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This volume aims at taking the first steps towards a revaluation of urban historiography in Northwest Europe, including rather than excluding texts that do not fit common definitions. It confronts examples from the Low Countries to well-studied cases abroad, in order to develop new approaches to urban historiography in general. In the authors' view, there are no fixed textual formats, social or political categories, or material forms that exclusively define 'the urban chronicle'. Urban historiography in pre-modern Western Europe came in many guises, from the dry and modest historical notes in a guild register, to the elaborate heraldic images in a luxury manuscript made on commission for a patrician family, to the legally founded political narrative of a professional scribe in an official town chronicle. The contributions in this volume attest to the diversity of the 'genre' and look more closely at these texts from a broader, comparative perspective, unrestrained by typologies and genre definitions. It is mainly because of these hybrid guises, that many examples of urban historiography from the Low Countries for instance succeeded in going unnoticed for a considerable amount of time.
A cross-cultural, comparative view on the transition from a predominant 'culture of handwriting' to a predominant 'culture of print' in the late medieval and early modern periods is provided here, combining research on Christian and Jewish European book culture with findings on East Asian manuscript and print culture. This approach highlights interactions and interdependencies instead of retracing a linear process from the manuscript book to its printed successor. While each chapter is written as a disciplinary study focused on one specific case from the respective field, the volume as a whole allows for transcultural perspectives. It thereby not only focusses on change, but also on simultaneities of manuscript and printing practices as well as on shifts in the perception of media, writing surfaces, and materials: Which values did writers, printers, and readers attribute to the handwritten and printed materials? For which types of texts was handwriting preferred or perceived as suitable? How and under which circumstances could handwritten and printed texts coexist, even within the same document, and which epistemic dynamics emerged from such textual assemblages?
Alongside annals, chronicles were the main genre of historical writing in the Middle Ages. All chronicles raise such questions as by whom, for whom, or for what purpose they were written, how they reconstruct the past, or which literary influences are discernible in them. Their significance as sources for the study of history, literature, linguistics, and art is widely appreciated. The series The Medieval Chronicle, published in cooperation with the Medieval Chronicle Society (medievalchronicle.org), provides a representative survey of on-going research in the field of chronicle studies, illustrated by examples from a wide variety of countries, periods, and cultural backgrounds.
Both in our time and in the past, death was one of the most important aspects of anyone’s life. The early modern period saw drastic changes in rites of death, burials and commemoration. One particularly fruitful avenue of research is not to focus on death in general, but the moment of death specifically. This volume investigates this transitionary moment between life and death. In many cases, this was a death on a deathbed, but it also included the scaffold, battlefield, or death in the streets. Contributors: Friedrich J. Becher, Benedikt Brunner, Isabel Casteels, Martin Christ, Louise Deschryver, Irene Dingel, Michaël Green, Vanessa Harding, Sigrun Haude, Vera Henkelmann, Imke Lichterfeld, Erik Seeman, Elizabeth Tingle, and Hillard von Thiessen.
Heraldry is often seen as a traditional prerogative of the nobility. But it was not just knights, princes, kings, and emperors who bore coats of arms to show off their status in the Middle Ages. The merchants and craftsmen who lived in cities, too, adopted coats of arms and used heraldic customs, including display and destruction, to underline their social importance and to communicate political messages. Medieval burgesses were part of a fascination with heraldry that spread throughout pre-modern society and looked at coats of arms as honoured signs of genealogy and history. Heraldry in Urban Society analyses the perceptions and functions of heraldry in medieval urban societies by drawing on both English- and German-language sources from the late fourteenth to the early sixteenth centuries. Despite variations that point to socio-political differences between cities (and their citizens) in the relatively centralized monarchy of medieval England and the more independent-minded urban governments found in the less closely connected Holy Roman Empire, urban heraldry emerges as a versatile and ubiquitous means of multimedia visual communication that spanned medieval Europe. Urban heraldic practices defy assumptions about clearly demarcated social practices that belonged to 'high'/'noble' as opposed to 'low'/'urban' culture. Townspeople's perceptions of coats of arms paralleled those of the nobility, as they readily interpreted and carefully curated them as visual expressions of identity. These perceptions allowed townspeople of all ranks, as well as noble outsiders, to use heraldry and its display - along with its defacement and destruction - in manuscripts, spaces (such as town houses, public monuments, halls, and churches), and performances (like processions and joyous entries) to address perennial problems of urban society in the Middle Ages. The coats of arms of burgesses, guilds, and cities were communicative means of individual and collective representation, social and political legitimization, conducting and resolving conflicts, and the pursuit of elevated status in the urban hierarchy. Likewise, heraldic communication negotiated the all-important relationship between the city and wider, extramural society - from the commercial interests of citizens to their collective ties to the ruler.
