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An authoritative scholarly edition of Mansfield's camping journal, offering new understandings of her colonial lifeKatherine Mansfield filled the first half of the Urewera Notebook during a 1907 camping tour of the central North Island, shortly before she left New Zealand forever. Her camping notes offer a rare insight into her attitude to her country of birth, not in retrospective fiction but as a nineteen year old still living in the colony. This publication is theirst scholarly edition of the Urewera Notebook, providing an original transcription, a collation of the alternative readings and textual criticism of prior editors, and new information about the politics, people and places Mansfield encountered on her journey. As a whole, this edition challenges the debate that has focused on Mansfield's happiness or dissatisfaction throughout her last year in New Zealand to reveal a young writer closely observing aspects of a country hitherto beyond her experience and forming a complex critique of her colonial homeland.Key Features:A new, more accurate transcription of the notebookTextual notes provide significant variant readings from other extant editions of the notebook An introductory essay draws on important new developments in New Zealand literary criticism, advances in historiography of the period and legal historyIncludes a route map, revised itinerary and authoritative annotation for the textIncludes 20 photographs, many previously unpublished, from Beauchamp family photograph albums at the Alexander Turnbull Library and Ebbett Papers at the Hawke's Bay Museum
This is the first book to explore the fascinating relationship between literary Modernism and Empire. The book seeks to begin the task of exploring, in a sustained way, the relations between the artistic movement and colonialism. The essays range over subjects and figures such as Ireland, Africa, Joyce, Pound, Townsend Warner, Lawrence and Forster, Kipling, Woolf, and Jean Rhys.
Long popular with a general readership, travel writing has, in the past three decades or so, become firmly established as an object of serious and multi-disciplinary academic inquiry. Few of the scholarly and popular publications that have focused on the nineteenth century have regarded the century as a whole. This broad volume examines the cultural and social aspects of travel writing on Africa, Asia, America, the Balkans and Australasia.
He elucidates a number of formal strategies, such as sequence, reversal, negation, repetition, deferral, and reconstruction, and then applies them to a wide range of Mansfield's stories, including such favorites as "Prelude," "The Voyage," "The Little Governess," and "Je ne parle pas francais."
This book maps the ecologies of Mansfield's influences beyond her modernist and postcolonial contexts, observing that it roams wildly over six centuries, across three continents and beyond cultural and linguistic boundaries.
A study of Jane Austen's life and writings, this work surveys two centuries of editing, censorship, and fiction that created a pious, wistful, romantically pining, and frustrated Austen. It serves up an antidote to that icon - a dynamic, brave, and buoyant writer - by examining subtle self-portraits in the author's works.
The twelve essays collected in Pockets of Change locate adaptation within a framework of two overlapping, if not simultaneous, creative processes: on the one hand, adaptation is to be understood as an acknowledged transposition of an existing source-that is, the process of adapting from; on the other hand, adaption is also a process of purposeful shifting and evolving of creative practices in response to external factors, including but not limited to other creative works-in other words, the process of adapting to. This book explores adaptation, then, as an active practice of repetition and as a reactive process of development or evolution. The essays also extend beyond the production, transformation, and interpretation of texts to interrogate the values and practices at work in cultural transition and transformation during periods of social and historical change. Collectively, the papers theorize adaptation by taking on three tasks: first, to examine the conditions under which the two processes of adaptation operate; second, to give an account of the space and moment in which the processes unfold (the 'pockets' of the title); and finally, to examine what emerges from pockets of adaptation. While adapting from and adapting to are both processes that appear to preclude innovation in the way that they acknowledge and depend on external sources, Pockets of Change demonstrates that adaptation is productive. It not only references prior texts, attitudes, practices and media, but it also invites us to re-visit the past and to re-think the present in new ways, potentially giving narrative space to muted or occluded voices. This book therefore brings together an innovative and varied range of approaches to, interpretations and uses of adaptation, challenging the assumption that an adaptation is simply either a 're-make' or the act of turning one medium into another. Adaptation, then, names not only the means by which texts are transformed, but also the space in which that transformation takes place. This anthology highlights the processes of adaptation and transition rather than simply focusing on the relationship between beginning and end products. In identifying these pockets of change this anthology both claims and opens up new spaces in this critical field and mode of textual analysis.