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The historical importance and archaeological potential of deliberately discarded watercraft has not been a major feature of maritime archaeological enquiry. While research on the topic has appeared since the 1970s as books, chapters, and articles, most examples have been limited in focus and distribution, and in most cases disseminated as unpublished archaeological reports (i.e. the “gray literature”.) So, too, has there been a lack of a single source representing the diversity of geographical, historic, thematic, and theoretical contexts that ships’ graveyard sites and deliberately abandoned vessels represent. In contrast with much of the theoretical or case-specific literature on the theme of watercraft discard, this volume communicates to the reader the common heritage and global themes that ships’ graveyard sites represent. It serves as a blueprint to illustrate how the remains of abandoned vessels in ships' graveyards are sites of considerable research value. Moreover, the case studies in this volume assist researchers in understanding the evolution of maritime technologies, economies, and societies. This volume is intended to expose research potential, create discussion, and reinforce the significance of a prevalent cultural resource that is often overlooked.
Groups of people abandoned sites in different ways, and for different reasons. And what they did when they left a settlement or area had a direct bearing on the kind and quality of cultural remains that entered the archaeological record, for example, whether buildings were dismantled or left standing, or tools buried, destroyed or removed from the site. Contributors to this unique collection on site abandonment draw on ethnoarchaeological and archaeological data from North and South America, Europe, Africa, and the Near East.
Living with her father in a nature preserve in Portland, Oregon, thirteen-year-old Caroline only merges with the civilized world once a week when they go into the city, but an encounter with a backcountry jogger derails their entire existence.
Includes papers by J. Kamminga which has been annotated separately.
From two of the founding members of the influential collective, the Royal Art Lodge Constructive Abandonment is a series of small paintings featuring surreal vignettes with animals and children weighed down by the pressures of life. With absurdly comedic interactions, the text varies from straightforward to even more abstract and nonsensical than the images that it accompanies. The paintings reference child's play or literature and some are seemingly without reference, completely untethered. Michael Dumontier and Neil Farber are founding members of the Royal Art Lodge. Since the dissolution of the influential Winnipeg art collective, Dumontier and Farber continue to work and create art together. Constructive Abandonment is a partnership not only of two of today's great contemporary artists but also of cohesive dissonance. Pages that could be forgettable one-liners become investigations into intellect and our ability to draw correlations between contradictory elements in a single image.
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