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THE STORIES: UP, DOWN, STRANGE, CHARMED, BEAUTY, AND TRUTH. A pair of teenage sisters struggle to escape their drug-addled mother with help from their favorite down-on-his-luck uncle. Thanks to a series of wholly organic yet startlingly unexpected plot twists, neither the characters nor their situations are how they seemed when the play began. (1 man, 2 women.) LILA ON THE WALL. Journalist Lila must investigate a three-month-old story about a woman who saw Jesus’ face on a graffiti-laden wall. But the woman who saw it is off on a tour in Italy, and Carl, a young cameraman who prides himself in figuring out “emotional landscapes,” is determined to make Lila believe in something again. (1 man, 1 woman.) MAFIA ON PROZAC. Jay and Tee are a couple of hit-men sitting by the ocean and reflecting on how their lives turned out. Their intended victim, Matt, awaits his fate in a burlap sack. When Al Capone visits in a dream, the outraged and desperate Matt gets dragged into refereeing the hit-men’s argument about the mob’s future. (3 men.)
A DEAD MAN'S APARTMENT. Lonnie, a married but lonely truck driver, and Nickie, his mistress, a married but lonely hardware store clerk, meet twice a week in an apartment to talk and kiss. They have chosen a day to tell their spouses they are leaving them, but when the day comes, there is a message on Lonnie's answering machine: "You're a dead man." Lonnie wants to put off telling their spouses until he finds out who is after him, but when Nickie's brother, Al, reveals that Lonnie left his own message on the machine, Lonnie admits to being too scared to make the big move. Lonnie loses his secret life, but he realizes he loves his wife and that all this is for the best anyway. (2 men, 2 women.) ROSEMARY WITH GINGER. Two sisters meet in a closed-down diner and slowly reveal the strife they're experiencing at home: Rosemary, an alcoholic, is about to lose custody of her children, the pain of which leads her to drink more and to tolerate an abusive relationship with her boyfriend; Ginger finds herself in a loveless marriage, but more important, she needs to explain to Rosemary why she divulged Rosemary's alcoholism to her ex-husband, thus creating the custody battle. The sisters wrangle, accuse and attack, but mostly discover that, without each other, they have nothing. In the end, some hope is evident as the sisters rediscover their common bonds. (2 women.) FACE DIVIDED. In the emergency room of a Providence, Rhode Island hospital, Debbie waits for her husband. Their daughter, Jess, has fallen down the basement steps. That, at least, is what she tells the nurses, and this is the story she's sticking to. When Freddie arrives, he angrily confronts Debbie about the telltale signs of childabuse that mark their daughter. Debbie refuses to admit the truth and desperately talks about their simple life together before they were married and how she wants things back the way they were. Freddie warns Debbie that they'll lose their daughter, but Debbie won't cooperate. In the end, Freddie goes along with her story, all the while knowing that the state will do what it has to do and that Debbie will go on living in a dream world. (1 man, 2 women.)
THE STORY: A frame shop in a southern New England town is the setting for this tragicomedy in which a dying man toils ceaselessly in order to leave his once-abused wife some postmortem financial security. He unwittingly experiences the emotional an
THE STORIES: NORTH OF PROVIDENCE is a painful domestic crisis between brother and sister, uncovering old wounds on the last day of their father's life. (1 man, 1 woman.) DOLORES is the story of two sisters drawn together because of domestic violenc
This popular and critically acclaimed text, using movies to help learn about mental illness, has been fully updated with DSM-5 and ICD-10 diagnoses, dozens of evocative and informative frame grabs, a full film index, "Authors' Picks," sample syllabus, more international films and shorts... Films can be a powerful aid to learning about mental illness and psychopathology - for students of psychology, psychiatry, social work, medicine, nursing, counseling, literature or media studies, and for anyone interested in mental health. Movies and Mental Illness, written by experienced clinicians and teachers who are themselves movie aficionados, has established a great reputation as a uniquely enjoyable and highly memorable text for learning about psychopathology. The new edition has been fully updated to include DSM-5 and ICD-10 diagnoses. The core clinical chapters each use a fabricated case history and Mini-Mental State Examination along with synopses and discussions about specific movies to explain, teach, and encourage discussion about all the most important mental health disorders. Each chapter also includes: Critical Thinking Questions; "Authors' Picks" (Top 10 Films); What To Read if You Only Have Time to Read One Book or Article; and Topics for Group Discussions. Other features of the new, expanded edition include: * Full index of films * Sample course syllabus * Ratings of around 1,500 films * Fascinating appendices, such as "Top 50 Heroes and Villains," psychotherapists in movies, misconceptions about mental illness in movies, and recommended websites, plus listings of the PRISM Awards for Feature Films and the SAMHSA Voice Awards.
THE STORY: Nobel Prize-winning author Abel Znorko lives as a recluse on a remote island in the Norwegian Seas. For fifteen years, his one friend and soulmate has been Helen, from whom he has been physically separated for the majority of their affai
"But as A Drink with Shane MacGowan shows, the inspiration for his artistry and beliefs is as varied as his range of mind - embracing Ireland, religion, his family, esoteric philosophy and history."--Jacket.
A Gallery Book. Gallery Books has a great book for every reader.
A richly textured account of the writer’s three sojourns in New England “illuminates Hawthorne’s art and the intellectual ferment originating in that small, bucolic town” (Publishers Weekly). On his wedding day in 1842, Nathaniel Hawthorne escorted his new wife, Sophia, to their first home, the Old Manse in Concord, Massachusetts. There, enriched by friendships with Thoreau and Emerson, he enjoyed an idyllic time. But three years later, unable to make enough money from his writing, he returned ingloriously, with his wife and infant daughter, to live in his mother’s home in Salem. In 1853, Hawthorne moved back to Concord, now the renowned author of The Scarlet Letter and The House of the Seven Gables. Eager to resume writing fiction at the scene of his earlier happiness, he assembled a biography of his college friend Franklin Pierce, who was running for president. When Pierce won the election, Hawthorne was appointed the lucrative post of consul in Liverpool. Coming home from Europe in 1860, Hawthorne settled down in Concord once more. He tried to take up writing one last time, but deteriorating health found him withdrawing into private life. In Hawthorne in Concord, acclaimed historian Philip McFarland paints a revealing portrait of this well-loved American author during three distinct periods of his life, spent in the bucolic village of Concord, Massachusetts. “I don’t know when I have read a book as satisfying as Hawthorne in Concord.” —David Herbert Donald
For news junkies and fans of the bizarre-but-true, here is an outrageous collection of all-real, all-weird news stories culled from the nation's mainstream newspapers. Line art throughout.