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A series of semi-autobiographical sketches and stories detailing life in Charleston, South Carolina, in the 1930s and ‘40s. Growing up in Charleston in the 1930s and 1940s, accomplished storyteller Louis Rubin witnessed the subtle gradations of caste and class among neighborhoods, from south of Broad Street where established families and traditional mores held sway, to the various enclaves of Uptown, in which middle-class and blue-collar families went about their own diverse lives and routines. In Uptown/Downtown in Old Charleston, Rubin draws on autobiography and imagination in briskly paced renderings of his native Charleston that capture the atmosphere of the Holy City during an era when the population had not yet swelled above sixty-five thousand. Rubin’s wide-eyed narrator takes readers on excursions to Adger’s Wharf, the Battery, Union Terminal, the shops of King Street, the Majestic Theater, the College of Charleston, and other recognizable landmarks. With youthful glee he watches the barges and shrimp trawlers along the waterfront, rides streetcars down Rutledge Avenue and trains to Savannah and Richmond, paddles the Ashley River in a leaky homemade boat, pitches left-handed for the youngest team in the Twilight Baseball League, ponders the curious chanting coming from the Jewish Community Center, and catches magical glimpses of the Morris Island lighthouse from atop the Folly Beach Ferris wheel. His fascination with the gas-electric Boll Weevil train epitomizes his appreciation for the freedom of movement between the worlds of Uptown and Downtown that defines his youth in Charleston. This collection ends with a homecoming to Charleston by our narrator, then a young man in his early twenties, as his inbound train is greeted by familiar vistas of the city as well as by views he had never encountered before. This is the city Rubin called home, where there were always surprising discoveries to be found both in the burgeoning newness of Uptown and the storied legacies of Downtown. “Uptown/Downtown in Old Charleston is about a city in some ways larger that the state in which it resides. The book is also about memory and boyhood and baseball and boats and trains and family—and it packs a great wallop because it’s written by one of the country’s finest writers. These nine stories are among the best nine innings of history you’ll ever read.” —Clyde Edgerton “Louis Rubin brings the city to life with his insider guide to a secret Charleston too often overlooked in the carriage tours and guidebooks of today. Rubin allows you to enter the soul of the real Charleston, revealing its essence and depth. A wonderful, necessary book.” —Pat Conroy, author of South of Broad
Contributions by Anita DeRouen, Susan V. Donaldson, Julia Eichelberger, W. Ralph Eubanks, Sarah Gilbreath Ford, Bernard T. Joy, John Wharton Lowe, Anne MacMaster, Rebecca Mark, Suzanne Marrs, Donnie McMahand, Kevin Murphy, Harriet Pollack, Annette Trefzer, Jay Watson, and Ryoichi Yamane Working closely in each other’s orbit in Mississippi, William Faulkner, Eudora Welty, and Richard Wright created lasting portraits of southern culture, each from a distinctly different vantage point. Taking into consideration their personal, political, and artistic ways of responding to the histories and realities of their time and place, Faulkner, Welty, Wright: A Mississippi Confluence offers comparative scholarship that forges new connections—or, as Welty might say, traces new confluences—across texts, authors, identities, and traditions. In the collection, contributors discuss Faulkner’s Light in August; Sanctuary; Go Down, Moses; As I Lay Dying; “A Rose for Emily”; and “That Evening Sun”; Welty’s One Writer’s Beginnings; One Time, One Place; The Optimist’s Daughter; Losing Battles; “Why I Live at the P.O.”; “Livvie”; “Moon Lake”; “The Burning”; “Where Is the Voice Coming From?”; and “The Demonstrators”; and Wright’s Native Son; The Long Dream; 12 Million Black Voices; Black Boy; Lawd Today!; “The Man Who Lived Underground”; “The Ethics of Living Jim Crow”; and “Long Black Song.” Acknowledging that Mississippi ground was never level for any of the three writers, the fourteen essays in this volume turn from the familiar strategies of single-author criticism toward a mode of analysis more receptive to the fluid mergings of creative currents, placing Wright, Welty, and Faulkner in comparative relationship to each other as well as to other Mississippi writers such as Margaret Walker, Lewis Nordan, Natasha Trethewey, Jesmyn Ward, Steve Yarbrough, and Kiese Laymon. Doing so deepens and enriches our understanding of these literary giants and the Mississippi modernism they made together.
