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First Published in 1993.A complete autobiography of Evalina Palmer-Sikelianos (1874-1952), a woman of immense spiritual strength who fought for the arts against the background of war. She contributed impressively throughout her life to the revival of interest in classical Greece, the theatre and choral dance, and advocated an adherence to mythical authenticity rather than a romanticised view of Greek tragic drama.
Performing Antiquity: Ancient Greek Music and Dance from Paris to Delphi, 1890-1930 investigates collaborations between French and American scholars of Greek antiquity (archaeologists, philologists, classicists, and musicologists), and the performing artists (dancers, composers, choreographers and musicians) who brought their research to life at the birth of Modernism. The book tells the story of performances taking place at academic conferences, the Paris Op ra, ancient amphitheaters in Delphi, and private homes. These musical and dance collaborations are built on reciprocity: the performers gain new insight into their craft while learning new techniques or repertoire and the scholars gain an opportunity to bring theory into experimental practice, that is, they have a chance see/hear/experience what they have studied and imagined. The performers receive the imprimatur of scholarship, the stamp of authenticity, and validation for their creative activities. Drawing from methods and theory from musicology, dance studies, performance studies, queer studies, archaeology, classics and art history the book shows how new scholarly methods and technologies altered the performance, and, ultimately, the reception of music and dance of the past. Acknowledging and critically examining the complex relationships performers and scholars had with the pasts they studied does not undermine their work. Rather, understanding our own limits, biases, dreams, obsessions, desires, loves, and fears enriches the ways we perform the past.
Ancient Greece was the model that guided the emergence of many facets of the modern sports movement, including most notably the Olympics. Yet the process whereby aspects of the ancient world were appropriated and manipulated by sport authorities of nation-states, athletic organizations and their leaders as well as by sports enthusiasts is only very partially understood. This volume takes modern Greece as a case-study and explores, in depth, issues related to the reception and use of classical antiquity in modern sport, spectacle and bodily culture. For citizens of the Greek nation-state, classical antiquity is not merely a vague "legacy" but the cornerstone of their national identity. In the field of sport and bodily culture, since the 1830s there had been persistent attempts to establish firm and direct links between ancient Greek athletics and modern sport through the incorporation of sport in school curricula, the emergence of national sport historiographies as well as the initiatives to revive (in the 19th century) or appropriate (in the 20th) the modern Olympics. Based on fieldwork and unpublished material sources, this book dissects the use and abuse of classical antiquity and sport in constructing national, gender and class identities, and illuminate aspects of the complex modern perceptions of classicism, sport and the body. This book was previously published as a special issue of the International Journal of the History of Sport.
This is the first biography to tell the fascinating story of Eva Palmer Sikelianos (1874-1952), an American actor, director, composer, and weaver best known for reviving the Delphic Festivals. Yet, as Artemis Leontis reveals, Palmer's most spectacular performance was her daily revival of ancient Greek life. For almost half a century, dressed in handmade Greek tunics and sandals, she sought to make modern life freer and more beautiful through a creative engagement with the ancients. Along the way, she crossed paths with other seminal modern artists such as Natalie Clifford Barney, Renée Vivien, Isadora Duncan, Susan Glaspell, George Cram Cook, Richard Strauss, Dimitri Mitropoulos, Nikos Kazantzakis, George Seferis, Henry Miller, Paul Robeson, and Ted Shawn. 0Brilliant and gorgeous, with floor-length auburn hair, Palmer was a wealthy New York debutante who studied Greek at Bryn Mawr College before turning her back on conventional society to live a lesbian life in Paris. She later followed Raymond Duncan (brother of Isadora) and his wife to Greece and married the Greek poet Angelos Sikelianos in 1907. With single-minded purpose, Palmer re-created ancient art forms, staging Greek tragedy with her own choreography, costumes, and even music. Having exhausted her inheritance, she returned to the United States in 1933, was blacklisted for criticizing American imperialism during the Cold War, and was barred from returning to Greece until just before her death. 0Drawing on hundreds of newly discovered letters and featuring many previously unpublished photographs, this biography vividly re-creates the unforgettable story of a remarkable nonconformist whom one contemporary described as "the only ancient Greek I ever knew."
American government securities); 1928-53 in 5 annual vols.:[v.1] Railroad securities (1952-53. Transportation); [v.2] Industrial securities; [v.3] Public utility securities; [v.4] Government securities (1928-54); [v.5] Banks, insurance companies, investment trusts, real estate, finance and credit companies (1928-54).
Psychiatric classifications created in one culture may not be as universal as we assume, and it is difficult to determine the validity of a classification even in the culture in which it was created. Culture and Panic Disorder explores how the psychiatric classification of panic disorder first emerged, how medical theories of this disorder have shifted through time, and whether or not panic disorder can actually be diagnosed across cultures. In this breakthrough volume a distinguished group of medical and psychological anthropologists, psychiatrists, psychologists, and historians of science provide ethnographic insights as they investigate the presentation and generation of panic disorder in various cultures. The first available work with a focus on the historical and cross-cultural aspects of panic disorders, this book presents a fresh opportunity to reevaluate Western theories of panic that were formerly taken for granted.
This volume reports in four sections the most recent developments of treatments in anxiety disorders. The current well-elaborated, though partly controversial, behavioral, cognitive, psychophysiological, and biological concepts for treatment of anxiety disorders are carefully evaluated (Part I). Part II discusses results of the short- and long-term effectiveness of the respective treatment methods, their side effects, and failures. Promising new basic-experimental and clinical studies from twenty research centers in Europe, Australia, and the United States shed new light on the relevant behavioral and biological variables and mechanisms involved in the development (Part III) as well as in the course and outcome of anxiety disorders (Part IV). Thus, for the clinician as well as for the researcher, this book provides the most up-to-date information about the current state of treatment-relevant research in panic and phobias.