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He knows instantly that she is dangerous. Everything about her is wrong. He's rich. Successful. Worked hard to get where he is... Alone. Alone is safer. The heart is a fool. He learned that the hard way. But she's curious. Tenacious. She's a reporter -- and he has secrets. She laughs at him when he's serious, cries when he tries to be funny. He should avoid her at all costs. Should. That's a dangerous word. A word that can break your heart. One Click NOW!
"Roth uses a variety of papers and fabrics to make the clever, intricate collages that accompany her text. The repetitive rhyme asks readers, "What can you see ?" on the rooftops, in the window, and around the house tonight. The reply is "I can see one monster in the pale moonlight," " two dragons in the pale moonlight," etc. The last spread includes an angel "to keep me safe and sound." Some of the collage creatures could be frightening to little ones, although the constant presence of the mother with the child in every picture is reassuring. Older children will admire the artwork and enjoy identifying the different materials used to make the pictures. They will delight in counting the monsters from 1 to 10 and echoing the rhythmic chant as it is read to them. An unusual book that will fascinate youngsters." - School Library Journal. Narrated by Anthony Call (Star Trek, The Twilight Zone).
Kai, at the time of writing this book, is 17. They are from Florida. They have lived there their whole life. They created this book as a way to release pent up emotions, but it soon turned into their pride a joy. Their greatest creation. To write this book was both a struggle and an honor, and they are so happy to finally share it with the world.
As you turn each page, you will come to find that my book has now become your new obsession. Flipping through the pages, devouring every word, this is an addiction. The rehab and recovery you find in these pages will continue to water your mind, as you develop into a forest that is not only miraculous but indestructible. Let me love you while you learn to love yourself again.
The 1989 Convention on the Rights of the Child attaches key importance to the family¿s role in nurturing & raising the child. The child¿s interests are best served by staying with the family, even in times of war or misfortune, unless the home is abusive. Despite this widely accepted principle, increasing numbers of children are growing up alone. The cause of this epidemic is the acute poverty endured by millions of families in Africa, Asia, Latin Amer. & Central & Eastern Europe -- reinforced by causes such as warfare & the HIV/AIDS pandemic. Contents: What is the scale of the problem?; Experiencing growing up alone; Bolstering families; Programs for family well-being; Speaking out for children growing up alone; & A UK agenda for action. Illustrations.
The Best Christmas Present Since the first grade, Holly Johnson has known that Ramon Rodriguez is the only man for her. But the carefree, determinedly single Texas cowboy with the killer smile doesn't have a clue. Until they share a dance and a kiss…and Ray finally sees his best friend for the woman in love she is. With his brothers racing each other down the aisle, Ray figured he'd be the last bachelor in Forever. That was before the night that changed his life. He can't believe the sexy, beautiful lady who arouses heart-stopping desire is his pal and confidante, and loving aunt to the most adorable little girl. Now that he realizes what he's been missing, Ray plans to make up for lost time…starting with the three little words Holly's waited thirteen years to hear.
This intimate portrait of Lou Costello (1906-1959) offers a rare look at one of the most talented comedians of all time. Starting in the 1930s, Costello attained enormous fame touring the burlesque circuits with straight man Bud Abbott (1895-1974). Their live skits (including "Who's on First?"), radio programs, and films such as One Night in the Tropics, Buck Privates, Abbott and Costello Meet Frankenstein, and In the Navy made comic history. Behind the scenes, however, Costello faced numerous crises: a bout with rheumatic fever that left him bedridden for months, the drowning death of his young son, and constant haggles with Universal Studios over its reluctance to adequately finance productions of Abbot and Costello films. Lou's on First goes beyond Costello's clownish persona to explore his Pagliacci nature: the private demons behind the happy public face, the heartbreaking moments in an otherwise storybook marriage, the business ventures soured by unscrupulous managers, and the true nature of the breakup of his twenty-one-year partnership with Bud Abbott.