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The book explores the relationship between the shrinking process and architecture and urban design practices. Starting from a journey in former East Germany, six different scenes are explored in which plans, projects, and policies have dealt with shrinkage since the 1990s. The book is a sequence of scenes that reveals the main characteristics, dynamics, narratives, reasons and ambiguities of the shrinking cities’ transformations in the face of a long transition. The first scene concerns the demolition and transformation of social mass housing in Leinefelde-Worbis. The second scene deals with the temporary appropriation of abandoned buildings in Halle-Neustadt. The third scene, observed in Leipzig, shows the results of green space projects in urban voids. The scene of the fourth situation observes the extraordinary efforts to renaturise a mining territory in the Lausitz region. The fifth scene takes us to Hoyerswerda, where emigration and ageing process required a reduction and demolition in housing stock and social infrastructures. The border city of Görlitz, the sixth and last scene, deals with the repopulation policies that aim to attract retirees from the West.
Working in Mumbai is a critical reflection on thirty years of the practice of RMA Architects. Rahul Mehrotra weaves a narrative to connect his multiple engagements in architectural practice, including teaching, research, documenting, writing and exhibiting since the establishment of the practice in 1990. The book is structured around the subjects of interior architecture, critical conservation, and work and living spaces that straddle the binaries of the global and the local as well as the rural and the urban. While the book is a portfolio of the selected works of RMA Architects, the projects are curated so as to unravel and clarify the challenges faced by architects in India and in several parts of the ?majority? world where issues related to rapid urbanization and the impacts of global capital are among the many that dispute conventional models of practice. Working in Mumbai is used emblematically to interrogate the notion of context and understand how the practice evolved through its association with the city of Bombay/Mumbai.
Homelessness--the state of having no home--is a growing global problem that requires local discussions and solutions. In the face of the coronavirus pandemic, it has noticeably become a collective concern. However, in recent years, the official political discourse in many countries around the world implies that poverty is a personal fault, and that if people experience homelessness, it is because they have not tried hard enough to secure shelter and livelihood. Although architecture alone cannot solve the problem of homelessness, the question arises: What and which roles can it play? Or, to be more precise, how can architecture collaborate with other disciplines in developing ways to permanently house those who do not have a home? Who's Next? Homelessness, Architecture, and Cities seeks to explore and understand a reality that involves the expertise of national, regional, and city agencies, nongovernmental organizations, health-care fields, and academic disciplines. Through scholarly essays, interviews, analyses of architectural case studies, and research on the historical and current situation in Los Angeles, Moscow, Mumbai, New York, São Paulo, San Francisco, Shanghai, and Tokyo, this book unfolds different entry points toward understanding homelessness and some of the many related problems. The book is a polyphonic attempt to break down this topic into as many parts as needed, so that the specificities and complexities of one of the most urgent crises of our time rise to the fore.
This book investigates the social, economic, environmental and formal characteristics of today's built environment, providing a better understanding of this new type of urban form and argues for a change in planning sytems.
Rahul Mehrotra is the founder of RMA Architects, which emerged in Mumbai in 1990 and has studios in Mumbai and Boston. Currently he is the chair of the Department of Urban Planning and Design at Havard GSD and has had a long-term engagement with and analyses of urbanism in India which has given rise to a new conceptualization of the city. The Kinetic City, the counterpart to the Static City familiar to most of us from conventional city maps, is perceived in terms of patterns of occupation and associative values attributed to space. The framework is established in this publication by Rahul Mehrotra's anchor essay, which draws out its potential to "allow a better understanding of the blurred lines of contemporary urbanism and the changing roles of people and spaces in urban society." The emerging urban Indian condition, of which the Kinetic City is symbolic, is examined in this publication through this anchor essay as well as an expansive complimentary photo essay. The theory is solidified by a series of essays from different points of Rahul Mehrotra's career as an architect, urban designer and educator. From case studies such as 'Evolution, Involution and the City's Future; A Perspective on Bombay's Urban Form', to more generally appliable ruminations such as 'Our Home in the World', the book will offer an in-depth look at the last thirty years of theory behind Mehrotra's work.
Since 1983, Bob Ross has been television's favorite artist. His Joy of Painting show captures higher ratings than any other art program in history, year after year. Bob's quick painting style and easy, encouraging manner reach millions of viewers around the world each day. His third book -- New Joy of Painting -- is now available in paperback, containing another sixty of his favorite landscape paintings. Each is presented in full color, along with written instructions and detailed black-and-white how-to photographs. Now you really can complete your very own beautiful masterpiece -- you can do it. "Remember, there is no failure, only learning," says author Annette Kowalski. "As I've heard Bob Ross say a thousand times, I hope you never create a painting that you're totally satisfied with, for it's this dissatisfaction that will create the motivation necessary for you to start your next painting, armed with the knowledge you acquired from the previous one."
Is there a place for architecture beyond neoliberal paradigms? While our era of constant crisis demands stronger social and political engagement, architecture has been largely characterized by a lack of strong positions during the last decades. But more recently, one can again observe attitudes that claim to address architecture and urbanism as more engaged with the social and political effects of global capitalism. Against the liberal 'anything goes' and the revival of architectural autonomy, these attitudes believe less in the possibility for even the most experimental architectural object to have a changing effect on society. Their approaches instead vary from activism to the construction of new critical narratives. But how do these attitudes emancipate themselves from capitalism and to what extent are they able to take into account the complexities of the sociopolitical, economical, ecological, and cultural aspects of the production of space? This book relays a passionate debate between some of the most outstanding theoreticians and eloquent protagonists of this new attitude, leaving us with an overview of such postulated ambitions. A debate with Anne-Julchen Bernhardt, Arno Brandlhuber, Gilles Delalex, Manuel Gausa, Rania Ghosn & El Hadi Jazairy, Adrian Lahoud, Bart Lootsma, Markus Miessen, Can Onaner, Laurent Stalder, Peter Swinnen, Pelin Tan, Milica Topalovic, Stephan Truby, Yoshiharu Tsukamoto, and Paola Vigano.