ancient coffeehouse proprietors, priests, dream-addled fishermen, poets of the Princes’ Isles, lovers and wandering minstrels of another time. The stories in A Useless Man are shaped by Sait Faik’s political autobiography – his resistance to social convention, the relentless pace of westernization, and the ethnic cleansing of his city – as he conjures the varied textures of life in Istanbul and its surrounding islands. The calm surface of these stories might seem to signal deference to the new Republic’s restrictions on language and culture, but Abasıyanık’s prose is crafted deceptively, with dark, subversive undercurrents. “Reading these stories by Sait Faik feels like finding the secret doors inside of poems,” Rivka Galchen wrote. Beautifully translated by Maureen Freely and Alexander Dawe, A Useless Man is the most comprehensive collection of Sait Faik’s stories in English to date.
Jannise's Poulin Prize-winning debut poetry collection subverts the self-help genre to celebrate drag culture, queer identity, and breaking the rules.