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A book on popular culture's role in mediating contemporary life and power relations in Africa, it demonstrates that popular cultural productions are not fixed to an unchanging social category as the basis for their creation but are defined by mobility of ideas, creative borrowing and improvisation. The authors also provide a compelling reading of how urban legends, rumours and jokes proliferate alongside pop music to express a sub-culture that is at once a critique and a celebration of modernity and its fragments.
A collection of over ninety frightening urban legends, arranged by theme.
For over three hundred years, stories of witches, sea serpents and pirates have amazed and terrified residents of Massachusetts's North Shore. In the summer of 1692, phantom men were spotted in the fields of Gloucester. Farther north, "A" marks the spot for pirate treasure in the marshes of Newbury, while to the east, full moons might bring out the werewolf of Dogtown. The devil himself has burned his mark on the boulder-strewn landscape, while shaggy humanoids have been sighted loping along the coast. From Boston to New Hampshire, Massachusetts's North Shore is filled with remarkable stories and legendary characters. Join author Peter Muise and discover the North Shore's uncanny legends and tales of the paranormal.
Sixty-one tales narrated by Yaquis reflect this people's sense of the sacred and material value of their territory.
This myth-busting compendium sets the record straight on American history, from famous-but-false legends to weird-but-true stories. American history is full of oft-repeated errors and outright fabrications—as well as truths that are stranger than fiction. Collaborating with The Colonial Williamsburg Foundation, Mary Miley Theobald has uncovered the real stories behind many well-known myth-understandings. Did pregnant women really seclude themselves indoors? Were uneven stairs made to trip up burglars? Did people only bathe once a year? Death by Petticoat reveals the truth about these and many other funny, surprising, and strange misapprehensions of history.
Retold Afro-American folktales of animals, fantasy, the supernatural, and desire for freedom, born of the sorrow of the slaves, but passed on in hope.
Contemporary Africa is demographically characterized above all else by its youthfulness. In East Africa the median age of the population is now a striking 17.5 years, and more than 65 percent of the population is age 24 or under. This situation has attracted growing scholarly attention, resulting in an important and rapidly expanding literature on the position of youth in African societies. While the scholarship examining the contemporary role of youth in African societies is rich and growing, the historical dimension has been largely neglected in the literature thus far. Generations Past seeks to address this gap through a wide-ranging selection of essays that covers an array of youth-related themes in historical perspective. Thirteen chapters explore the historical dimensions of youth in nineteenth-, twentieth-, and twenty-first–century Ugandan, Tanzanian, and Kenyan societies. Key themes running through the book include the analytical utility of youth as a social category; intergenerational relations and the passage of time; youth as a social and political problem; sex and gender roles among East African youth; and youth as historical agents of change. The strong list of contributors includes prominent scholars of the region, and the collection encompasses a good geographical spread of all three East African countries.
Proposing the novel concept of the "literary NGO," this study combines interviews with contemporary East African writers with an analysis of their professional activities and the cultural funding sector to make an original contribution to African literary criticism and cultural studies.