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Architecture and Urbanism in Viceregal Mexico presents a fascinating survey of urban history between the sixteenth and eighteenth centuries. It chronicles the creation and development of Puebla de los Ángeles, a city located in central-south Mexico, during its viceregal period. Founded in 1531, the city was established as a Spanish settlement surrounded by important Indigenous towns. This situation prompted a colonial city that developed along Spanish colonial guidelines but became influenced by the native communities that settled in it, creating one of the most architecturally rich cities in colonial Spanish America, from the Renaissance to the Baroque periods. This book covers the city's historical background, investigating its civic and religious institutions as represented in selected architectural landmarks. Throughout the narrative, Burke weaves together sociological, anthropological, and historical analysis to discuss the city’s architectural and urban development. Written for academics, students, and researchers interested in architectural history, Latin American studies, and the Spanish American viceregal period, it will make an important contribution to the field.
This work is a survey of the urban history in viceregal Mexico chronicling the creation and development of Puebla de los Ángeles through the sixteenth to eighteenth centuries. Puebla de los Ángeles was the second most important city in viceregal Mexico during this period and was an outstanding artistic and cultural centre. Using architecture and urbanism as a method for delving into the sophisticated social, political and cultural factors that shaped Puebla de los Ángeles's society, these themes are closely interwoven with important social and cultural issues such as the rise of Humanism in the city, religious festivities, environmental stewardship, racial and ethnic relations, as well as the history of science, amongst others.Written for a diverse audience, both knowledgeable in the subject or approaching it for the first time, Urbanism in Viceregal Mexico fills an important gap concerning urban biographies in the exciting field of colonial Mexico.
Kelly Donahue-Wallace surveys the art and architecture created in the Spanish Viceroyalties of New Spain, Peru, New Granada, and La Plata from the time of the conquest to the independence era. Emphasizing the viceregal capitals and their social, economic, religious, and political contexts, the author offers a chronological review of the major objects and monuments of the colonial era. In order to present fundamental differences between the early and later colonial periods, works are offered chronologically and separated by medium - painting, urban planning, religious architecture, and secular art - so the aspects of production, purpose, and response associated with each work are given full attention. Primary documents, including wills, diaries, and guild records are placed throughout the text to provide a deeper appreciation of the contexts in which the objects were made.
City dwellers are direct agents in the making of cities; yet how do they actually constitute and sustain the urban and its forms? How do they practice the urban and through this practice shape the city-in-the-making that emerges along with them on the backs of their working bodies? Dwelling Urbanism re-thinks the urban from this perspective of corporeal making and with regard to the cityness that it bears. It delves into the thick of life in the periphery of Mexico City, uncovering the everyday actions and efforts that practitioners of space accomplish when building houses, creating jobs and putting themselves to work as infrastructure. How are consequential conjunctions, how is access to, and presence in the city actively grown? And what does such thinking the city as a verb, as citying, imply for urban planning?
This book presents a case study of one of Latin America’s most important and symbolic spaces, the Zócalo in Mexico City, weaving together historic events and corresponding morphological changes in the urban environment. It poses questions about how the identity of a place emerges, how it evolves and, why does it change? Mexico City’s Zócalo: A History of a Constructed Spatial Identity utilizes the history of a specific place, the Zócalo (Plaza de la Constitución), to explain the emergence and evolution of Mexican identities over time. Starting from the pre-Hispanic period to present day, the work illustrates how the Zócalo reveals spatial manifestations as part of the larger socio-cultural zeitgeist. By focusing on the history of changes in spatial production – what Henri Lefebvre calls society’s "secretions" – Bross traces how cultural, social, economic, and political forces shaped the Zócalo’s spatial identity and, in turn, how the Zócalo shaped and fostered new identities in return. It will be a fascinating read for architectural and urban historians investigating Latin America.
In a profusely illustrated work, art historian Robert J. Mullen provides an overview of Mexican colonial architecture and its attendant sculpture. Writing both for students and general readers, he places the architecture in its social and economic context, showing buildings in the larger cities closer to European designs, while those in pueblos often included prehispanic indigenous elements. 172 photos. 20 line drawings. 5 maps.