Whoever is curious about emotions and their expression in the Old Regime has to discover Johan Huizinga's works. From his point of view, even if it is a real challenge to comprehend the world of the mind and of the sentimental life, historians of medieval and early modern societies cannot help themselves from examining character studies to reconcile daily life and historicity. Anglo-Saxon studies have proved since the beginning of the seventies that we can give historical meaning to fierce emotions like anger and fear, to mental suffering characterized by tears and pain, or even to the sudden feeling of aesthetic pleasure, mystical ecstasy and delight all those emotions which put the breath of life into anonymous people crowded into our historical studies. Outside the debates of psycho-history, our study views the topic of emotions from the angle of social construction and civilization's process. The town reveals itself as an ideal context within which to articulate values, mentalities, customs and aesthetics. From the marketplace to the court of justice, from the procession route to the scaffold, from the theatre stage to the scene of riots, the town concentrates in its heart a public space where both delicate and strong emotions are repeatedly enacted. The purpose of this book is to develop different approaches -according to sphere, events, social categories, social relations, gender, etc.- and thus to suggest a more precise analysis of emotion as a means of communication inside the town. Three urban social " spheres " where divergent emotions were publicly expressed, manipulated, discussed and represented are put into focus : that of the urban revolt, that of the urban administration of justice and that of the staging of urban theatre and poetry. This book includes contributions from Peter Arnade, Marc Boone, Stijn Bussels, Vincent Challet, Dirk Coigneau, Elisabeth Crouzet-Pavan, Jeroen Deploige, Jan Dumolyn, Jelle Haemers, Eve-Marie Halba, Elodie Lecuppre-Desjardin, Lauro Martines, Mariann Naessens, Walter Prevenier, Bart Ramakers, Laurent Smagghe, Anne-Laure Van Bruaene, Jacqueline Van Leeuwen and Valerie Wilhite.
In The Golden Mean of Languages, Alisa van de Haar sheds new light on the debates regarding the form and status of the vernacular in the early modern Low Countries, where both Dutch and French were local tongues. The fascination with the history, grammar, spelling, and vocabulary of Dutch and French has been studied mainly from monolingual perspectives tracing the development towards modern Dutch or French. Van de Haar shows that the discussions on these languages were rooted in multilingual environments, in particular in French schools, Calvinist churches, printing houses, and chambers of rhetoric. The proposals that were formulated there to forge Dutch and French into useful forms were not directed solely at uniformization but were much more diverse.
The focus of this book is the fundamental influence of the cyphering tradition on mathematics education in North American colleges, schools, and apprenticeship training classes between 1607 and 1861. It is the first book on the history of North American mathematics education to be written from that perspective. The principal data source is a set of 207 handwritten cyphering books that have never previously been subjected to careful historical analysis.
The Routledge Handbook of Maritime Trade around Europe 1300-1600 explores the links between maritime trading networks around Europe, from the Mediterranean and the Atlantic to the North and Baltic Seas. Maritime trade routes connected diverse geographical and cultural spheres, contributing to a more integrated Europe in both cultural and material terms. This volume explores networks’ economic functions alongside their intercultural exchanges, contacts and practical arrangements in ports on the European coasts. The collection takes as its central question how shippers and merchants were able to connect regional and interregional trade circuits around and beyond Europe in the late medieval period. It is divided into four parts, with chapters in Part I looking across broad themes such as ships and sailing routes, maritime law, financial linkages and linguistic exchanges. In the following parts - divided into the Mediterranean, the Baltic Sea, and the Atlantic and North Seas - contributors present case studies addressing themes including conflict resolution, relations between different types of main ports and their hinterland, the local institutional arrangements supporting maritime trade, and the advantages and challenges of locations around the continent. The volume concludes with a summary that points to the extraterritorial character of trading systems during this fascinating period of expansion. Drawing together an international team of contributors, The Routledge Handbook of Maritime Trade around Europe is a vital contribution to the study of maritime history and the history of trade. It is essential reading for students and scholars in these fields.