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“Cities are the future of the human race, and Jeff Speck knows how to make them work.” —David Owen, staff writer at the New Yorker Nearly every US city would like to be more walkable—for reasons of health, wealth, and the environment—yet few are taking the proper steps to get there. The goals are often clear, but the path is seldom easy. Jeff Speck’s follow-up to his bestselling Walkable City is the resource that cities and citizens need to usher in an era of renewed street life. Walkable City Rules is a doer’s guide to making change in cities, and making it now. The 101 rules are practical yet engaging—worded for arguments at the planning commission, illustrated for clarity, and packed with specifications as well as data. For ease of use, the rules are grouped into 19 chapters that cover everything from selling walkability, to getting the parking right, escaping automobilism, making comfortable spaces and interesting places, and doing it now! Walkable City was written to inspire; Walkable City Rules was written to enable. It is the most comprehensive tool available for bringing the latest and most effective city-planning practices to bear in your community. The content and presentation make it a force multiplier for place-makers and change-makers everywhere.
Urban Rehearsals and Novel Plots in the Early American City sheds new light on the literature of the early US by exploring how literature, theatre, architecture, and images worked together to allow readers to imagine themselves as urbanites even before cities developed. In the four decades following the Revolutionary War, the new nation was a loose network of nascent cities connected by print. Before a national culture could develop, local city cultures took shape; literary texts played key roles in helping new Americans become city people. Drawing on extensive archival research, Urban Rehearsals argues that literature, particularly novels and plays, allowed Bostonians to navigate the transition from colonial town to post-revolution city, enabled Philadelphians to grieve their experiences of the 1793 Yellow Fever epidemic and rebuild in the epidemic's aftermath, and showed New Yorkers how the domestic practices that reinforced their urbanity could be opened to the broader public. Throughout, attention to underrepresented voices and texts calls attention to the possibilities for women, immigrants, and Black Americans in developing urban spaces, while showing how those possibilities would be foreclosed as the nation developed. Balancing attention to canonical texts of the early Republic, including The Power of Sympathy, Charlotte Temple, and Benjamin Franklin's Autobiography, with novels whose depiction of early cities deserves greater attention, such as Ormond, The Boarding-School, Monima, and Kelroy, this volume shows how US cities developed on the pages and stages of the early Republic, building urban imaginations that would construct the nation's early cities.
Set mostly in Manhattan--although also featuring Atlantic City, Brooklyn, GMail Chat, and Gainsville, Florida--this autobiographical novella, spanning two years in the life of a young writer with a cultish following, has been described by the author as "A shoplifting book about vague relationships," "2 parts shoplifting arrest, 5 parts vague relationship issues," and "An ultimately life-affirming book about how the unidirectional nature of time renders everything beautiful and sad." From VIP rooms in hip New York City clubs to central booking in Chinatown, from New York University's Bobst Library to a bus in someone's backyard in a college town in Florida, from Bret Easton Ellis to Lorrie Moore, and from Moby to Ghost Mice, it explores class, culture, and the arts in all their American forms through the funny, journalistic, and existentially-minded narrative of someone trying to both "not be a bad person" and "find some kind of happiness or something," while he is driven by his failures and successes at managing his art, morals, finances, relationships, loneliness, confusion, boredom, future, and depression.
Millions of people visit Whole30.com every month and share their stories of weight loss and lifestyle makeovers. Hundreds of thousands of them have read It Starts With Food, which explains the science behind the program. At last, The Whole30 provides the step-by-step, recipe-by-recipe guidebook that will allow millions of people to experience the transformation of their entire life in just one month.
Urban Rehearsals and Novel Plots in the Early American City sheds new light on the literature of the early US by exploring how literature, theatre, architecture, and images worked together to allow readers to imagine themselves as urbanites even before cities developed. In the four decades following the Revolutionary War, the new nation was a loose network of nascent cities connected by print. Before a national culture could develop, local city cultures took shape; literary texts played key roles in helping new Americans become city people. Drawing on extensive archival research, Urban Rehearsals argues that literature, particularly novels and plays, allowed Bostonians to navigate the transition from colonial town to post-revolution city, enabled Philadelphians to grieve their experiences of the 1793 Yellow Fever epidemic and rebuild in the epidemic's aftermath, and showed New Yorkers how the domestic practices that reinforced their urbanity could be opened to the broader public. Throughout, attention to underrepresented voices and texts calls attention to the possibilities for women, immigrants, and Black Americans in developing urban spaces, while showing how those possibilities would be foreclosed as the nation developed. Balancing attention to canonical texts of the early Republic, including The Power of Sympathy, Charlotte Temple, and Benjamin Franklin's Autobiography, with novels whose depiction of early cities deserves greater attention, such as Ormond, The Boarding-School, Monima, and Kelroy, this volume shows how US cities developed on the pages and stages of the early Republic, building urban imaginations that would construct the nation's early cities.
Witty and thought provoking, two Vatican astronomers shed provocative light on some of the strange places where religion and science meet. “Imagine if a Martian showed up, all big ears and big nose like a child’s drawing, and he asked to be baptized. How would you react?” —Pope Francis, May, 2014 Pope Francis posed that question—without insisting on an answer!—to provoke deeper reflection about inclusiveness and diversity in the Church. But it's not the first time that question has been asked. Brother Guy Consolmagno and Father Paul Mueller hear questions like that all the time. They’re scientists at the Vatican Observatory, the official astronomical research institute of the Catholic Church. In Would You Baptize an Extraterrestrial? they explore a variety of questions at the crossroads of faith and reason: How do you reconcile the The Big Bang with Genesis? Was the Star of Bethlehem just a pious religious story or an actual description of astronomical events? What really went down between Galileo and the Catholic Church—and why do the effects of that confrontation still reverberate to this day? Will the Universe come to an end? And… could you really baptize an extraterrestrial? With disarming humor, Brother Guy and Father Paul explore these questions and more over the course of six days of dialogue. Would You Baptize an Extraterrestrial will make you laugh, make you think, and make you reflect more deeply on science, faith, and the nature of the universe.
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