These 'First Families' of Old Charleston- and others- are Lowcountry legends in their own right. Margaret Middleton Rivers Eastman takes readers behind parlor doors on a journey from the patrician historical area south of Broad Street to the luxurious Sea Island plantations in an unusual collection of treasured family traditions that span the colony's founding to the mid-twentieth century.
A lively chronicle of the South's most renowned city from the founding of colonial Charles Town through the present day A Short History of Charleston—a lively chronicle of the South's most renowned and charming city—has been hailed by critics, historians, and especially Charlestonians as authoritative, witty, and entertaining. Beginning with the founding of colonial Charles Town and ending three hundred and fifty years later in the present day, Robert Rosen's fast-paced narrative takes the reader on a journey through the city's complicated history as a port to English settlers, a bloodstained battlefield, and a picturesque vacation mecca. Packed with anecdotes and enlivened by passages from diaries and letters, A Short History of Charleston recounts in vivid detail the port city's development from an outpost of the British Empire to a bustling, modern city. This revised and expanded edition includes a new final chapter on the decades since Joseph Riley was first elected mayor in 1975 through its rapid development in geographic size, population, and cultural importance. Rosen contemplates both the city's triumphs and its challenges, allowing readers to consider how Charleston's past has shaped its present and will continue to shape its future.
In the year 1800, South Carolina was home to more Jews than any other place in North America. As old as the province of Carolina itself, the Jewish presence has been a vital but little-examined element in the growth of cities and towns, in the economy of slavery and post-slavery society, and in the creation of American Jewish religious identity. The record of a landmark exhibition that will change the way people think about Jewish history and American history, A Portion of the People: Three Hundred Years of Southern Jewish Life presents a remarkable group of art and cultural objects and a provocative investigation of the characters and circumstances that produced them. The book and exhibition are the products of a seven-year collaboration by the Jewish Historical Society of South Carolina, the McKissick Museum of the University of South Carolina, and the College of Charleston. Edited and introduced by Theodore Rosengarten, with original essays by Deborah Dash Moore, Jenna Weissman Joselit, Jack Bass, curator Dale Rosengarten, and Eli N. Evans, A Portion of the People is an important addition to southern arts and letters. A photographic essay by Bill Aron, who has documented Jewish
“Even readers who deem themselves confirmed landlubbers will warm to this charming memoir...[also] offers the fine local color of coastal North Carolina.”—Publishers Weekly When Louis Rubin was thirteen, he built a leaky little boat and paddled it out to the edge of the ship channel in Charleston, South Carolina, where he felt the inexorable pull of the water. In his sixties, dozens of boats later—sailboats, powerboats, inboards and outboards—the pull is as strong as ever. In the tradition established by Twain, Conrad, and Melville, Small Craft Advisory explores man’s longtime passion for boats. Louis Rubin examines the compulsion that has prompted him and countless other non-nautical persons to spend so much time, and no small portion of their incomes, on watercraft that they can use only infrequently. As his new boat (a cabin cruiser made of wood on a workboat hull) is being built, Rubin tells of his past boats and numerous boating disasters, and draws a poignant comparison between his two passions: watercraft and the craft of writing. “A wistful meditation on risk-taking and a longing for a place where time never runs out.”—The Washington Post Book World “If the point of reading a memoir is to meet a person who is truly good company, and maybe to have a little wisdom rub off at the same time, Small Craft Advisory is a book to read.”—The New York Times Book Review “In describing the building of his boat he is describing the building of his life, reasserting the shaping value of memory and imagination. [A] gracefully written contemplation.”—Library Journal
This anthology portrays a collective consciousness shared by residents of a time when the city was very different than it is today. The literary image painted within its pages is drawn from the interviews of over two dozen Charlestonians whose recollections typify those of many residents of a time now faded - folks from nearly every section of the city, both Uptown and Downtown, from various neighborhoods and walks of life. Many readers will be native Charlestonians who remember and will be able to relate to much of what is within the pages. However, newcomers and visitors may enjoy learning about an earlier Charleston that has given way to a new identity.
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