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Includes over 50 photos and 22 maps THIS IS THE FOURTH in a series of five volumes dealing with the operations of United States Marines in Korea during the period 2 August 1950 to 27 July 1953. Volume IV presents in detail the operations of the 1st Marine Division and 1st Marine Aircraft Wing, the former while operating under Eighth Army control and also as part of IX Corps and X Corps, USA, and the latter while controlled by the Fifth Air Force. The period covered in this volume begins in the latter part of December 1950, when the Division rested in the Masan “bean patch,” and continues through the guerrilla hunt, the Punchbowl fighting, and all other operations during 1951. The account ends...March 1952. “AMERICANS everywhere will remember the inspiring conduct of Marines during Korean operations in 1950. As the fire brigade of the Pusan Perimeter, the assault troops at Inchon, and the heroic fighters of the Chosin Reservoir campaign, they established a record in keeping with the highest traditions of their Corps. No less praiseworthy were the Marine actions during the protracted land battles of 1951, the second year of the Korean “police action.” The 1st Marine Division, supported wherever possible by the 1st Marine Aircraft Wing, helped stem the flood of the Chinese offensive in April. Then lashing back in vigorous and successful counterattack, the Marines fought around the Hwachon Reservoir to the mighty fastness of the Punchbowl... The year of desperate fighting, uneasy truce, and renewed combat covered by this volume saw the operational employment of a Marine-developed technique—assault by helicopter-borne troops. Tactics were continually being refined to meet the ever changing battle situation. However, throughout the period, the one constant factor on which United Nations commanders could rely was the spirit and professional attitude of Marines, both regular and reserve. This is their hallmark as fighting men.”- Gen. Shoup
Contains the anthology of publications formerly compiled by the History and Museums Division during the 50th anniversary commemoration of the Korean Conflict, 1950-1953. Focus of the articles is to remember those Marines who fought and died in the "forgotten war."
Contains the anthology of publications formerly compiled by the History and Museums Division during the 50th anniversary commemoration of the Korean Conflict, 1950-1953. Focus of the articles is to remember those Marines who fought and died in the "forgotten war."
" She was homely, overweight, and over the hill, but there was a time when Marie Dressler outdrew such cinema sex symbols as Garbo, Dietrich, and Harlow. To movie audiences suffering the hardships of the Great Depression, she was Everywoman, and in the early 1930s her charming mixture of pathos and comedy packed movie theaters everywhere. In the early days of the century, Dressler was constantly in the headlines. She took up the cause of the "ponies" in the chorus lines, earning them better pay and benefits. She played in productions organized to raise money for the women's suffrage movement. And during World War I she claimed she sold more liberty bonds than any other individual in the United States. Dressler was an astute observer of public mood and taste. When she was lucky enough to find work in the newly minted Hollywood talkies, she grabbed the brass ring with fierce enthusiasm, even making three films in the year before her death, when she was so sick she had to rest between scenes on a sofa just out of camera range. The two-hundred-pound actress's remarkable stage presence captivated audiences even though her roles were not Hollywood beauties. She played tough, practical characters such as the old wharf rat in Anna Christie (1930), the waterfront innkeeper in Min and Bill (1931) -- for which she won the Academy Award for best actress -- the aging housekeeper in Emma (1932), and the title role in Tugboat Annie (1933). She spoke honestly to her audiences, and troubled people in the comforting darkness of the Depression-era movie theaters embraced her as one of themselves.